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Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gun-wielding terrorists breaks in through the air-conditioning vents and takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, as terrorists and hostages forge unexpected bonds and people from different countries and continents become compatriots. Without the demands of the world to shape their days, life on the inside becomes more beautiful than anything they had ever known before. At once riveting and impassioned, the narrative becomes a moving exploration of how people communicate when music is the only common language. Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion and cannot be stopped. Ann Patchett has written a novel that is as lyrical and profound as it is unforgettable. Bel Canto engenders in the reader the very passion for art and the language of music that its characters discover. As a reader, you find yourself fervently wanting this captivity to continue forever, even though you know that real life waits on the other side of the garden wall. Bel Canto is a virtuoso performance by one of our bestand most important writers. It is a no novel to be cherished. ...
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Since their mother's death, Tip and Teddy Doyle have been raised by their loving, possessive, and ambitious father. As the former mayor of Boston, Bernard Doyle wants to see his sons in politics, a dream the boys have never shared. But when an argument in a blinding New England snowstorm inadvertently causes an accident that involves a stranger and her child, all Bernard cares about is his ability to keep his children—all his children—safe. ...
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St. Elizabeth's is a home for unwed mothers in the 1960s. Life there is not unpleasant, and for most, it is temporary. Not so for Rose, a beautiful, mysterious woman who comes to the home pregnant but not unwed. She plans to give up her baby because she knows she cannot be the mother it needs. But St. Elizabeth's is near a healing spring, and when Rose's time draws near, she cannot go through with her plans, not all of them. And she cannot remain forever untouched by what she has left behind . . . and who she has become in the leaving. ...
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Since their mother's death, Tip and Teddy Doyle have been raised by their loving, possessive, and ambitious father. As the former mayor of Boston, Bernard Doyle wants to see his sons in politics, a dream the boys have never shared. But when an argument in a blinding New England snowstorm inadvertently causes an accident that involves a stranger and her child, all Bernard Doyle cares about is his ability to keep his children—all his children—safe. Set over a period of twenty-four hours, Run shows us how worlds of privilege and poverty can coexist only blocks apart from each other, and how family can include people you've never even met. Suspenseful and stunningly executed, Run is ultimately a novel about secrets, duty, responsibility, and the lengths we will go to protect our children. ...
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Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds, and people from different continents become compatriots. Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion . . . and cannot be stopped. ...
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Ann Patchett and the late Lucy Grealy met in college in 1981, and, after enrolling in the Iowa Writer's Workshop, began a friendship that would be as defining to both of their lives as their work. In Grealy's critically acclaimed memior, Autobiography of a Face, she wrote about losing part of her jaw to childhood cancer, years of chemotherapy and radiation, and endless reconstructive surgeries. In Truth & Beauty, the story isn't Lucy's life or Ann's life, but the parts of their lives they shared. This is a portrait of unwavering commitment that spans twenty years, from the long winters of the Midwest, to surgical wards, to book parties in New York. Through love, fame, drugs, and despair, this is what it means to be part of two lives that are intertwined ... and what happens when one is left behind. This is a tender, brutal book about loving the person we cannot save. It is about loyalty, and being lifted up by the sheer effervescence of someone who knew how to live life to the fullest. ...
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John Nickel is a black ex-jazz musician who only wants to be a good father. But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft—Fay and Carl's dead father—and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers. ...
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Based on her lauded commencement address at Sarah Lawrence College, this stirring essay by bestselling author Ann Patchett offers hope and inspiration for anyone at a crossroads, whether graduating, changing careers, or transitioning from one life stage to another. With wit and candor, Patchett tells her own story of attending college, graduating, and struggling with the inevitable question, What now? From student to line cook to teacher to waitress and eventually to award-winning author, Patchett's own life has taken many twists and turns that make her exploration genuine and resonant. As Patchett writes, "'What now?' represents our excitement and our future, the very vitality of life." She highlights the possibilities the unknown offers and reminds us that there is as much joy in the journey as there is in reaching the destination. ...
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This is a story about Peter Duke who went on to be a famous actor.
This is a story about falling in love with Peter Duke who wasn't famous at all.
It's about falling so wildly in love with him – the way one will at twenty-four – that it felt like jumping off a roof at midnight.
There was no way to foresee the mess it would come to in the end.
It's spring and Lara's three grown daughters have returned to the family orchard. While picking cherries, they beg their mother to tell them the one story they've always longed to hear – of the film star with whom she shared a stage, and a romance, years before.
Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart....
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