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“Entirely wonderful . . . chock-full of revenge, romance, duplicity, concealed identities and murder most frequent.”—Washington Post Building on his haunting, superbly written debut, The Meaning of Night, Michael Cox returns to a story of murder, love, and revenge in Victorian England. The Glass of Time is a vividly imagined study of seduction, betrayal, and friendship between two powerful women bound together by the past. ....

"Superb.... An engrossing and complicated tale...that touches on every aspect of Victorian society."—Michael Dirda, Washington Post Book World "After killing the red-haired man, I took myself off to Quinn's for an oyster supper." So begins the "enthralling" (Booklist, starred review) and "ingenious" (Boston Globe) story of Edward Glyver, booklover, scholar, and murderer. A chance discovery convinces Glyver that greatness awaits him. His path to win back what is rightfully his leads him to Evenwood, one of England's most enchanting country houses, and a woman who will become his obsession. ....

Building on his "superb" (Washington Post) debut, The Meaning of Night, Michael Cox returns to a murderous nineteenth-century England. Like its "beguiling" and "intelligent" (New York Times Book Review) predecessor, The Glass of Time is a page turning period mystery about identity, the nature of secrets, and what happens when past obsessions impose themselves on an unwilling present. In the autumn of 1876, nineteen year-old orphan Esperanza Gorst arrives at the great country house of Evenwood to become a lady's maid to the twenty-sixth Baroness Tansor. But Esperanza is no ordinary servant. She has been sent by her guardian, the mysterious Madame de l'Orme, to uncover the secrets that her new mistress has sought to conceal, and to set right a past injustice in which Esperanza's own life is bound up. At Evenwood she meets Lady Tansor's two dashing sons, Perseus and Randolph, and finds herself enmeshed in a complicated web of seduction, intrigue, deceit, betrayal, and murder. Few writers are as gifted at evoking the sensibility of the nineteenth century as Michael Cox, who has made the world of Charles Dickens and Wilkie Collins his own. ....