"Anellia" is a young student who, though gifted with a penetratingintelligence, is drastically inclined to obsession. Funny, mordant, and compulsive, she falls passionately in love with a brilliant yet elusive blackphilosophy student. But she is tested most severely by a figure out ofher past she'd long believed dead.

Astonishingly intimate and unsparing, and pitiless in exposing the follies of the time, I'll Take You There is a dramatic revelation of the risks -- and curious rewards -- of the obsessive personality as well as a testament to the stubborn strength of a certain type of contemporary female intellectual.

In this ambitious book, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker—the child, the woman, the fated celebrity and idolized blonde the world came to know as Marilyn Monroe. In a voice startling, intimate, and rich, Norma Jeane tells her own story, that of an emblematic American artist—intensely conflicted and driven—who has lost her way. A powerful portrait of Hollywood's myth and an extraordinary woman's heartbreaking reality, Blonde is a sweeping epic that pays tribute to the elusive magic and devastation behind the creation of the great twentieth-century American star.

"Later, I would think of it as crossing over. From a known territory into an unknown. From a place where people know you to a place where people only think they know you."

Sometimes Franky Pierson has a hard time dealing with life. Like when her parents separate and her mother vanishes, Franky wants to believe that her mom has simply pulled a disappearing act. Yet deep within herself, a secret part of her she calls Freaky Green Eyes knows that something is terribly wrong. And only Freaky can open Franky's eyes to the truth.

Joyce Carol Oates returns with a dark, romantic, and captivating tale, set in the Great Lakes region of upstate New York—the territory of her remarkably successful New York Times bestseller The Gravedigger's Daughter.

Set in the mythical small city of Sparta, New York, this searing, vividly rendered exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter.

When a young wife and mother named Zoe Kruller is found brutally murdered, the Sparta police target two primary suspects, her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Eddy Diehl's daughter, Krista, become obsessed with each other, each believing the other's father is guilty.

Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is a classic Oates novel in which the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty. By the novel's end, the fated lovers, meeting again as adults, are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.

No I did not. I did not, I did not. I did not say those things, and I did not plan those things. Won't It anyone believe me?

All right, Ugly Girl made a mistake. I'd told my mom what I'd heard in the cafeteria, and she'd told Dad. Evidently. I'd thought for sure they would want me to speak up for the truth.

Nikki Eaton, single, thirty-one, sexually liberated, and economically self-supporting, has never particularly thought of herself as a daughter. Yet, following the unexpected loss of her mother, she undergoes a remarkable transformation during a tumultuous year that brings stunning horror, sorrow, illumination, wisdom, and even—from an unexpected source—a nurturing love.

It is 1950 and, after a disastrous honeymoon night, Ariah Erskine's young husband throws himself into the roaring waters of Niagara Falls. Ariah, "the Widow Bride of the Falls," begins a relentless seven-day vigil in the mist, waiting for his body to be found. At her side is confirmed bachelor and pillar of the community Dirk Burnaby, who is unexpectedly drawn to her. What follows is a passionate love affair, marriage, and family -- a seemingly perfect existence. But tragedy soon takes over their lives, poisoning their halcyon years with distrust, greed, and murder.

Set against the mythic-historic backdrop of Niagara Falls in the mid-twentieth century, this haunting exploration of the American family in crisis is a stunning achievement from "one of the great artistic forces of our time" (The Nation).

A tribute to the brilliant craftsmanship of one of our most distinguished writers, providing valuable insight into her inspiration and her method

Joyce Carol Oates is widely regarded as one of America's greatest contemporary literary figures. Having written in a number of genres -- prose, poetry, personal and critical essays, as well as plays -- she is an artist ideally suited to answer essential questions about what makes a story striking, a novel come alive, a writer an artist as well as a craftsman.

In The Faith of a Writer, Oates discusses the subjects most important to the narrative craft, touching on topics such as inspiration, memory, self-criticism, and "the unique power of the unconscious." On a more personal note, she speaks of childhood inspirations, offers advice to young writers, and discusses the wildly varying states of mind of a writer at work. Oates also pays homage to those she calls her "significant predecessors" and discusses the importance of reading in the life of a writer.

Oates claims, "Inspiration and energy and even genius are rarely enough to make 'art': for prose fiction is also a craft, and craft must be learned, whether by accident or design." In fourteen succinct chapters, The Faith of a Writer provides valuable lessons on how language, ideas, and experience are assembled to create art.

Jenna Abbott separates her life into two categories: before the wreck and after the wreck. Before the wreck, she was leading a normal life with her mom in suburban New York. After the wreck, she is alone, desperate to forget what happened that day on the bridge.

Then Jenna meets Crow, and her life is once again turned upside down. He begins to break down the wall that Jenna has built around her emotions. But can she bring herself to face the memories she's tried so hard to erase?

When he died in 1937, destitute and emotionally as well as physically ruined, H. P. Lovecraft had no idea that he would one day be celebrated as the godfather of modern horror. A dark visionary, his work would influence an entire generation of writers, including Stephen King, Clive Barker, Neil Gaiman, and Anne Rice. Now, the most important tales of this distinctive American storyteller have been collected in a single volume by National Book Award-winning author Joyce Carol Oates.

In tales that combine the nineteenth-century gothic sensibility of Edgar Allan Poe with a uniquely daring internal vision, Lovecraft fuses the supernatural and mundane into a terrifying, complex, and exquisitely realized vision, foretelling a psychically troubled century to come. Set in a meticulously described New England landscape, here are harrowing stories that explore the total collapse of sanity beneath the weight of chaotic events—stories of myth and madness that release monsters into our world. Lovecraft's universe is a frightening shadow world where reality and nightmare intertwine, and redemption can come only from below.

Spanish Description:
En 1936, los Schwart, una familia de inmigrantes desesperada por escapar de la Alemania nazi, se instala en una pequena ciudad de Estados Unidos. El padre, un profesor de instituto, es rebajado al unico trabajo al que tiene acceso: sepulturero y vigilante de cementerio. Los prejuicios locales y la debilidad emocional de los Schwart suscitan una terrible tragedia familiar. Rebecca, la hija del sepulturero, comienza entonces su sorprendente peregrinacion por la America profunda, una odisea de riesgo erotico e intrepida imaginacion que la obligara a reinventarse a si misma.

Joyce Carol Oates ha creado una pieza magistral de realismo mitico y domestico, excepcionalmente emotiva y provocadora: un testimonio intimo de la resistencia del individuo. En esta novela prodigiosa la violencia actua como un faro iluminando una cultura y una epoca....

Herein is the unexpurgated first-person narrative of nineteen-year-old Skyler Rampike, the only surviving child of an "infamous" American family destroyed a decade ago by the murder of Skyler’s six-year-old ice-skating champion sister, Bliss, and the media scrutiny that followed. Part investigation into the unsolved murder, part elegy for the lost Bliss and for his own lost childhood, Skyler’s narrative is an alternately harrowing and corrosively funny exposÉ of upper-middle-class American pretensions—and an unexpectedly subtle and sympathetic exploration of those who dwell in "Tabloid Hell."

Edgar Allan Poe, Emily Dickinson, Samuel Clemens ("Mark Twain"), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in her newest work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is "genius."

Darkly hilarious, brilliant, and brazen, Wild Nights! is Joyce Carol Oates's most original and haunting work of the imagination.

Joyce Carol Oates returns with a dark, romantic, and captivating tale, set in the Great Lakes region of upstate New York—the territory of her remarkably successful New York Times bestseller The Gravedigger's Daughter.

Set in the mythical small city of Sparta, New York, this searing, vividly rendered exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter.

When a young wife and mother named Zoe Kruller is found brutally murdered, the Sparta police target two primary suspects, her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Eddy Diehl's daughter, Krista, become obsessed with each other, each believing the other's father is guilty.

Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is a classic Oates novel in which the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty. By the novel's end, the fated lovers, meeting again as adults, are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.

Fleeing Nazi Germany in 1936, the Schwarts immigrate to a small town in upstate New York. Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

The Journal of Joyce Carol Oates, edited by Greg Johnson, offers a rare glimpse into the private thoughts of this extraordinary writer, focusing on excerpts written during one of the most productive decades of Oates's long career. Far more than just a daily account of a writer's writing life, these intimate, unrevised pages candidly explore her friendship with other writers, including John Updike, Donald Barthelme, Susan Sontag, Gail Godwin, and Philip Roth. It presents a fascinating portrait of the artist as a young woman, fully engaged with her world and her culture, on her way to becoming one of the most respected, honored, discussed, and controversial figures in American letters.

These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit....

A gripping and moving new collection of stories by Joyce Carol Oates, which reimagines the meaning of family—by unexpected, often startling means

With the unflinching candor and sym­pathy for which Joyce Carol Oates is celebrated, these fourteen stories examine the intimate lives of contemporary American families: the tangled ties between generations, the desperation—and the covert, radiant happiness—of loving more than one is loved in return. In "Cutty Sark" and "Landfill," the bond between adolescent son and mother reverberates with the force of an unspoken passion, bringing unexpected consequences for the son. In "A Princeton Idyll," a woman is forced to realize, decades later, her childhood role in the destruction of a famous, beloved grandfather's life. In "Magda Maria," a man tries to break free of the enthralling and dangerous erotic obsession of his life. In the gripping title story, Oates boldly reimagines the true-crime story of Andrea Yates, the Texas mother who drowned her children in 2001. Several stories—"Suicide by Fitness Center," "The Glazers," and "Dear Joyce Carol,"—take a less tragic turn, exploring with mordant humor the shadowy interstices between self-awareness and delusion.

Dramatic, intensely rendered, and always provocative, Dear Husband, provides an unsettling and fascinating look into the mysterious heart of America.

In 1936 the Schwarts, an immigrant family desperate to escape Nazi Germany, settle in a small town in upstate New York, where the father, a former high school teacher, is demeaned by the only job he can get: gravedigger and cemetery caretaker. After local prejudice and the family's own emotional frailty result in unspeakable tragedy, the gravedigger's daughter, Rebecca, begins her astonishing pilgrimage into America, an odyssey of erotic risk and imaginative daring, ingenious self-invention, and, in the end, a bittersweet—but very "American"—triumph. "You are born here, they will not hurt you"—so the gravedigger has predicted for his daughter, which will turn out to be true.

In The Gravedigger's Daughter, Oates has created a masterpiece of domestic yet mythic realism, at once emotionally engaging and intellectually provocative: an intimately observed testimony to the resilience of the individual to set beside such predecessors as The Falls, Blonde, and We Were the Mulvaneys.

In the raw was how the world felt now. My feelings were raw, my thoughts were raw and hurtful like knife blades. . . . In the blue had been my place to hide, now In the raw there was nowhere to hide.

Jenna Abbott separates her life into two categories: before the wreck and after the wreck. Before the wreck, she was leading a normal life with her mom in suburban New York. After the wreck, Jenna is alone, trying desperately to forget what happened that day on the bridge. She's determined not to let anyone get close to her -- she never wants to feel so broken and fragile again.

Then Jenna meets Crow. He is a powerfully seductive enigma, and Jenna is instantly drawn to him. Crow is able to break down the wall that Jenna has built around her emotions, and she surprises herself by telling him things she hasn't told anyone else. Can Jenna bring herself to face the memories she's tried so hard to erase?