הוצאת Semiotext(e)
הספרים של הוצאת Semiotext(e)
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Correspondence: The Foundation of the Situationist International (June 1957–August 1960) (Semiotext(e) / Foreign Agents)
מאת Guy Debord
Yesterday, the police interrogated me at length about the journal and the Situationist organization. It was only a beginning. This is, I think, one of the principle threats that came up quickly during the discussion: the police want to regard the SI as an association in order to set about its dissol...
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We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is under siege everywhere. Not silence but uninterrupted noise, not the red desert, but a cognitive space overcharged with nervous inc...
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The Importance of Being Iceland: Travel Essays in Art (Semiotext(e) / Active Agents)
מאת Eileen Myles
Poet and post-punk hero Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Myles travels the city—wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding ...
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Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception—a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the ...
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The Little Black Book of Grisélidis Réal: Days and Nights of an Anarchist Whore (Semiotext(e) / Native Agents)
מאת Jean-Luc Hennig
They have to come back to us, because we know every detail of their orgasms, their little caprices, their little weaknesses and strengths. We know all of them. I mean, where do you expect them to go? They'll be disappointed anywhere else. Except for with us, because we know them like the back of ...
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The Passionate Mistakes and Intricate Corruption of One Girl in America (Semiotext(e) / Native Agents)
מאת Michelle Tea
Published by Semiotext(e) to critical acclaim in 1998, Michelle Tea's debut novel The Passionate Mistakes and Intricate Corruption of One Girl in America quickly established Tea as an exciting new literary talent and the voice of a new generation of queer, bisexual, transgendered, and straigh...
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Chaosophy, New Edition: Texts and Interviews 1972–1977 (Semiotext(e) / Foreign Agents)
מאת Félix Guattari
Chaosophy is an introduction to Félix Guattari's groundbreaking theories of "schizo-analysis": a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, who utilized neuroses as his working model, Guattari...
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An autobiographical novel by turn naïve and cunning, funny and moving, this most recent work by Moroccan expatriate Abdellah Taïa is a major addition to the new French literature emerging from the North African Arabic diaspora. Salvation Army is a coming-of-age novel that tells the story of...
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This first English-language edition of Christian Marazzi's most recent book, The Violence of Financial Capitalism, makes a groundbreaking work on the global financial crisis available to a new audience of readers. Marazzi, a leading figure in the European postfordist movement, first takes a b...
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Soft Subversions, New Edition: Texts and Interviews 1977–1985 (Semiotext(e) / Foreign Agents)
מאת Félix Guattari
This new edition of Soft Subversions expands, reorganizes, and develops the original 1996 publication, offering a carefully organized arrangement of essays, interviews, and short texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This period encompasses what Guattari ...
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"What do you do, exactly? I have no idea." "I reify," he answered. "It's a serious job," I added. "Yes, it is," he said. "I see," Carol observed with admiration. "Serious work, with big books and a big table cluttered with papers." "No," said Gilles. "I walk. Mostly I walk." —from All the...
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A runaway at thirteen, a reform-school graduate at sixteen, a performer in the legendary New York City Playhouse of the Ridiculous at seventeen, and an escapee from Andy Warhol's Factory scene at nineteen, Penny Arcade (born Susana Ventura) emerged in the 1980s as a primal force on the New York art ...
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"I gazed out my window on the sea of dark clouds as my shaking seat jiggled the image into double vision; and I pictured the flat, geometrically divided western landscapes below, wondering why anyone still bothered to travel in this cookie-cutter country. What was the use of visiting identical repro...
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