John Sanders

John Sanders

סופר


1.

If God is all-knowing and all-powerful, can he in any way be vulnerable to his creation?

Can God be in control of anything at all if he is not constantly in control of everything?

In The God Who Risks, John Sanders mounts a careful and challenging argument for positive answers to both of these profound theological questions. In this thoroughly revised edition, Sanders clarifies his position and responds to his critics. His book not only will contribute to serious ongoing theological discussion but will enlighten pastors and laypersons who struggle with questions about suffering, evil and human free will.


Market/Audience
  • Pastors
  • Thoughtful laypeople

Features and Benefits
  • Considers God as divine risk-taker.
  • Presents an inspiring and informed model of "relational theism".
  • Offers an in-depth reading of relevant Old and New Testament texts.
  • Draws on biblical, philosophical, historical, systematic and practical theology.
  • Contributes to ongoing scholarly discussion of free will and divine sovereignty.
  • Addresses practical implications for questions of suffering and evil.
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2.
3.

The disaster film taps into our fear of events beyond our control, ones that are often rooted in real-life experience, making the genre a particularly potent mixture of entertainment and grounded events. Studying Disaster Films provides a comprehensive introduction to a sub-genre that has flourished since the 1970s, fully accounting for the genre's origins and focusing on key films, including Airport, The Towering Inferno, The Day After Tomorrow, and, most recently, Cloverfield. Each case study presents a complete examination of the film, covering production, distribution, and marketing, and tackles such major critical areas as close textual analysis of scenes, issues of representation ,and critical reaction. Within this context, The Day After Tomorrow and Cloverfield are examined as products of current moral panics. There is also a consideration of "reality" disaster films, such as United 93. Written in a lively manner, this volume synthesizes central film and media concepts, affording the reader a thorough overview of the sub-genre.

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