Mary Richards

Mary Richards

סופר


1.

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

Marina Abramovic is the creator of pioneering performance art which transcends the form's provocative origins. Her visceral and extreme performances have tested the limits of both body and mind, communicating with audiences worldwide on a personal and political level. The book combines:

  • a biography, setting out the contexts of Abramovic’s work
  • an examination of the artist through her writings, interviews and influences
  • a detailed analysis of her work, including studies of the Rhythm series, Nightsea Crossing and The House with the Ocean View
  • practical explorations of the performances and their origins

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

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2.

 “Good art should elicit a response of ‘Huh? Wow!’ as opposed to ‘Wow! Huh?’”—Ed Ruscha

 

American artist Ed Ruscha (b. 1937) is a master of creating art that is at once playful and profound. Ruscha’s inimitable work frequently involves the setting of a single word or phrase against a stained background or monumental landscape. His paintings, prints, drawings, photographs, books, and films were influential in the development of Pop Art, and his stunning artist’s books continue to inspire up-and-coming artists today.

 

In this definitive overview of Ruscha’s career to date, Mary Richards traces the progression of the artist’s work across five decades. The book also focuses on Ruscha’s techniques, particularly his delicate drawings, prints using organic materials, and process of making art as documented in his notebooks. With stunning reproductions and new interview material, this thought-provoking book probes the internal logic of Ruscha’s oeuvre for words, images, and phrases that resurface time and again.

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