Peter Morgan

Peter Morgan

סופר


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By 1972 Richard Nixon had ended the Vietnam war, achieved diplomatic breakthroughs with Russia and China, presided over a period of economic stability at home, and was on the verge of a landslide re-election . . . until he decided to cover up a third-rate burglary. Watergate was one of the largest scandals in American history and two years later Nixon would resign the presidency—but with neither an admission of guilt nor any sign of remorse.
 
In a drama “as thought-provoking as it is gripping and entertaining" (Charles Spencer, The Daily Telegraph), acclaimed screenwriter Peter Morgan examines how a British playboy, talk-show host managed what no other journalist or prosecutor could: to extract a confession from our most notorious statesman.   

Peter Morgan has collaborated with Stephen Frears on The Deal and The Queen. He has written for numerous other screenplays including, for television, Mickey Love, The Jury and Longford; and, for film, Martha—Meet Frank, Daniel and Laurence, The Last King of Scotland and The Other Boleyn Girl. He lives between London and Vienna with his wife and four children. Frost/Nixon is his first stage play.

By 1972, Richard Nixon had ended the Vietnam war, achieved diplomatic breakthroughs with Russia and China, presided over a period of economic stability at home, and was on the verge of a landslide re-election . . . until he decided to cover up a third-rate burglary. Watergate was one of the largest scandals in American history and two years later Nixon would resign the presidency—but with neither an admission of guilt nor any sign of remorse.
 
In a drama “as thought-provoking as it is gripping and entertaining" (Charles Spencer, The Daily Telegraph), acclaimed screenwriter Peter Morgan examines how a British playboy, talk-show host managed what no other journalist or prosecutor could: to extract a confession from our most notorious statesman.   

"A smash London and Broadway play about [Nixon's] famous post-presidential interviews with the British television-talk-show impresario David Frost . . . Nixon's odd attractiveness in Frost/Nixon should come as no surprise. All of Morgan's recent scripts—notably The Queen, about Elizabeth II in the aftermath of Princess Diana’s death, in 1997, and The Last King of Scotland, about the Ugandan dictator Idi Amin—have portrayed their historical protagonists as more complex and substantial than their prevailing public images.”—Michael Nelson, The Chronicle of Higher Education

"Television mows down a titan in Frost/Nixon, the briskly entertaining new play by Peter Morgan about the 1977 face-off between its title characters."—Ben Brantley, The New York Times
 
"A smash London and Broadway play about [Nixon's] famous post-presidential interviews with the British television-talk-show impresario David Frost . . . Nixon's odd attractiveness in Frost/Nixon should come as no surprise. All of Morgan's recent scripts—notably The Queen, about Elizabeth II in the aftermath of Princess Diana’s death, in 1997, and The Last King of Scotland, about the Ugandan dictator Idi Amin—have portrayed their historical protagonists as more complex and substantial than their prevailing public images.”—Michael Nelson, The Chronicle of Higher Education
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Most people in rural Africa do not have access to safe toilets, and their health and well-being suffers as a consequence. There is an urgent need for the construction of simple, low-cost, affordable toilets that are easy to build and maintain.

Toilets That Make Compost provides practical examples of toilets that, in addition to providing a safe sanitation option, also recycle the nutrients in excreta to produce compost. This compost is valued wherever households have enough space to grow fruit and vegetables in their back gardens; the designs are suitable for regions where there is no high water table or prolonged wet season. This book provides detailed instructions for constructing a range of toilets from the simplest and most affordable to the more sophisticated ecological toilet.
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From the moment the 944 made its debut in the of Autumn 1981, it was an instant success. The second generation 968 continued an almost constant evolution. When production ceased in 1995, combined 944/968 production totaled some 188,000, making them – at the time – Porsche's most successful model family ever. The secret of that success is a unique combination of vibrant performance with everyday practicality. This Ultimate Buyers' Guide introduces all the 944 and 968 model types, describing the technical specifications, vehicle identification data, performance, colors and options. Using color photography of the cars and many actual problem areas, we introduce each model and what to look for when choosing and buying a used example.
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