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8.
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King Jesus, long out of print, is one of the most controversial historical novels of all time. In it, Robert Graves has summoned his superb narrative powers, his painstaking scholarship, his wit and unsurpassed ability to recreate the past, to produce a magnificant portrayal of the life of Christ on earth. ...
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Recounts the glorious days when gods and godesses who dwelt on Mount Olympus ruled over the world of mortals below, and fabled heroes performed mighty deeds of valor....
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In this autobiography, first published in 1929, poet Robert Graves traces the monumental and universal loss of innocence that occurred as a result of the First World War. Written after the war and as he was leaving his birthplace, he thought, forever, Good-Bye to All That bids farewell not only to England and his English family and friends, but also to a way of life. Tracing his upbringing from his solidly middle-class Victorian childhood through his entry into the war at age twenty-one as a patriotic captain in the Royal Welsh Fusiliers, this dramatic, poignant, often wry autobiography goes on to depict the horrors and disillusionment of the Great War, from life in the trenches and the loss of dear friends, to the stupidity of government bureaucracy and the absurdity of English class stratification. Paul Fussell has hailed it as ""the best memoir of the First World War"" and has written the introduction to this new edition that marks the eightieth anniversary of the end of the war. An enormous success when it was first issued, it continues to find new readers in the thousands each year and has earned its designation as a true classic....
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14.
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In a work that has become a classic reference book for both the serious scholar and the casual inquirer, Graves retells the adventures of the important gods and heroes worshipped by the ancient Greeks. Each entry provides a full commentary which examines problems of interpretation in both historical and anthropological terms, and in light of contemporary research....
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16.
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Robert Graves’ stand-alone sequel to I, Claudius poses significant philosophical and sociological questions about power and people. As Rome begins its inevitable decline, the stuttering, crippled, bookish nobleman Claudius has somehow survived the purges and achieved the throne. Told in the style of a secret diary, Claudius the God chronicles his experiences as a ruler, his musings on philosophical matters regarding the governance of Rome, and the nature of managing a general populous. Raising intelligent and thought-provoking issues, the likeable yet formidable Claudius reflects on whether his society would benefit from practices such as free rule and the possibilities of reviving the Republic. Peopled by compelling historical figures such as his wife, the debauched Empress Messalina; the scheming, roguish Herod Agrippa; and the devious Empress Livia, Claudius the God combines first-rate historical fiction with a timely discussion of the virtues of freedom versus the stability of centralized government. ...
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Melding the personal with the political, Robert Graves' Goodbye to All That is both a literary masterpiece and the definitive account of the horrors of World War I. Using anecdotes from his own life prior to his enlistment in the army — his upper-crust upbringing, his privileged private school education — Graves illustrates the stark contrast between life in the trenches and life at home. Like many other soldiers who suffered appalling conditions and witnessed the tragic and ignorant blunders of senior military figures while on the front line, Graves returned to England a haunted man, forever disillusioned with the hypocrisy of traditional British values. First published in 1929, Goodbye to All That is a cathartic and candid look at Britain’s involvement in WWI. Intense, unsettling, and enlightening, this compelling memoir is vital to understanding not only the battles of the First World War, but the events and social attitudes of the Jazz Age and beyond. ...
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25.
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Equal parts history and absurdity, this tongue-in-cheek treatise laments the decline of swearing and foul language in England and looks back with nostalgia at the glory days of oaths and blasphemies. Written when censorship in England was still in full sway, this was an impassionate defense of the foul-mouthed in literature and a resounding attack of hypocrisy and Puritanism. ...
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