|
2.
|
|
Learn how to draw posed figures for fashion illustrationThis comprehensive reference provides hands-on techniques for created posed figures for fashion illustration. The first section illustrates various examples of nude and semi-nude poses (male and female). Later chapters illustrate the same poses wearing sportswear, sleepwear, dresses, suits, trousers, and casual and evening wear. The poses in each chapter are organized to show a progression including seated model (crossed legs, straight legs, seated on chair, seated on the floor); standing model (frontal view, three-quarter view, side-view from the back with crossed legs and straight legs); and moving model (running, walking, dancing). Each chapter begins with an introduction which is followed by images with detailed explanatory captions. With a focus on shape and form, the content covers marker and pencil techniques for a complete range of illustrated poses. ...
|
3.
|
|
This book's aim is to submerge the reader in the world of illustration. The first section ranges from how to start to draw a human figure to the techniques to stylize and synthesize it. This section provides a large amount of figures in different poses, as well as hands and feet-often the most difficult parts - in diverse postures and angles. However, in the field of fashion it is also essential to know how to draw fabric, and even more important to know how to draw the folds of clothing. The items of clothing are presented as much in technical drawing as in figures in movement, and forming light and shadow is also explained, as this gives quality to the illustration. The second part of the book revolves around color and the different techniques with which one can work: watercolor, wax, pastel, and so on. All the drawings that appear constitute a brief exhibition of the changes that the fashion world has experienced and with this in mind a path has been laid which starts in 1900, illustrated in watercolors, and finishes in 2000, illustrated in pencil. The goal of this volume is to uncover the reader's desire to paint and to provide him with some of the secrets that will encourage him to do so. After all, experience is the most effective way to learn, whatever the subject. ...
|
|