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“Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+” —Salon
How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry’s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.” ...
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Lynda Barry had a bona fide hit with Cruddy, and her fans are now calling for her older comic strips, all out of print. This book answers the call as it delivers the life and times of Marlys Mullen, the most beloved character in Barrys nationally syndicated comic strip, "Ernie Pooks Comeek." Shes back! This is a Lynda Barry double-tall: the long-awaited collection of the best strips from her syndicated comics. Way back in the mid-1980s, comic illustrator and writer Lynda Barry introduced the character of Marlys Mullen, her crazy groovy teenage sister Maybonne, her sensitive and strange little brother Freddie, a mother like no other, and an array of cousins and friends from the hood. This oversized book presents the long strange journey through puberty and life that Marlys and company have experienced. Marlyss universe and galaxy are funny, rude, disturbing, tearful . . . in short, very, very Lynda Barry. ...
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One Hundred Demons collects a series of memoiristic strips that appeared in Salon’s popular "Mothers Who Think" section. Here are 20 stories told in Lynda Barry’s distinctive cartoon-narrative style that delve into the funk and sweetness of love, family, adolescence, race and the 'hood, identity — all the forces that made her the "wreck" she is today. Barry distinguishes these stories with her pitch-perfect sense of the way young people talk and think and her ability to casually render childhood’s cruelties in luminous, unsparing detail. From her nattering and intolerant/loving Filipina grandmother to the ex-boyfriend from hell who had lice, One Hundred Demons paints a memorable picture of a gifted girl whose life is intersected by a cast of crazies. Hailed for its shimmering watercolor images and called by Time magazine "a work of art as well as literature," this collection makes an important addition to the genre Barry has sardonically christened "autobiofictionalography."...
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