Conceived on a May Morning, Nell is claimed by the piskies and faeries as a merrybegot, one of their own. She is a wild child: herb gatherer and healer, spell-weaver and midwife . . . and, some say, a witch.
Grace is everything Nell is not. She is the Puritan minister’s daughter: beautiful and refined, innocent and sweet-natured . . . to those who think they know her. But she is hiding a secret–a secret that will bring everlasting shame to her family should it ever come to light.
A merrybegot and a minister’s daughter–two girls who could not have less in common. Yet their fates collide when Grace and her younger sister, Patience, are suddenly spitting pins, struck with fits, and speaking in fevered tongues. The minister is convinced his daughters are the victims of witchcraft. And all signs point to Nell as the source of the trouble. . . .
Set during the tumultuous era of the English Civil War, The Minister’s Daughter is a spellbinding page-turner–stunning historical fiction that captures the superstition, passion, madness, and magic of a vanished age....

Hazel Louise Mull-Dare has a good life, but it's so dull. With an adoring father who grants her every wish, a place in the Kensington School for the Daughters of Gentlemen, and no pressure to excel in anything whatsoever, her future looks primly predictable.

But on the day of the Epsom Derby -- June 4, 1913 -- everything changes. A woman in a dark coat steps in front of the king's horse, in protest at the injustice of denying women the vote. She dies days later, bringing further attention to the suffragist cause. Young Hazel is transfixed. And when her bold new friend Gloria convinces her to take on the cause, Hazel gets her first taste of rebellion.

But doing so leads her into greater trouble than she could have ever imagined. Such great trouble that she is banished from London, all the way to where her family fortune originates -- a sugar plantation in the Caribbean. There Hazel is forced to confront the dark secrets of her family -- secrets that have festered, and a shame that lingers on....

Ivy is used to being overlooked. The youngest in a family of thieves, scoundrels, and roustabouts, the girl with the flame-colored hair and odd-colored eyes is declared useless by her father from the day she is born. But that's only if you look at her but don't see. For Ivy has a quality that makes people take notice. It's more than beauty -- and it draws people toward her.

Which makes her the perfect subject for an aspiring painter named Oscar Aretino Frosdick, a member of the pre-Raphaelite school of artists. Oscar is determined to make his mark on the art world, with Ivy as his model and muse. But behind Ivy's angelic looks lurk dark secrets and a troubled past -- a past that has given her an unfortunate taste for laudanum. And when treachery and jealousy surface in the Eden that is the artist's garden, Ivy must learn to be more than a pretty face if she is to survive.

Julie Hearn, author of The Minister's Daughter and The Sign of the Raven, has created a memorable tale of nineteenth-century England with a character destined to take her place alongside Dickens's Pip and Oliver Twist....

Ivy is used to being overlooked. The youngest in a family of thieves, scoundrels, and roustabouts, the girl with the flame-colored hair and odd-colored eyes is declared useless by her father from the day she is born. But that's only if you look at her but don't see. For Ivy has a quality that makes people take notice. It's more than beauty -- and it draws people toward her.

Which makes her the perfect subject for an aspiring painter named Oscar Aretino Frosdick, a member of the pre-Raphaelite school of artists. Oscar is determined to make his mark on the art world, with Ivy as his model and muse. But behind Ivy's angelic looks lurk dark secrets and a troubled past -- a past that has given her an unfortunate taste for laudanum. And when treachery and jealousy surface in the Eden that is the artist's garden, Ivy must learn to be more than a pretty face if she is to survive.

Julie Hearn, author of The Minister's Daughter and The Sign of the Raven, has created a memorable tale of nineteenth-century England with a character destined to take her place alongside Dickens's Pip and Oliver Twist....

Mind the gap.

Something odd is going on in the basement of an old house in London. An inexplicable gap has formed, a gap in time that links the present to the past. And twelve-year-old Tom, who discovers the gap while on a visit to his grandmother, is torn between both worlds.

Lured by a mysterious voice, Tom leaps into the early eighteenth century, to a time when circus "freaks" like the Bendy Man and the Gorilla Woman appeared at Bartholomew Fair. The voice he hears belongs to Astra, a tiny changeling child, whose limbs are no bigger than a man's thumb. She has called him into the past, because she is convinced that Tom is the only one who can help her and her friends from danger. Doctors are paying a high price for unusual bodies to dissect, and Astra and her friends are prime subjects.

But Tom is dealing with difficulties of his own. His mum has cancer and is constantly fighting with his gran. And then he discovers a dark secret in his family's past...a secret that pulls the strands of time together and might just close the gap forever.

...

"Powers of the air, be here now. So mote it be."

Nell is a wild child. Conceived on May Morning, she is claimed by the piskies and faeries as a merrybegot, one of their own. She is the village cunning woman's granddaughter: herb gatherer and healer, spell-weaver and midwife...and, some say, a witch.

Grace is a Puritan minister's daughter: beautiful and refined, innocent and sweet-natured...to those who think they know her. But she is hiding a secret -- a secret that will bring everlasting shame to her family should it ever come to light.

A merrybegot and minister's daughter -- two girls who could not have less in common. Yet their fates collide when Grace and her younger sister, Patience, are suddenly spitting pins, struck with fits, and speaking in fevered tongues. The minister is convinced his daughters are the victims of witchcraft. And all signs point to Nell as the source of the trouble.......