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<div><div> <div><b style=""><span style="font-size: 12pt;"><o:p></o:p></span></b><span lang="EN-US" style="font-size: 10pt; font-family: Helvetica;"><o:p></o:p></span> <meta content="text/html; charset=utf-8" http-equiv="Content-Type"> <meta content="Word.Document" name="ProgId"> <meta content="Microsoft Word 11" name="Generator"> <meta content="Microsoft Word 11" name="Originator"> <link href="file:///C:%5CDOCUME%7E1%5Citadmin%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C04%5Cclip_filelist.xml" rel="File-List" /><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="156"> </w:LatentStyles> </xml><![endif]--><style type="text/css"> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} - </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <FCK:meta content="text/html; charset=utf-8" http-equiv="Content-Type" ></FCK:meta> <FCK:meta content="Word.Document" name="ProgId" ></FCK:meta> <FCK:meta content="Microsoft Word 11" name="Generator" ></FCK:meta> <FCK:meta content="Microsoft Word 11" name="Originator" ></FCK:meta> <link href="file:///C:\DOCUME~1\itadmin\LOCALS~1\Temp\msohtml1\04\clip_filelist.xml" rel="File-List" /><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="156"> </w:LatentStyles> </xml><![endif]--><style type="text/css"> <!--{12197679984625}--</style> <span style="font-size: 10pt; font-family: Arial;">Journalist, novelist, poet, artist and art critic, essayist, theologian, propagandist, philosopher, and creator of the wily old Father Brown – G. K Chesterton is one of the most beguiling authors of the early twentietth ccenttttury. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise. <i>What I Saw in America</i> tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton’s personalised observations – his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity – are distinguished by the piercing wit for which he is famed. <br /> <br /> Many of Chesterton’s reflections are timeless and startlingly prescient. He was highly critical of both the naïve immigration policies and the grinding dehumanisation broughtt about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation – founded on principles of equality, democracy and freedom – even if the essence of these ideals had been lost somewhere along the way. <i>What I Saw in America</i> ranks among the finest of CChesterton’s works, containing all of the author’s virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness. <o:p></o:p></span></meta> </meta> </meta> </meta> </div> <p class="MsoNormal"><o:p> </o:p></p> <span lang="EN-US" style="font-size: 10pt; font-weight: normal;"><o:ppp></o:p></span> <p> </p> </div></div&am ...
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G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice.
This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”...
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The most insightful book about Francis of Assisi—ever. Ideal for gift-giving, this beautiful edition offers all of G. K. Chesterton’s insight, humor, and wit as he uncovers the real meaning of the life of the world’s most popular saint. Samples from this classic book: All [Francis’s] life was a series of plunges and scampers; darting after the beggar, dashing naked into the woods, tossing himself into the strange ship, hurling himself into the Sultan’s tent and offering to hurl himself into the fire. In appearance he must have been like a thin brown skeleton autumn leaf dancing eternally before the wind; but in truth it was he that was the wind. The conversion of St. Francis involved his being in some sense flung suddenly from a horse. There was not a rag of him left that was not ridiculous. Everybody knew that at the best he had made a fool of himself. The word fool itself began to shine and change. ...
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G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.
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