A publishing event! The first and definitive collection of letters (most of them previously unpublished) both from and to the incomparable Noël Coward, a unique and irresistible portrait of a society and age—from the Blitz to the Ritz and beyond.

The range, charm, and vitality of his talents—he was a playwright, actor, composer, librettist, lyricist, director, painter, writer, cabaret singer, wit—brought him into close encounters, and often close friendship, with the great and the gifted. He knew everybody who was anybody in the theater and in the movies, in literature and in politics, on both sides of the Atlantic.

Among those at his “marvelous party”: George Bernard Shaw . . . T. E. Lawrence . . . Virginia Woolf . . . the Churchills . . . Daphne Du Maurier . . . Greta Garbo (she wrote asking him to marry her; he wrote back saying he almost accepted) . . . Ian Fleming . . . W. Somerset Maugham . . . Marlene Dietrich (he advised her, “To hell with God damned ‘L’Amour.’ It always causes far more trouble than it is worth”) . . . Tallulah Bankhead . . . Edith Sitwell . . . FDR . . . Gertrude Lawrence (in a cable about Private Lives: “Have written delightful new comedy stop good part for you stop wonderful one for me stop”), and many more.

There are letters about his productions of Bitter Sweet . . . Cavalcade . . . In Which We Serve . . . Brief Encounter . . . Private Lives, etc. . . . about his activities during World War II (he was a spy for the British government along with co-conspirator Cary Grant) . . . about the move to make him a knight that was endorsed in a personal letter from King George VI and blocked by Winston Churchill. Here are letters to and from his beloved mother, Violet . . . his longtime set and costume designer, Gladys Calthrop . . . his traveling companion from the 1930s on, Lord Amherst . . . and his business manager and onetime lover, Jack Wilson, in which he reveals his “secret heart.”

Profoundly savvy, witty, loving, bitchy, and often surprisingly moving, The Letters of Noël Coward gives us “Destiny’s Tot” at his crackling best. An irresistible portrait of a time, of the man himself, and of the world he lived in and enchanted....

First published in 1937, Present Indicative is the first part of the autobiography of one of the most celebrated characters in British theatrical history and hints at the success that would come to Coward as actor, playwright, novelist and performer. Each line is punctuated with his trademark effervescent wit, making this book a comic tour de force in its own right, as well as a "must read" for anyone with an interest in the world of theater.

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Lavishly illustrated and annotated, this first and definitive collection of letters to and from Coward provides a divine portrait of an age, from the Blitz to the Ritz and beyond.

The incomparable Noël Coward loved to correspond with friends, enemies, the famous and infamous, the talented and the powerful, including Virginia Woolf, Winston Churchill, Greta Garbo, Laurence Olivier, Katharine Hepburn, Marlene Dietrich, Lawrence of Arabia, Somerset Maugham, and many more. Granted unlimited access to the Coward archive, Barry Day presents many never-published letters and has unearthed new, startling evidence of Coward's wartime work as a spy. Along with 191 rare photographs, these letters bring to life the people and events that shaped the twentieth century—and a remarkable man who made his own indelible mark at the heart of it....