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Patterns are everywhere in nature--in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? As Philip Ball reveals in Nature's Patterns: A Tapestry in Three Parts, this order creates itself. The patterns we see come from self-organization. Indeed, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, whether living or non-living, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise.
Part of a trilogy of books exploring the science of patterns in nature, Shapes looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, the author uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and describes why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form in places you'd least expect....
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Patterns are everywhere in nature--in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? As Philip Ball reveals in Nature's Patterns: A Tapestry in Three Parts, this order creates itself. The patterns we see come from self-organization. Indeed, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, whether living or non-living, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise.
The second volume in this trilogy of books on patterns in nature, Flow explores the elusive rules that govern the science of chaotic behavior. From the swirl of a wisp of smoke to the huge persistent storm system that is the Great Spot on Jupiter, Ball explains the mechanisms at play whenever things flow, and how these give rise to many of the patterns we recognize in Nature--from ripples on a beach to swirling galaxies. The book describes fascinating phenomena such as turbulence, which still defies complete scientific understanding; the principles of symmetry-breaking; and how chaotic behavior emerges in systems. It also looks at how patterns of flow have captivated philosophers and artists for centuries, from Leonardo da Vinci to the movement of Art Nouveau....
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Are there “natural laws” that govern the ways in which humans behave and organize themselves, just as there are physical laws that govern the motions of atoms and planets? Unlikely as it may seem, such laws now seem to be emerging from attempts to bring the tools and concepts of physics into the social sciences. These new discoveries are part of an old tradition. In the seventeenth century the philosopher Thomas Hobbes, dismayed by the impending civil war in England, decided that he would work out what kind of government was needed for a stable society. His solution sparked a new way of thinking about human behavior in looking for the “scientific” rules of society. Adam Smith, Immanuel Kant, Auguste Comte, and John Stuart Mill pursued this idea from different political perspectives. But these philosophers lacked the tools that modern physics can now bring to bear on the matter. Philip Ball shows how, by using these tools, we can understand many aspects of mass human behavior. Once we recognize that we do not make most of our decisions in isolation but are affected by what others decide, we can start to discern a surprising and perhaps even disturbing predictability in our laws, institutions, and customs. Lively and compelling, Critical Mass is the first book to bring these new ideas together and to show how they fit within the broader historical context of a rational search for better ways to live. Philip Ball majored in chemistry at Oxford University and received a Ph.D. in physics from the University of Bristol. He is now a writer and consulting editor for Nature. He is the author of Life's Matrix: A Biography of Water; Bright Earth: Art and the Invention of Color, which was nominated for a National Book Critics Circle Award; and The Devil's Doctor. He lives in London, England, with his wife. Winner of the Aventis Prize
Critical Mass asks the question, Why is society the way it is? How does it emerge from a morass of individual interactions? Are there laws of nature that guide human affairs? Is anything inevitable about the ways humans behave and organize themselves, or do we have complete freedom in creating our societies? In short, just how, in human affairs, does one thing lead to another?
In searching for answers, science writer Philip Ball argues that we can enlist help from a seemingly unlikely source: physics. The first person to think this way was the seventeenth-century English philosopher Thomas Hobbes. His approach, described in Leviathan, was based not on utopian wishful thinking, but rather on Galileo's mechanics; it was an attempt to construct a moral and political theory from scientific first principles. Although his solution—absolute monarchy—is unappealing today, Hobbes sparked a new way of thinking about human behavior in looking for the "scientific" rules of society. Adam Smith, Immanuel Kant, Auguste Comte, and John Stuart Mill pursued this same idea from different political perspectives.
Today the purpose of applying concepts from physics to the social, political, and economic sciences is no longer to prescribe how society ought to be; instead, it is to understand the way it is, and how it evolves. In Critical Mass, Ball looks at what this "physics of society" has to say about how people move in open or enclosed spaces; how they make decisions and cast votes, form allegiances, join groups, establish companies and communities. He examines the behavior of financial markets and reveals the hidden structure in networks of social and business contacts, and he explores the politics of conflict and cooperation from a scientific point of view. If physics can help us explain and understand human interaction and social behavior, can it also be used to anticipate and thereby avoid problems? Can physics be harnessed to improve societies, to guide us toward better decisions, and to make a safer and fairer world? Or is that merely another dream destined for the graveyard of utopias past? "A wide-ranging and dazzlingly informed book about the science of interactions. I can promise you'll be amazed."—Bill Bryson, chair of the 2005 Aventis General Prize Judging Panel "Philip Ball makes physics sexy again in Critical Mass."—Elissa Schappel, Vanity Fair "A prolific and accomplished science journalist . . . [Critical Mass is] lively and wonderfully informative."—George Scialabba, The Boston Globe "Fascinating . . . impressively clear and breathtaking in scope . . . substantial, impeccably researched . . . persuasive. For anyone who would like to learn about the intellectual ferment at the surprising junction of physics and social science, Critical Mass is the place to start."—Stephen Strogatz, Nature "Critical Mass is an intellectual roller-coaster."—The Economist "A highly provocative work of popular science."—Kirkus Reviews (starred review) "In this wide-ranging investigation of pioneering attempts to explain social behavior by applying formulas borrowed from physics, Ball explains how maverick social theorists are now using discoveries about molecular motion and crystal formation to predict the behavior of various human groups, including crowds of soccer fans and clusters of pedestrians. Ball acknowledges that past 'political arithmeticians' have often dehumanized their subjects by adopting mechanistic assumptions about individual psychology and have sometimes legitimated totalitarian rulers by giving them a putatively scientific charter. But Ball's numerous detailed examples of the new social physics show how statistical models from physics can yield highly reliable predictions for large-group outcomes without abridging the unpredictable freedom of individual choice. These same examples teach that a consistent physics of society yields not an ideological straitjacket stipulating how people should act but rather a detailed portrait of how people do act. Because the new social physics can help managers and policy makers in dozens of fields, this accessibly written book will attract a very diverse audience."—Bryce Christensen, Booklist "What can physics have to say about how people behave in groups, how networks such as the Internet evolve, and why the stock market fluctuates, among other questions? According to Ball, a lot. The application of physical methods to social problems isn't particularly new, as the author demonstrates, beginning with Hobbes's attempt at a scientific explanation of politics. The development of statistical measurements of society paralleled the growth of statistical physics; as Ball puts it: 'physical science and social science were the twin siblings of a mechanistic philosophy and when it was not in the least disreputable to invoke the habits of people to explain the habits of insensate particles.' With that in mind, Ball explores recent applications of statistical physics toward a study of social physics. He draws on a wide body of contemporary literature that includes physical approaches to traffic, economics, group dynamics, and politics. While the physical application to the social sciences is not alien, as physics explains the behavior of particles and phase transitions, can it explain human behav...
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Patterns are everywhere in nature--in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? As Philip Ball reveals in Nature's Patterns: A Tapestry in Three Parts, this order creates itself. The patterns we see come from self-organization. Indeed, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, whether living or non-living, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise.
Many patterns in nature show a branching form - trees, river deltas, blood vessels, lightning, the cracks that form in the glazing of pots. These networks share a peculiar geometry, finding a compromise between disorder and determinism, though some, like the hexagonal snowflake or the stones of the Devil's Causeway fall into a rigidly ordered structure. Branching networks are found at every level in biology - from the single cell to the ecosystem. Human-made networks too can come to share the same features, and if they don't, then it might be profitable to make them do so: nature's patterns tend to arise from economical solutions....
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This Very Short Introduction is an exciting and non-traditional approach to understanding the terminology, properties, and classification of chemical elements. It traces the history and cultural impact of the elements on humankind, and examines why people have long sought to identify the substances around them. The book includes chapters on particular elements such as gold, iron, and oxygen, showing how they shaped culture and technology. Looking beyond the Periodic Table, the author examines our relationship with matter, from the uncomplicated vision of the Greek philosophers, who believed there were four elements--earth, air, fire, and water--to the work of modern-day scientists in creating elements such as hassium and meitnerium. Packed with anecdotes, The Elements is a highly engaging and entertaining exploration of the fundamental question: what is the world made from?...
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Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic? Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason. By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon. ...
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From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
Finalist for the 2002 National Book Critics Circle Award. ...
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