» רשימות קריאה בהם מופיעים ספריו (19):
ספרים באנגלית,
אנגלית,
רשימה,
רמה 2- קראתי ואהבתי,
לקרוא,
ספרים שאהבתי לקרוא,
ממתין על המדף,
רשימת הספרים שלי,
נפשי חושקת,
ממואר חשיפה אישית,
נקראו ב 2024,
ספרים שקראתי,
להשיג,
שקראתי,
באנגלית,
סִדְרָה,
קריאה למבוגרים.ות,
ספרים באנגלית למכירה,
Light My Fire,
עוד ...
|
2.
|
|
Paul Auster's Sunset Park is set in the sprawling flatlands of Florida, where twenty-eight-year-old Miles is photographing the last lingering traces of families who have abandoned their houses due to debt or foreclosure. Miles is haunted by guilt for having inadvertently caused the death of his step-brother, a situation that caused him to flee his father and step-mother in New York seven years ago.What keeps him in Florida is his relationship with a teenage high-school girl, Pilar, but when her family threatens to expose their relationship, Miles decides to protect Pilar by going back to Brooklyn, where he settles in a squat to prepare himself to face the inevitable confrontation with his father - a confrontation he has been avoiding for years.Set against the backdrop of the devastating global recession, and pulsing with the energy of Auster's previous novel Invisible , Sunset Park is as mythic as it is contemporary, as in love with baseball as it is with literature. It is above all, a story about love and forgiveness - not only among men and women, but also between fathers and sons....
|
5.
|
|
Paul Auster’s signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room—haunting and mysterious tales that move at the breathless pace of a thriller....
|
9.
|
|
A Washington Post Best Book of the Year
"Man in the Dark is an undoubted pleasure to read. Auster really does possess the wand of the enchanter."--Michael Dirda, The New York Review of Books From a "literary original" (The Wall Street Journal) comes a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. Seventy-two-year-old August Brill is recovering from a car accident at his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget: his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is desperately trying to avoid insists on being told.
Paul Auster is the bestselling author of The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded The Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honors are the Independent Spirit Award for the screenplay of Smoke and the Prix Médicis étranger for Leviathan. He has also been short-listed for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award for Fiction (The Music of Chance), and the Edgar Award (City of Glass). His work has been translated into thirty-five languages. He lives in Brooklyn, New York. Longlisted for the International IMPAC Literary Award
A work of fiction with a dark political twist, Paul Auster's Man in the Dark speaks to the realities that America inhabits as wars flame around the world. Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget—his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death. "This is perhaps Auster’s best book . . . Man In The Dark is so unlike anything Auster has ever written that it doesn’t make sense to compare it with his earlier work . . . Here we have multiple worlds and three generations . . . Auster’s book leaves one with a depth of feeling much larger than might be expected from such a small and concise work of art."—Stephen Elliott, San Francisco Chronicle "'I am alone in the dark, turning the world around in my head as I struggle through another bout of insomnia, another white night in the great American wilderness.' That's the first line from Paul Auster's new novel, Man in the Dark, and in some ways it's a perfect opening, as accurate as anything in describing the world, or worlds, you'll encounter over the coming 180 pages, a world turning in the head of Auster's 72-year-old everyman, August Brill. Auster has captivated generations of readers with his expansive imagination and style—a style that could be called lazy, in the best sense of the word, like a dog with his tongue out, rolling in the sun. But this, his latest novel, is something else. In this book, Auster has taken a turn similar to the turn Philip Roth took in American Pastoral and Leonard Michaels took in his Nachman stories. He's turned his attention outward, to the larger scope of the new century . . . Despite all the threads, which just barely connect, the book works beautifully. And though it's complicated to explain, it's an incredibly clear and easy book to read. Never a minimalist, Auster somehow takes on the largest questions of our time inside small tales of one family. With August as his storyteller, Auster has created a giant canvas out of what seems like a few effortless strokes, strokes often stunning in their simple beauty . . . This is perhaps Auster's best book. But maybe that's an unfair description. Man in the Dark is so unlike anything Auster has ever written that it doesn't make sense to compare it with his earlier work. Sure, you can recognize the author of Oracle Night and Brooklyn Follies. But it's as if that gentle mind has been joined by the ghost of Kurt Vonnegut, the adamant pacifist, author of Slaughterhouse Five and creator of Billy Pilgrim, a prisoner of war who became 'unstuck in time.' Here we have multiple worlds and three generations, also unstuck in time. But like Vonnegut's classic anti-war novel, Auster's book leaves one with a depth of feeling much larger than might be expected from such a small and concise work of art."—Stephen Elliott, San Francisco Chronicle
"Are you a Paul Auster fan? Or, perhaps, are you emphatically not? Either way, read Man in the Dark, Auster's latest, which is inventive, tender, and darkly lined with the American predicament . . . Paul Auster has outdone himself, perhaps precisely by not trying to outdo anything."—John Brenkman, The Village Voice
"On superficial acquaintance, Paul Auster’s new novel, Man in the Dark, appears to be merely the latest strain in a recent pandemic of dystopian fantasies, in this instance an alternate history of America in which the 9/11 terrorist attacks never happened but something even worse did: A second American civil war. In Auster’s parallel universe, the battle is joined not by the blue and the grey but rather by the Blue and the Red, as the bitterly disputed 2000 election degenerates into secession and an all-out battle for the Union. With 13 million dead and counting, the real-world election and its fusillades of lawsuits and partisan bomb-throwing suddenly seem terribly innocent in contrast to this ugly imagined world in which the only winner is gore. But as it turns out, Auster is after something entirely different, in this haunting and beautifully crafted work, than speculative fiction. The dystopia isn’t Auster’s but rather his central character’s, August Brill, the titular 'man in the dark'. Brill, a 72-year-old retired literary critic, is a deeply traumatized human husk who, like a character out of a Bergman movie, is sharing a house with his equally damaged and desperate daughter and granddaughter . . . The novel weaves in a number of other strands, including the story of Brill’s marriage to his late wife, which Brill recounts to Katya in beautiful and touching detail, a couple of harrowing tales of the Second World War, and the story of Nathaniel Hawthorne’s unhappy and aimless daughter Rose, the subject ...
|
10.
|
|
The Invention of Solitude is the debut work of Paul Auster, a memoir published in 1982. The book is divided into two parts, Portrait of an Invisible Man, which concerns the sudden death of Auster's father, and The Book of Memory, in which Auster delivers his personal opinions concerning subjects such as coincidence, fate, and solitude, subjects that have become trademarks of Auster's works.
...
|
11.
|
|
“One of America’s greatest novelists” dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date Sinuously constructed in four interlocking parts, Paul Auster’s fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.” ...
|
20.
|
|
A Washington Post Best Book of the Year
"Man in the Dark is an undoubted pleasure to read. Auster really does possess the wand of the enchanter."--Michael Dirda, The New York Review of Books From a "literary original" (The Wall Street Journal) comes a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. Seventy-two-year-old August Brill is recovering from a car accident at his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget: his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is desperately trying to avoid insists on being told.
Paul Auster is the bestselling author of The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded The Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honors are the Independent Spirit Award for the screenplay of Smoke and the Prix Médicis étranger for Leviathan. He has also been short-listed for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award for Fiction (The Music of Chance), and the Edgar Award (City of Glass). His work has been translated into thirty-five languages. He lives in Brooklyn, New York. Longlisted for the International IMPAC Literary Award
A work of fiction with a dark political twist, Paul Auster's Man in the Dark speaks to the realities that America inhabits as wars flame around the world. Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget—his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death. "This is perhaps Auster’s best book . . . Man In The Dark is so unlike anything Auster has ever written that it doesn’t make sense to compare it with his earlier work . . . Here we have multiple worlds and three generations . . . Auster’s book leaves one with a depth of feeling much larger than might be expected from such a small and concise work of art."—Stephen Elliott, San Francisco Chronicle "'I am alone in the dark, turning the world around in my head as I struggle through another bout of insomnia, another white night in the great American wilderness.' That's the first line from Paul Auster's new novel, Man in the Dark, and in some ways it's a perfect opening, as accurate as anything in describing the world, or worlds, you'll encounter over the coming 180 pages, a world turning in the head of Auster's 72-year-old everyman, August Brill. Auster has captivated generations of readers with his expansive imagination and style—a style that could be called lazy, in the best sense of the word, like a dog with his tongue out, rolling in the sun. But this, his latest novel, is something else. In this book, Auster has taken a turn similar to the turn Philip Roth took in American Pastoral and Leonard Michaels took in his Nachman stories. He's turned his attention outward, to the larger scope of the new century . . . Despite all the threads, which just barely connect, the book works beautifully. And though it's complicated to explain, it's an incredibly clear and easy book to read. Never a minimalist, Auster somehow takes on the largest questions of our time inside small tales of one family. With August as his storyteller, Auster has created a giant canvas out of what seems like a few effortless strokes, strokes often stunning in their simple beauty . . . This is perhaps Auster's best book. But maybe that's an unfair description. Man in the Dark is so unlike anything Auster has ever written that it doesn't make sense to compare it with his earlier work. Sure, you can recognize the author of Oracle Night and Brooklyn Follies. But it's as if that gentle mind has been joined by the ghost of Kurt Vonnegut, the adamant pacifist, author of Slaughterhouse Five and creator of Billy Pilgrim, a prisoner of war who became 'unstuck in time.' Here we have multiple worlds and three generations, also unstuck in time. But like Vonnegut's classic anti-war novel, Auster's book leaves one with a depth of feeling much larger than might be expected from such a small and concise work of art."—Stephen Elliott, San Francisco Chronicle
"Are you a Paul Auster fan? Or, perhaps, are you emphatically not? Either way, read Man in the Dark, Auster's latest, which is inventive, tender, and darkly lined with the American predicament . . . Paul Auster has outdone himself, perhaps precisely by not trying to outdo anything."—John Brenkman, The Village Voice
"On superficial acquaintance, Paul Auster’s new novel, Man in the Dark, appears to be merely the latest strain in a recent pandemic of dystopian fantasies, in this instance an alternate history of America in which the 9/11 terrorist attacks never happened but something even worse did: A second American civil war. In Auster’s parallel universe, the battle is joined not by the blue and the grey but rather by the Blue and the Red, as the bitterly disputed 2000 election degenerates into secession and an all-out battle for the Union. With 13 million dead and counting, the real-world election and its fusillades of lawsuits and partisan bomb-throwing suddenly seem terribly innocent in contrast to this ugly imagined world in which the only winner is gore. But as it turns out, Auster is after something entirely different, in this haunting and beautifully crafted work, than speculative fiction. The dystopia isn’t Auster’s but rather his central character’s, August Brill, the titular 'man in the dark'. Brill, a 72-year-old retired literary critic, is a deeply traumatized human husk who, like a character out of a Bergman movie, is sharing a house with his equally damaged and desperate daughter and granddaughter . . . The novel weaves in a number of other strands, including the story of Brill’s marriage to his late wife, which Brill recounts to Katya in beautiful and touching detail, a couple of harrowing tales of the Second World War, and the story of Nathaniel Hawthorne’s unhappy and aimless daughter Rose, the subject...
|
22.
|
|
The Red Notebook brings together in one volume all of Paul Auster's short, true-life storiesa remarkable collection of tales that documents the curious, miraculous, and sometimes catastrophic turns of everyday reality. Paul Auster has earned international praise for the imaginative power of his many novels, including The New York Trilogy, Moon Palace, The Music of Chance, Mr. Vertigo, and Timbuktu. He has also published a number of highly original non-fiction works: The Invention of Solitude, Hand to Mouth, and The Art of Hunger. In The Red Notebook, Auster again explores events from the real world large and small, tragic and comicthat reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel roomall these form the context for a singular kind of ars poetica, a literary manifesto without theory, cast in the irreducible forms of pure story telling....
|
23.
|
|
Several months into his recovery from a near-fatal illness, thirty-four-year-old novelist Sidney Orr enters a stationery shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.
A novel that expands to fill volumes in the reader’s mind, Oracle Night is a beautifully constructed meditation on time, love, storytelling, and the imagination by "one of the great writers of our time" (San Francisco Chronicle). ...
|
24.
|
|
An essential collection from one of the finest thinkers and stylists in contemporary letters.
The celebrated author of The New York Trilogy, The Book of Illusions, and Oracle Night presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude his "breathtaking memoir." (Financial Times Magazine London)
Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).
Paul Auster is the author of eleven novels, most recently Oracle Night. His previous two novels, The Book of Illusions and Timbuktu, were national bestsellers. He lives in Brooklyn, New York.
The celebrated author of the New York Trilogy, The Book of Illusions, and Oracle Night presents a highly personal selection of his essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude, his "breathtaking memoir" (Financial Times Magazine, London).
Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a man who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).
"[Auster] has assembled his youthful [nonfiction] in one stout, handsome silo . . . Seeing the pieces together, you realize they are the work that allowed Auster to see himself as a Writer with a capital 'W.' It's rare these days for a novelist to admit to this desire without mocking it, which explains why Auster has remained the drug of choice for readers who once would have chosen Vonnegut. He read, he wrote, and he hungered. Collected Prose would feel like a tombstone to that time if [Auster] didn't do these things so fervently still."—John Freeman, Dallas Morning News "Auster's Collected Prose provides a fascinating long-exposure snapshot of a writer's private and abiding obsessions and touchstones as he oscillates between the worlds of his life and art."—The Times (London) "Absorbing . . . [Auster's] informed enthusiasms, especially for European modernism and aspects of the avant-garde, make him a passionate, intelligent, and stimulating commentator. He writes acutely about the dilemmas which inform serious artistic decisions. These hospitable, generous pieces make one want to go immediately to the writers he discusses."—Robert Potts, The Guardian (London) "[Paul Auster] has assembled his youthful [nonfiction] in one stout, handsome silo . . . The pieces [in Collected Prose] deserve this mid-career dais. Like fellow Brooklynites Jonathan Lethem and Colson Whitehead, Mr. Auster is a fanatic, but of an earlier generation. So while Mr. Lethem and Mr. Whitehead are specialists in comic books and television, Mr. Auster is head over heels for symbolist French poetry, New Wave cinema, and surrealist theatre. Whereas another writer might try to breathe such work to life with gusts of pretension, Mr. Auster approaches it slyly, through his own preoccupations. Mallarmé's poetry comes alive through a story about the birth of his son; poet Laura Riding is defined by her long disappearance . . . Seeing the pieces together, you realize they are the work that allowed Mr. Auster to see himself as a Writer with a capital 'W.' It's rare these days for a novelist to admit to this desire without mocking it, which explains why Mr. Auster has remained the drug of choice for readers who once would have chosen Vonnegut. He read, he wrote, and he hungered. Collected Prose would feel like a tombstone to that time if [Auster] didn't do these things so fervently still."—John Freeman, Dallas Morning News ...
|
25.
|
|
So begins Paul Auster’s brilliant, devastating tale about the many realities we inhabit as wars flame all around us. Seventy two year old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget – his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall, and the 2000 election results led to secession, as state after state pulled away from the union, and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death. Passionate and shocking, Man in the Dark is a story of our moment, an audiobook that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. ...
|
27.
|
|
An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues. Determining that he is locked in, the man--identified only as Mr. Blank--begins reading a manuscript he finds on the desk, the story of another prisoner, set in an unfamiliar, alternate world. As the day passes, various characters call on Mr. Blank in his cell, and each brings frustrating hints of his forgotten identity and his past. Both chilling and poignant, Travels in the Scriptorium is vintage Paul Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own. ...
|
29.
|
|
“One of America’s greatest novelists” dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date Sinuously constructed in four interlocking parts, Paul Auster’s fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.” ...
|
30.
|
|
“One of America’s greatest novelists” dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date Sinuously constructed in four interlocking parts, Paul Auster’s fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.” ...
|
31.
|
|
Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore. Through Tom and his charismatic boss, Harry, Nathan's world gradually broadens to include a new set of acquaintances, which leads him to a reckoning with his past. ...
|
33.
|
|
A new novel with a dark political twist from “one of America’s greats.”* Man in the Dark is Paul Auster’s brilliant, devastating novel about the many realities we inhabit as wars flame all around us. Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget—his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death. Passionate and shocking, Man in the Dark is a novel of our moment, a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. *Time Out (Chicago) ...
|
37.
|
|
Mr. Bones, the canine hero of Paul Auster's astonishing book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy's body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high-school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts Paul Auster has spun one of the richest, most compelling tales in recent American fiction.
...
|
41.
|
|
A mystery writer assumes a detective's identity and embarks on a bizzare case: he must protect a man from his criminally insane father, and as he follows the elusive criminal, he embarks on a mission that takes him to the depths of his own soul. Auster's In the Country of Last Things is being published this month by Viking....
|
52.
|
|
When his closest friend, Benjamin Sachs, accidentally blows himself up on a Wisconsin road, Peter Aaron attempts to piece together the life that led to Sach's tragic demise and determine the reason for his death....
|
79.
|
|
After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject, from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, eroticism, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their pleasure in each other’s friendship on every page....
|
80.
|
|
Two stories which have been made into films. In "Smoke" a novelist, suffering from writer's block and the violent death of his wife, is inspired by a young black boy to write again. The action of "Blue in the Face" partly takes place in the cigar shop which was the focal point of "Smoke".
...
|
|