Peter Handke

Peter Handke

סופר


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Short Letter, Long Farewell is one the most inventive and exhilarating of the great Peter Handke’s novels. Full of seedy noir atmospherics and boasting an air of generalized delirium, the book starts by introducing us to a nameless young German who has just arrived in America, where he hopes to get over the collapse of his marriage. No sooner has he arrived, however, than he discovers that his ex-wife is pursuing him. He flees, she follows, and soon the couple is running circles around each other across the length of America—from Philadelphia to St. Louis to the Arizona desert, and from Portland, Oregon, to L.A. Is it love or vengeance that they want from each other? Everything’s spectacularly unclear in a book that is travelogue, suspense story, domestic comedy, and Western showdown, with a totally unexpected Hollywood twist at the end. Above all, Short Letter, Long Farewell is a love letter to America, its landscapes and popular culture, the invitation and the threat of its newness and wildness and emptiness, with the promise of a new life—or the corpse of an old one—lying just around the corner....

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On the outskirts of a northwestern European riverport city lives a powerful woman banker, a public figure admired and hated in equal measure, who has decided to turn from the worlds of high finance and modern life to embark on a quest. Having commissioned a famous writer to undertake her “authentic” biography, she journeys through the Spanish Sierra de Gredos and the region of La Mancha to meet him. As she travels by allterrain vehicle, bus, and finally on foot, the nameless protagonist encounters five way stations that become the stuff of her biography and the biography of the modern world, a world in which genuine images and unmediated experiences have been exploited and falsified by commercialization and by the voracious mass media.
 In this visionary novel, Peter Handke offers descriptions of objects, relationships, and events that teach readers a renewed way of seeing; he creates a wealth of images to replace those lost to convention and conformity. Crossing the Sierra de Gredos is also a very human book of yearning and the ancient quest for
love, peopled with memorable characters (from multiple historical periods) and imbued with Handke’s inimitable ability to portray universal, inner-worldly adventures that blend past, future, present, and dreamtime.
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After his mother’s suicide, Austrian novelist and playwright Peter Handke wanted to set down what he knew, or could say, about her life and the causes of her death before "the dull speechlessness ... the extreme speechlessness" of grief took hold forever. The result is an unsparing, deeply moving elegy in which writing keeps vigil at the limits of language, understanding, and life. This is a haunting memoir of a family tragedy by one of the most acclaimed — and controversial —contemporary writers whose style has been compared to Flaubert, Hemingway, and DeLillo. "Moving and beautifully realized." — The New York Times Book Review...

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"My mother has been dead for almost seven weeks: I had better get to work before the need to write about her, which I felt so strongly at her funeral, dies away ..." So begins Peter Handke's extraordinary confrontation with his mother's death. In a painful and courageous attempt to deal with the horror of her suicide, he sets out to piece together the facts of her life. What emerges is a loving portrait of inconsolable grief, a woman whose lively spirit has been crushed by the miseries of her place and time.
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