|
6.
|
|
In his first-ever work of nonfiction, the Booker Prize–winning author of such acclaimed novels as Waterland and Last Orders gives us a highly personal book: a singular and open-spirited account of a writer’s life.
As generous in its scope as it is acute in its observations, Making an Elephant brings together a richly varied selection of essays, portraits, poetry and interviews, full of insights into Graham Swift’s passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years. Kazuo Ishiguro advises on how to choose a guitar; Salman Rushdie arrives for Christmas under guard; Caryl Phillips shares a beer with the author at a nightclub in Toronto. There are private moments with his father and with his own younger self, as well as musings on history, memory and imagination that illuminate the work of a writer who, in his fiction, regards it as “a mark of achievement” when his own voice and presence vanish into his characters.
A journey through place and time, conversation, encounters and ideas, Making an Elephant brims with charm and candor, an alertness to experience and a true engagement with words—in short, with what it means to believe that writing and reading are an essential part of living....
|
8.
|
|
From the acclaimed Booker Prize–winning author of Last Orders, this highly personal book is a singular and open-spirited account of a writer’s life.
In Making an Elephant, Swift brings together richly varied essays, portraits, poetry and interviews, full of insights into his passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift’s novels will recognize and love.
Making an Elephant is a book of encounters: between a son and his father, between an author and his younger selves, between writer and reader, and between friends. It brims with charm and candour, and reveals Swift’s alertness to experience and his true engagement with words....
|
|