When Fuddy Meers opened at the Manhattan Theatre Club in the fall of 1999, it earned the kind of raves that a promising young playwright dreams about. Writing in the New York Observer, John Heilpern called him some kind of comic genius. And after its sold-out run at MTC, the play moved downtown to the Minetta Lane Theatre for an open-ended commercial engagement.

Fuddy Meers revolves around an amnesiac, Claire, who wakes up every morning as a blank slate, on which her family must imprint the facts of her life. On this particular day, the shenanigans begin with Claire being abducted by a limping man who claims to be her brother trying to save her from her evil husband. They drive to the home of her mother, who has had a stroke that left her aphasic (her attempt to say funny mirrors provides the play's title. The ensuing mayhem is both deliriously funny and oddly touching.