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Prague in Danger: The Years of German Occupation, 1939-45: Memories and History, Terror and Resistance, Theater and Jazz, Film and Poetry, Politics and WarPeter Demetz
יצא לאור ע"י הוצאת Farrar, Straus and Giroux,
שפת הספר: אנגלית |
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Demetz interweaves a clear, thorough account of the German authorities’ diplomatic, financial, and military machinations with a description of Prague’s evolving resistance and underground opposition. Along with his private experiences, he offers the heretofore untold history of an effervescent, unstoppable Prague whose urbane heart went on beating despite the deportations, murders, cruelties, and violence: a Prague that kept its German- and Czech-language theaters open, its fabled film studios functioning, its young people in school and at work, and its newspapers on press. This complex book is filled with rare human detail and warmth, the story of a great city meeting the dual challenge of occupation and of war.
"Who remembers that for six terrible years, from 1939 to 1945, Prague became one of the crown jewels of the German Reich—not just another occupied European city? Demetz, a longtime Yale professor of German and comparative literature, was actually there as a young man, and here he blends memory with meticulous scholarship to produce a portrait of this strange episode in the history of one of Europe's most vibrant and beautiful places. A new look into a neglected corner of life in the Third Reich, this book—which elucidates the extraordinary hubbub of activity in theaters, film studios, and other artistic realms—reminds us that even in the darkest periods of history, there are unexpected shafts of light."—The Atlantic Monthly
"While the Holocaust is universally known, and the death and destruction inflicted on Poland during World War II widely so, the wartime fate of today's Czech Republic, known then as the Protectorate of Bohemia and Moravia, is less familiar. With his new book, Peter Demetz has given us an informative and personal history of the protectorate, one that makes evocative reading. Demetz, a professor emeritus of Germanic literature at Yale University and author of the highly regarded Prague in Black and Gold: Scenes from the Life of a European City, has fashioned an erudite combination of history and memoir, with memories of his youth alternating with the narrative of the political and cultural events of those turbulent years. Demetz's narrative shows a historian's attention to detail, and his treatment of familiar characters—Reichsprotectors Konstantin von Neurath and Reinhard Heydrich and Kafka's translator Milena Jesenská among them—reveals psychological insight. But Demetz truly shines in resurrecting less well-known characters, like Jirí Orten, the most promising poet of his generation, who died a tragic death in 1941 when a hospital refused to treat him (after he had been run down on the streets of Prague) because he was a Jew; and arch-traitor Emanuel Moravec, the protectorate government's minister of education and popular culture, known as the 'Czech Quisling' . . . He provides bibliographical notes that show his familiarity with current Czech historical research as well as his knowledge of more dated works . . . Demetz did not set out to write the complete history of the protectorate, and what he has given us is undoubtedly successful. His personal story is gripping . . . What makes the book compelling is how well Demetz places his own unique experience against the backdrop of Prague and the catastrophe of World War II."—Bradley Abrams, The Washington Post Book World
"For many years the cornerstone of Yale's distinguished Comparative Literature Department, Peter Demetz was a superb literary critic in the classroom and lecture hall and on paper. When, some years ago, he wrote Prague in Black and Gold, 'a history of my hometown from the sixth to the early twentieth century,' he proved to be a superb cultural historian as well. In Prague in Danger, he focuses on a mere six years of its history when it fell under the iron heel of Nazi rule as part of the Protectorate of Bohemia and Moravia within Hitler's Third Reich. And once again, he shows those twin qualities of punctiliousness and passion which are his hallmark as he explores many aspects of life in those terrible years: Artistic, political, social and, above all, personal. Because he was actually there in Prague as observer and sometimes as participant in the eddies and crosscurrents of that tumultuous time. This intensely personal side to the book does not distract in the least from those sections which are detailed cultural history, beautifully and factually laid out. Indeed, Mr. Demetz's intimate knowledge of some of the places described and of the unique atmosphere of that period enhance every page. But the heart of the book—what makes it such a special and above all valuable document and testament—are those sections (printed in a different typeface) which are straight autobiography. So while it is fascinating to read how theater and moviemaking managed to continue even under the rigid Nazi occupation and other aspects of normal life persisted for so many in Prague, what one takes away in the final analysis are those first-person accounts . . . Th