"On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below." With this celebrated sentence, Thornton Wilder begins The Bridge of San Luis Rey, one of the towering achievements in American fiction and a novel read throughout the world.

By chance, a monk witnesses the tragedy. Brother Juniper seeks to prove that it was divine intervention rather than chance that led to the deaths of those who perished in the tragedy. His study leads to his own death -- and to the author's timeless investigation into the nature of love and the meaning of the human condition.

The Bridge of San Luis Rey is now reissued in this handsome hardcover edition featuring a new foreword by Russell Banks. Tappan Wilder has written an engaging and thought-provoking afterword, which includes unpublished notes for the Pulitzer Prize–winning novel, illuminating photographs, and other remarkable documentary material. Granville Hicks's insightful comment about Wilder suggests an inveterate truth: "As a craftsman he is second to none, and there are few who have looked deeper into the human heart."

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Thornton Wilder was the rare writer whose achievements as a playwright were matched by equal abilities as a novelist. As companion to its volume of Wilder's collected plays, The Library of America's edition of his early novels and stories brings together five novels that highlight his wit, erudition, innovative formal structures, and philosophical wisdom. Drawing on the post-collegiate year he spent in Rome, Wilder fashioned in The Cabala a tale of youthful enchantment with the Eternal City in the form of a fictitious memoir of an American student and the enigmatic coterie of noble Romans who draw him into their midst. He followed this debut novel two years later with The Bridge of San Luis Rey, which catapulted him to literary prominence and earned him the first of his three Pulitzer prizes. "The Bridge," Wilder later wrote, "asked the question whether the intention that lies behind love was sufficient to justify the desperation of living." Set in 18th-century Peru, the book is a kind of theological detective story concerning a friar's investigations into the lives of five individuals before they were killed in a bridge collapse. An elegantly told parable, with credible historical ambience and psychologically rounded characters, The Bridge of San Luis Rey is primarily a probing inquiry into the nature of destiny and divine intention: Why did God allow these particular people to die?

The Woman of Andros, based on the Andria of Roman writer Terence, is a meditation on the ancient world filtered through the sensibility of a meditative courtesan; Heaven's My Destination, a departure from Wilder's historical themes, is a picaresque romp through Depression-era America; and The Ides of March takes up the story of Julius Caesar's assassination by imagining the exchange of letters among such prominent ancient figures as Catullus, Cleopatra, Cicero, and Caesar himself, "groping in the open seas of his unlimited power for the first principles which should guide him." The volume concludes with a selection of early short stories-among them "Précautions Inutiles," published here for the first time-and a selection of essays that offers Wilder's insights into the works of Stein and Joyce, as well as a lecture on letter writers that bears on both The Bridge of San Luis Rey and The Ides of March....

This new edition of Thornton Wilder's renowned 1967 National Book Award–winning novel features a new foreword by John Updike and an afterword by Tappan Wilder, who draws on such unique sources as Wilder's unpublished letters, handwritten annotations in the margins of the book, and other illuminating documentary material.

In 1962 and 1963, Thornton Wilder spent twenty months in hibernation, away from family and friends, in the Rio Grande border town of Douglas, Arizona. While there, he launched The Eighth Day, a tale set in a mining town in southern Illinois about two families blasted apart by the apparent murder of one father by the other. The miraculous escape of the accused killer, John Ashley, on the eve of his execution and his flight to freedom triggers a powerful story tracing the fate of his and the victim's wife and children. At once a murder mystery and a philosophical story, The Eighth Day is a "suspenseful and deeply moving" (New York Times) work of classic stature that has been hailed as a great American epic.

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The author of such classics as Our Town and The Bridge of San Luis Rey, Thornton Wilder was a born storyteller and dramatist—rare talents on glorious display in this volume of more than three hundred letters he penned to a vast array of famous friends and beloved relatives. Through Wilder's correspondence, readers can eavesdrop on his conversations with Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, NoËl Coward, Gene Tunney, Laurence Olivier, Aaron Copland, Paul Hindemith, Leonard Bernstein, Edward Albee, and Mia Farrow. Equally absorbing are Wilder's intimate letters to his family.

Wilder tells of roller-skating with Walt Disney, remembers an inaugural reception for FDR at the White House, describes his life as a soldier in two World Wars, and recalls dining out with Montgomery Clift and Elizabeth Taylor. In these pages, Thornton Wilder speaks for himself in his own unique, enduring voice—informing, encouraging, instructing, and entertaining with his characteristic wit, heart, and exuberance.

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This beautiful new edition features an eye-opening Afterword written by Tappan Wilder that includes Thornton Wilder's unpublished notes and other illuminating photographs and documentary material.

Our Town was first produced and published in 1938 to wide acclaim. This Pulitzer Prize–winning drama of life in the small village of Grover's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.

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Drawing on such unique sources as Thornton Wilder's unpublished letters, journals, and selections from the extensive annotations Wilder made years later in the margins of the book, Tappan Wilder's Afterword adds a special dimension to the reissue of this internationally acclaimed novel.

The Ides of March, first published in 1948, is a brilliant epistolary novel set in Julius Caesar's Rome. Thornton Wilder called it "a fantasia on certain events and persons of the last days of the Roman republic." Through vividly imagined letters and documents, Wilder brings to life a dramatic period of world history and one of history's most magnetic, elusive personalities.

In this inventive narrative, the Caesar of history becomes Caesar the human being. Wilder also resurrects the controversial figures surrounding Caesar -- Cleopatra, Catullus, Cicero, and others. All Rome comes crowding through these pages -- the Rome of villas and slums, beautiful women and brawling youths, spies and assassins.

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Drawing on such unique sources as the author's unpublished letters,business records, and obscure family recollections, Tappan Wilder'sAfterword adds a special dimension to the reissue of this hilarious tale about goodness in a fallen world.

Meet George Marvin Brush -- Don Quixote come to Main Street in the Great Depression, and one of Thornton Wilder's most memorable characters. George Brush, a traveling textbook salesman, is a fervent religious convert who is determined to lead a good life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks, and campgrounds from Texas to Illinois -- and into the soul of America itself.

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Marking the thirtieth anniversary of Theophilus North, this beautiful new edition features Wilder's unpublished notes for the novel and other illuminating documentary material, all of which is included in a new Afterword by Tappan Wilder.

The last of Wilder's works published during his lifetime, this novel is part autobiographical and part the imagined adventure of his twin brother who died at birth. Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, spy, confidant, lover, friend, and enemy as he becomes entangled in the intrigues of both upstairs and downstairs in a glittering society dominated by leisure.

Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder's trademark wit juxtaposed with his lively and timeless ruminations on what really matters about life, love, and work at the end of the day -- even after a visit to Newport.

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This volume of more than three hundred letters, selected from some seven thousand gathered around the world, is the first to provide a comprehensive collection of Thornton Wilder's correspondence. Wilder was known as a man who knew everybody, and these letters vividly document the range of his friendships. Readers will find him roller-skating with Walt Disney, attending an inaugural reception for FDR at the White House, describing his life as a soldier in two World Wars, mentoring younger writers, dining out with Montgomery Clift and Elizabeth Taylor, and savoring his association with colorful local citizens during his twenty-month stay as a self-styled “hermit” in an Arizona mining town.

Through Wilder's correspondence, readers can eavesdrop on his conversations with Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein. Noël Coward, Max Reinhardt, Gene Tunney, Alexander Woollcott, Laurence Olivier, Ruth Gordon, Garson Kanin, Aaron Copeland, Paul Hindemith, Leonard Bernstein, Edward Albee, and Mia Farrow. Equally absorbing are Wilder's intimate letters to his family.

The author of such classics as Our Town and The Bridge of San Luis Rey, Wilder was a born storyteller and dramatist; we see that talent emerging in scenes and incidental dialogue in his letters. With characteristic exuberance, he draws on his vast reservoir of learning and his incessant reading to inform, encourage, instruct, and entertain. In this collection, Thornton Wilder speaks for himself in his own unique, enduring voice.

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Our Town was first produced and published in 1938 to wide acclaim. This Pulitzer Prize–winning drama of life in the town of Grover's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.

It is now reissued in this handsome hardcover edition, featuring a new Foreword by Donald Margulies, who writes, "You are holding in your hands a great American play. Possibly the great American play." In addition, Tappan Wilder has written an eye-opening new Afterword, which includes Thornton Wilder's unpublished notes and other illuminating photographs and documentary material.

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This beautiful new edition features unpublished notes for the novel and other illuminating documentary mate- rial, all of which is included in a new Afterword by Tappan Wilder.

"On Friday noon, July the twentieth, 1714,the finest bridge in all Peru broke and precipi-tated five travelers into the gulf below." With this celebrated sentence Thornton Wilder begins The Bridge of San Luis Rey, one of the towering achievements in American fiction and a novel read throughout the world.

By chance, a monk witnesses the tragedy. Brother Juniper then embarks on a quest to prove that it was divine intervention rather than chance that led to the deaths of those who perished in the tragedy. His search leads to his own death -- and to the author's timeless investigation into the nature of love and the meaning of the human condition.

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