Barry Maitland

Barry Maitland

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Newly promoted to Detective Inspector, Kathy Kolla of the Serious Crimes Unit is called in by the forensic pathologist regarding the recent sudden death of a London student from what he’s determined to be arsenic poisoning. Marion Summers had no reason to be in contact with arsenic and, though once common, arsenic is now very hard to get hold of. The more Kolla investigates, the more she discovers that certain other things about Summers are also unusual. She moved three octobers ago without leaving a forwarding address or informing her relatives. And her step-father has a disquieting past and, after attacking a constable in a pub, a not-so-savory present. With each turn in the investigation, it becomes increasingly clear that behind what really happened—and why—lies the most difficult-to-crack case the team has ever faced.
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In one of the finest and most pivotal books in this critically acclaimed series, never before published in the U.S., D.S. Kathy Kolla reports to New Scotland Yard and to D.C.I. David Brock's Serious Crime Division. 
Just before Kolla is to start her new job, a young woman is found viscously murdered in a leafy, well-heeled suburb, and the grotesque details of the slaughter appear to be well-rehearsed, even theatrical.  Assigned to the case, Kolla's only improbable lead draws her to a local amateur drama group. Once in their orbit, she is lured into a piece of theatre over which, increasingly, she has little control. In All My Enemies, Brock and Kolla find themselves in a tangled web of deceptions in a case wherein a corpus of plays becomes a template for murder.

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Mrs. Thatcher's London is bristling with the newly rich bankers, and property developers who have declared the city their personal playground. But on tiny Jerusalem Lane, time seems not so much to have stood still as to have slipped backwards. Its shabby houses are home to a clutch of elderly emigres, refugees from a once war-torn Europe who are still fighting ancient political battles, the Trotskyites thumping their canes in fury, the Leninists bellowing into the Anarchists' hearing-aids. To many outsiders, the Lane's enmities look like some quaint geezers' hobby, a louder version of canasta. But then the geezers start dying....






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