The life and career of William N. Copley (1919-1996) spans an exciting (if little-known) period in American art. As a gallerist, Copley established a powerful presence for Surrealism on the West Coast, exhibiting Rene Magritte, Max Ernst, Yves Tanguy, Joseph Cornell and Man Ray, before deciding, in 1947, to become a painter himself. He then moved to Paris, where he developed his own unmistakable style, a style which has come to be recognized as the native link between Surrealism and Pop art. In his emphasis on bold wavy outline and occasional use of text, Copley is now also considered a forerunner of the graffiti art practiced by the likes of Keith Haring. This important monograph reproduces a broad selection of Copley's paintings, inspired by everyday American circumstances: his cowboys and pin-up girls, his erotic and pornographic fantasies and his set pieces from everyday life.

The life and career of William N. Copley (1919-1996) spans an exciting (if little-known) period in American art. As a gallerist, Copley established a powerful presence for Surrealism on the West Coast, exhibiting Rene Magritte, Max Ernst, Yves Tanguy, Joseph Cornell and Man Ray, before deciding, in 1947, to become a painter himself. He then moved to Paris, where he developed his own unmistakable style, a style which has come to be recognized as the native link between Surrealism and Pop art. In his emphasis on bold wavy outline and occasional use of text, Copley is now also considered a forerunner of the graffiti art practiced by the likes of Keith Haring. This important monograph reproduces a broad selection of Copley's paintings, inspired by everyday American circumstances: his cowboys and pin-up girls, his erotic and pornographic fantasies and his set pieces from everyday life.