Following in the footsteps of Céline and Joyce, and anticipating the gritty worldview of Burroughs and Bukowski . . . The great Flemish writer Louis Paul Boon began his life's work with this extraordinary novel, a story of World War II as seen through the unglamorous, uncourageous, unhistorical eyes of the man on the street. Frustrated with the dainty, straightforward, neatly chronological narratives that dominated fiction in his country, Boon started including overheard conversations, newspaper articles, manifestos, and other sights and noises of daily life in his work. Happily foul-mouthed and dirty-minded, eager to wade into the mud, Boon was resolutely unliterary while pursuing the most literary of goals: a new kind of writing, and a more honest way of looking at the world.

Following in the footsteps of Céline and Joyce, and anticipating the gritty worldview of Burroughs and Bukowski . . . The great Flemish writer Louis Paul Boon began his life's work with this extraordinary novel, a story of World War II as seen through the unglamorous, uncourageous, unhistorical eyes of the man on the street. Frustrated with the dainty, straightforward, neatly chronological narratives that dominated fiction in his country, Boon started including overheard conversations, newspaper articles, manifestos, and other sights and noises of daily life in his work. Happily foul-mouthed and dirty-minded, eager to wade into the mud, Boon was resolutely unliterary while pursuing the most literary of goals: a new kind of writing, and a more honest way of looking at the world.