The annual Historical Romance Writers of the World convention in New York City is calling to Jacqueline Kirby, a Nebraska librarian who desperately desires some excitement. But all is not love and kisses at this august gathering of starry-eyed eccentrics and sentimental scribes. As far as Jacqueline is concerned, the sudden "natural" death of a gossip columnist seems anything but. And when she's approached by a popular genre star who fears for her own life, the resourceful Ms. Kirby quickly goes back to work...as a sleuth. Because there's a sinister scenario being penned at this purple prose congregation. And when jealousy and passion are given free rein beyond the boundaries of the printed page, the result can be murder.

A missing masterwork in wood, the last creation of a master carver who died in the violent tumult of the sixteenth century, may be hidden in a medieval German castle in the town of Rothenburg. The prize has called to art historian Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long-forgotten damned stains ancient stones, Vicky must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place . . . or someone frighteningly real is willing to kill for what Vicky is determined to find.

Who stole one of Egypt's most priceless treasures? The Egyptian authorities and Interpol believe they know the identity of the culprit: "Sir John Smythe," the suave and dangerously charming international art thief who is, in fact, John Tregarth, the longtime significant other of famed art expert and sometime sleuth Vicky Bliss.

But John swears he is retired—not to mention innocent—and he vows to clear his name. With complete faith in her man's integrity, Vicky takes a hiatus from her job at a leading Munich museum and follows him to the Middle East. But dark days and myriad dangers await John, Vicky, and her employer, the rotund gourmand and insatiable adventurer Herr Doktor Anton Z. Schmidt. And the stakes are elevated considerably when a ransom note arrives accompanied by a grisly memento—because now it appears that murder has been added to the equation.

Banned forever from the eastern end of the Valley of the Kings, eminent Egyptologist Radcliffe Emerson's desperate attempt to regain digging rights backfires—and his dream of unearthing the tomb of the little-known king Tutankhamon is dashed. Now Emerson, his archaeologist wife, Amelia Peabody, and their family must watch from the sidelines as Lord Carnarvon and Howard Carter "discover" the greatest Egyptian treasure of all time.

But the Emersons' own less impressive excavations are interrupted when father and son Ramses are lured into a trap by a strange group of villains ominously demanding answers to a question neither man comprehends. And it will fall to the ever-intrepid Amelia to protect her endangered family—and perhaps her nemesis as well—from a devastating truth hidden uncomfortably close to home . . . and from a nefarious plot that threatens the peace of the entire region.

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Radcliffe Emerson, and their precocious (some might say rambunctious) eight-year-old son, Ramses. The long-denied permission to dig at the pyramids of Dahshoor has finally been granted, and the much-coveted burial chamber of the Black Pyramid is now theirs for the exploring.

Before the young family exchanges the relative comfort of Cairo for the more rudimentary quarters near the excavation site, they engage a young Englishman, Donald Fraser, as a tutor and companion for Ramses, and Amelia takes a wayward young woman, Enid Debenham, under her protective wing.

But there is danger and deception in the wind that blows across the hot Egyptian sands. A brazen kidnapping attempt, a gruesome murder, and an expedition subsequently cursed by misfortune and death—all serve to alert Amelia to the likely presence of her arch nemesis, the "Master Criminal," notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivate the man known as Sethos. The evil genius has a score to settle with the meddling lady archaeologist who has sworn to deliver him to justice . . . and he's got her dead-on in his sights.

Replete with edge-of-the-seat suspense and scrupulous archaeological and historical detail, all delivered in Amelia Peabody's unique, wry voice, Lion in the Valley is a classic installment in Elizabeth Peters's beloved mystery-adventure series.

For the first time in more than a decade, New York Times bestselling Grand Master Elizabeth Peters brings beautiful, brainy Vicky Bliss back into the spotlight for one last investigation. But this time the peerless art historian and sleuth will be detecting in Amelia Peabody territory, searching for solutions to more than one heinous offense in the ever-shifting sands of Egypt's mysterious Valley of the Kings.

Who stole one of Egypt's most priceless treasures? That is the question that haunts the authorities after a distinguished British gentleman with an upper-crust accent cons his way past a security guard and escapes into the desert carrying a world-famous, one-of-a-kind historic relic. But the Egyptian authorities and Interpol believe they know the identity of the culprit. The brazen crime bears all the earmarks of the work of one “Sir John Smythe,” the suave and dangerously charming international art thief who is, in fact, John Tregarth, the longtime significant other of Vicky Bliss. But John swears he is retired—not to mention innocent—and he vows to clear his name by hunting down the true criminal.

Vicky's faith in her man's integrity leaves her no choice but to take a hiatus from her position at a leading Munich museum and set out for the Middle East. Vicky's employer, the eminent Herr Doktor Anton Z. Schmidt, rotund gourmand and insatiable adventurer, decides to join the entourage.

But dark days and myriad dangers await them in this land of intriguing antiquity. Each uncovered clue seems to raise even more questions for the intrepid Vicky—the most troubling being, Where is John going during his increasingly frequent and unexplained absences? And the stakes are elevated considerably when a ransom note arrives accompanied by a grisly memento intended to speed up negotiations—because now it appears that murder most foul has been added to the equation.

Art historian Vicky Bliss may be blond and beautiful, but looks can be deceiving. She also has the brain of an Einstein, the reckless courage of a test pilot—and no one's more savvy about fine works of art. For example: the gold pendant her boss at Munich's National Museum is currently dangling in front of her. It's an exquisite replica of a Charlemagne talisman—and it was found, along with a note written in hieroglyphs, sewn into the suit pocket of an unidentified man lying dead in an alley.

There's a murderous puzzle to unravel—and Vicky will start by hunting down the master craftsperson who created the magnificent piece, even if the search carries her to the ends of the Earth. Instead, it's pointing her toward Rome, the most romantic city in the world. But it's also pulling her into a treacherous game of intrigue where the stakes could not be higher: Vicky's life!

A picture is worth a thousand words . . . but the photograph art historian Vicky Bliss has just received in the mail gives rise to a thousand questions instead. At first glance it appears to be the famous portrait of Frau Schliemann adorned in the gold of Troy. But closer study reveals the picture to be contemporary—which is odd since Vicky knows the Trojan gold vanished sometime around the end of World War Two. And if she needed further proof that something here is terribly amiss, a quick look at the blood-stained envelope the photo arrived in should do the trick.

Yet Vicky is not the only expert to receive this mysterious mailing. And the entire circle is gathering for a festive Bavarian Christmas—one, hopefully, to be made even more festive by the rediscovery of an ancient lost treasure. But the celebration could prove to be short—and bloody—courtesy of a very determined killer in their midst . . .

Laurie has finally returned to Idlewood, the beloved family home deep in the Maryland woods where she found comfort and peace as a lonely young girl. But things are very different now. There is no peace in Idlewood. The haunting sound of a distant piping breaks the stillness of a snowy winter's evening. Seemingly random events have begun to take on a sinister shape. And dotty old Great Aunt Lizzie is convinced that there are fairies about -- and she has photographs to prove it. For Laurie, one fact is becoming disturbingly clear: there is definitely something out there in the woods -- something fiendishly, cunningly, malevolently human -- and the lives of her aging loved ones, as well as Laurie's own, are suddenly at serious risk.

A new year, 1917, is dawning, and the Great War that ravages the world shows no sign of abating. In these perilous times, archaeologist Amelia Peabody and her extended family must confront shocking dangers. But it is son Ramses who faces the most dire threat, answering a call that will carry him to the fabled seaport of Gaza on a mission as personal as it is perilous -- where death will be the certain consequence of exposure. While far away, Ramses's beautiful wife, Nefret, guards a secret of her own ...

When a sinister Egyptian spotted at the crime scene turns up in Mazghunah, Amelia can't resist following his trail. There's a mysterious scrap of papyrus and a missing mummy case to investigate, while she keeps at least one eye on their precocious son, Ramses, and his Egyptian cat. But the digging turns truly dangerous when Amelia and Emerson look for answers in an ancient tomb--one that could become their grave....

For the first time in more than a decade, New York Times bestselling Grand Master Elizabeth Peters brings beautiful, brainy Vicky Bliss back into the spotlight for one last investigation. But this time the peerless art historian and sleuth will be detecting in Amelia Peabody territory, searching for solutions to more than one heinous offense in the ever-shifting sands of Egypt's mysterious Valley of the Kings.

Who stole one of Egypt's most priceless treasures? That is the question that haunts the authorities after a distinguished British gentleman with an upper-crust accent cons his way past a security guard and escapes into the desert carrying a world-famous, one-of-a-kind historic relic. But the Egyptian authorities and Interpol believe they know the identity of the culprit. The brazen crime bears all the earmarks of the work of one “Sir John Smythe,” the suave and dangerously charming international art thief who is, in fact, John Tregarth, the longtime significant other of Vicky Bliss. But John swears he is retired—not to mention innocent—and he vows to clear his name by hunting down the true criminal.

Vicky's faith in her man's integrity leaves her no choice but to take a hiatus from her position at a leading Munich museum and set out for the Middle East. Vicky's employer, the eminent Herr Doktor Anton Z. Schmidt, rotund gourmand and insatiable adventurer, decides to join the entourage.

But dark days and myriad dangers await them in this land of intriguing antiquity. Each uncovered clue seems to raise even more questions for the intrepid Vicky—the most troubling being, Where is John going during his increasingly frequent and unexplained absences? And the stakes are elevated considerably when a ransom note arrives accompanied by a grisly memento intended to speed up negotiations—because now it appears that murder most foul has been added to the equation.

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Radcliffe Emerson, and their precocious (some might say rambunctious) eight-year-old son, Ramses. The long-denied permission to dig at the pyramids of Dahshoor has finally been granted, and the much-coveted burial chamber of the Black Pyramid is now theirs for the exploring.

Before the young family exchanges the relative comfort of Cairo for the more rudimentary quarters near the excavation site, they engage a young Englishman, Donald Fraser, as a tutor and companion for Ramses, and Amelia takes a wayward young woman, Enid Debenham, under her protective wing.

But there is danger and deception in the wind that blows across the hot Egyptian sands. A brazen kidnapping attempt, a gruesome murder, and an expedition subsequently cursed by misfortune and death—all serve to alert Amelia to the likely presence of her arch nemesis, the "Master Criminal," notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivate the man known as Sethos. The evil genius has a score to settle with the meddling lady archaeologist who has sworn to deliver him to justice . . . and he's got her dead-on in his sights.

Replete with edge-of-the-seat suspense and scrupulous archaeological and historical detail, all delivered in Amelia Peabody's unique, wry voice, Lion in the Valley is a classic installment in Elizabeth Peters's beloved mystery-adventure series.

Readers have long wondered what befell the Emerson clan during the years before the Great War. Now, at last, the silence is broken and the truth revealed of a perilous journey to a secret and mysterious place hidden deep in the heart of the unforgiving desert. An adventure prompted by loyalty to an endangered friend -- and spurred on by lies and treachery -- it leads Amelia Peabody and her intrepid family into a nest of vipers lying in wait at a remote mountain fortress. And when a dark past and a shocking mystery are ultimately discovered, a loved one may be lost forever.

For the first time in more than a decade, New York Times bestselling Grand Master Elizabeth Peters brings Vicki Bliss back for one last investigation. But this time she'll be detecting in Amelia Peabody territory, searching for solutions in Egypt's mysterious Valley of the Kings.

Who stole one of Egypt's most priceless treasures? The brazen crime bears all the earmarks of one Sir John Smythe, the international art thief who is, in fact, John Tregarth, the longtime significant other of Vicki Bliss. But John swears he's retired—not to mention innocent—and he vows to clear his name by hunting down the true criminal.

Vicki's faith in John leaves her no choice but to set out for the Middle East, where dark days and myriad dangers await them and each uncovered clue seems to raise even more questions for the intrepid Vicki. And the stakes are elevated considerably because now it appears that murder most foul has been added to the equation.