Czeslaw Milosz

Czeslaw Milosz

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A comprehensive selection of essays--some never before translated into English--by the Nobel Laureate.

To Begin Where I Am brings together a rich sampling of poet Czeslaw Milosz's prose writings. Spanning more than a half century, from an impassioned essay on human nature, wartime atrocities, and their challenge to ethical beliefs, written in 1942 in the form of a letter to his friend Jerzy Andrzejewski, to brief biographical sketches and poetic prose pieces from the late 1990s, this volume presents Milosz the prose writer in all his multiple, beguiling guises. The incisive, sardonic analyst of the seductive power of communism is also the author of tender, elegiac portraits of friends famous and obscure; the witty commentator on Polish complexes writes lyrically of the California landscape. Two great themes predominate in these essays, several of which have never appeared before in English: Milosz's personal struggle to sustain his religious faith, and his unswerving allegiance to a poetry that is "on the side of man."
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The autobiography of the Nobel laureate

Before he emigrated to the United States, Czeslaw Milosz lived through many of the social upheavals that defined the first half of the twentieth century. Here, in this compelling account of his early life, the author sketches his moral and intellectual history from childhood to the early fifties, providing the reader with a glimpse into a way of life that was radically different from anything an American or even a Western European could know.

Using the events of his life as a starting point, Native Realm sets out to explore the consciousness of a writer and a man, examining the possibility of finding glimmers of meaning in the midst of chaos while remaining true to oneself.

In this beautifully written and elegantly translated work, Milosz is at his very best.
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"I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog." --Road-Side Dog
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A Book of Luminous Things collects over 300 poems, each with a short commentary by the anthology’s editor Czeslaw Milosz. The poems are organized thematically into ten categories with titles like “Nature," “People among People," and “The Secret of a Thing.” Milosz includes a brief statement at the beginning of the sections that introduces the themes that he had in mind when selecting poems for that particular segment of the anthology. Each section contains works by a range of poets who are diverse in geography, culture, and time period. In the introduction to this volume, Milosz says of his selection process: My proposition consists in presenting poems, whether contemporary or a thousand years old, that are, with few exceptions, short, clear, readable, and, to use a compromised term, realist . . . I act like an art collector who, to spite the devotees of abstract art, arranges an exhibition of figurative painting, putting together canvases from various epochs to prove . . . that certain lines of development, different from those now universally accepted, can be traced. It is in this spirit that Milosz places a poem by the eleventh century Chinese poet Su Tung P’o sits on the page opposite one by the twentieth century American poet Robert Morgan. Juxtapositions like this make A Book of Luminous Things a surprising and instructive anthology....






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