Ann Parker

Ann Parker

סופר


1.
This book offers a visual celebration of the Islamic pilgrimage on house facades all over Egypt. Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. 'Hajj Paintings' is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims' faith and scenes from the Qur'an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....

2.
In the summer of 1880, the siren song of a lucky silver find in the mining boomtown of Leadville, Colorado, isn't the only thing that leads folks into temptation. Although possible investment in Leadville's silver mines is a main reason that former president and Civil War general Ulysses S. Grant is now touring this city at the top of the Rockies, others in his retinue and in town are enticed by other visions. Political aspirations fuel the dreams of young John Quincy Adams Wesley and his mother, while itinerant fire insurance mapmaker Cecil Farnesworth struggles against the seductive call of State Street, Leadville's red-light district.
As part owner of the Silver Queen Saloon, Inez Stannert has often observed the ruination that comes from yielding to temptation. Still, that knowledge hasn't stopped Inez from taking Reverend Justice Sands as her lover, in the absence of news of her missing husband. Nor does it stop her from striking a backroom deal with upscale brothel madam Frisco Flo, a deal that Inez gambles will make her financially independent.
But when the body of Lizzie, one of Flo's women, is discovered and Inez learns that Flo has another silent business partner, whose identity she will not divulge, Inez begins to have second thoughts. Inez, in a race against time to untangle the dealings of the high and the low during Grant's visit, must also face her own demons from the past, even as she fights to save her reputation and her life....

3.
The summer of 1880: although possible investment in Leadville's silver mines is a main reason that former president and Civil War general Ulysses S. Grant is now touring this city at the top of the Rockies, others in his retinue and in town are enticed by other visions. As part owner of the Silver Queen Saloon, Inez Stannert has often observed the ruination that comes from yielding to temptation. Still, that knowledge hasn't stopped Inez from striking a backroom deal with upscale brothel madam Frisco Flo, a deal that Inez gambles will make her financially independent.
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4.
The railroad is coming to Leadville and its rich Rocky Mountain mines. And who is coming to celebrate its arrival but Ulysses S. Grant, 18th President of the U.S. and former commander of the Union armies. Like other residents in the Colorado boomtown this summer of 1880, Inez Stannert regards the news as mixed. Some folks have wicked memories of the war, others have a stake in the competing railroad lines. And photographer Susan Carothers, Inez's friend, is caught in the deadly crossfire.. Iron Ties is Ann Parker's second novel, following Silver Lies, winner of the Willa (Cather) Literary Award for Historical Fiction, the Colorado Gold Award, and finalist for the Bruce Alexander Historical Mystery Award and the Spur Award for Best Novel of the West. www.annparker.net
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5.
This book contains haunting and lyrical photographs of the theater of rural Egyptian life.In this beautiful art book, award-winning American photographer Ann Parker records and celebrates life as it passes along a road through a typical village in the Egyptian Nile Delta in the early twenty-first century. But her photographs are not mere documents of a specific time and place; they transcend both as she captures timeless moments in an eternal world and presents us with a potentially infinite and hauntingly memorable pageant of living tableaux, silhouetted against the late afternoon sky.Day after day, in the same few hours of the lowering sun, from the same single vantage point on a wooden bench outside the house of the village mayor, Parker sat patiently waiting for figures and events to come together in what Henri Cartier-Bresson called "the decisive moment" on the road in front of her, framed by the trunks of two trees and curtained by their delicate branches. The result is this extraordinary collection of images-one hundred sepia prints filled with the comings and goings of the village's people, animals, and vehicles. Like a spectator seated in a theater, Ann Parker watched the telling procession pass by on the road. She has succeeded in documenting with artistry what remains of a rich traditional life in one of the most historic farming areas of the world, and with this exquisite book in hand we too may enjoy the privilege of sitting quietly beside her on the mayor's bench....






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