Michael Schwartz

Michael Schwartz

סופר


1.

In this razor-sharp analysis, TomDispatch.com commentator Michael Schwartz turns every mainstream conclusion about Iraq on its head. He shows how US occupation is fueling civil war in Iraq and beyond, and how US officials dismantled the Iraqi state and economy, helping to destroy rather than rebuild the country.

In a popular style reminiscent of the best writing against the Vietnam War, he punctures the myths used to sell the US public the idea of an endless "war on terror" centered in Iraq. Schwartz shows how the real US interests in Iraq were rooted in the geopolitics of oil and the expansion of a neoliberal economic model in the Middle East-and around the globe-at gunpoint.

War Without End also reveals how the failure of the United States in Iraq has forced US planners to fundamentally rethink the imperial dreams driving recent foreign policy.

This book is the third in a series of very successful books published in cooperation with TomDispatch.com, including the New York Times bestseller United States v. George W. Bush et al. by Elizabeth de la Vega (Seven Stories Press).

Michael Schwartz, professor of sociology and faculty director of the Undergraduate College of Global Studies at Stony Brook University, has written extensively on the war in Iraq at websites including TomDispatch, ZNet, Asia Times, and Mother Jones, and in numerous magazines, including Contexts, Against the Current, and Z Magazine.

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2.
The book presents an insightful perspective on the emotional causes of accidents, conditions and diseases. It also provides nutritional guidance and symbolic insights to the condition, the body part affected and the nutrients required to repair and arrest the disease from further progression....

3.

Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America—the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved—literally and figuratively—to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliest periods of Broadway.

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