When Miguel's Tía Lola comes from the Dominican Republic to Vermont to help out his Mami, who recently got divorced, Miguel is embarrassed by his unusual aunt: her beauty mark keeps changing places on her face, she drapes her lace mantilla across their windows, and she paints their house purple. Tía Lola's English is nonexistent--but how come she has no trouble making friends? And are the meatballs she puts in Miguel's lunchbox responsible for his making the baseball team? In each of these intertwining stories, Miguel finds his life changing in unexpected ways as he discovers himself....

Alma, the narrator of Saving the World, discovers a small historical footnote while doing research for a novel: In 1803, a Spanish doctor crossed the Atlantic with twenty-two orphan boys—live carriers of the smallpox vaccine—to inoculate the population of Spain's American colonies. Accompanying them on the two-year voyage was a mysterious woman, Isabel Sendales y Gómez, the rectoress of the orphanage. Captivated by Isabe'’s courage, Alma decides to tell the grueling story of their journey.

Meanwhile, Alma's husband, working with an organization committed to eradicating AIDS in developing countries, travels to the Dominican Republic. When his life is threatened, it is Isabel's strength and resolve that arouse Alma's unexpectedly heroic action.

This novel within a novel presents the radiant stories of two women swept up in campaigns against the scourges of their day....

Julia Alvarez’s heartwarming novel—now in Spanish.

Moving to Vermont after his parents split, Miguel has plenty to worry about! Tía Lola, his quirky, carismática, and maybe magical aunt makes his life even more unpredictable when she arrives from the Dominican Republic to help out his Mami. Like her stories for adults, Julia Alvarez’s first middle-grade book sparkles with magic as it illuminates a child’s experiences living in two cultures....

The Garcías—Dr. Carlos (Papi), his wife Laura (Mami), and their four daughters, Carla, Sandra, Yolanda, and Sofía—belong to the uppermost echelon of Spanish Caribbean society, descended from the conquistadores. Their family compound adjoins the palacio of the dictator’s daughter. So when Dr. García’s part in a coup attempt is discovered, the family must flee.

They arrive in New York City in 1960 to a life far removed from their existence in the Dominican Republic. Papi has to find new patients in the Bronx. Mami, far from the compound and the family retainers, must find herself. Meanwhile, the girls try to lose themselves—by forgetting their Spanish, by straightening their hair and wearing fringed bell bottoms. For them, it is at once liberating and excruciating being caught between the old world and the new, trying to live up to their father’s version of honor while accommodating the expectations of their American boyfriends. Acclaimed writer Julia Alvarez’s brilliant and buoyant first novel sets the García girls free to tell their most intimate stories about how they came to be at home—and not at home—in America.


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Now available in Spanish, the book Horn Book called “a realistic and compelling account of a girl growing up too quickly while coming to terms with the cost of freedom.”

I wonder what it would be like to be free? Not to need wings because you don’t have to fly away from your country?

From award-winning author Julia Alvarez comes the story of Anita de la Torre, a 12-year-old girl living in the Dominican Republic in 1960. Most of her relatives have immigrated to the United States, her Tío Toni has disappeared, Papi has been getting mysterious phone calls about butterflies and someone named Mr. Smith, and the secret police have started terrorizing her family for their suspected opposition to the country’s dictator. While Anita deals with a frightening series of events, she also struggles with her adolescence and her own personal flight to be free....

On a deserted mountain road in the Dominican Republic in 1960, three young women from a pious Catholic family were assassinated after visiting their husbands who had been jailed as suspected rebel leaders. The Mirabal sisters, thus martyred, became mythical figures in their country, where they are known as Las Mariposas (the butterflies). Three decades later, Julia Alvarez, daughter of the Dominican Republic and author of the acclaimed How the Garcia Girls Lost Their Accents, brings the Mirabal sisters back to life in this extraordinary novel. Each of the sisters speaks in her own voice, beginning as young girls in the 1940s, their stories vary from hair ribbons to gun-running to prison torture. Their story is framed by their surviving sister who tells her own tale of suffering and dedication to the memory of Las Mariposas. This inspired portrait of four women is a haunting statement about the human cost of political oppression, and is destined to take its place alongside Garcia Marquez's One Hundred Years of Solitude and Allende's The House of the Spirits as one of the great 20th-century Latin American novels. ...

MILLY KAUFMAN IS an ordinary American teenager living in Vermont—until she meets Pablo, a new student at her high school. His exotic accent, strange fashion sense, and intense interest in Milly force her to confront her identity as an adopted child from Pablo’s native country. As their relationship grows, Milly decides to undertake a courageous journey to her homeland and along the way discovers the story of her birth is intertwined with the story of a country recovering from a brutal history.

Beautifully written by reknowned author Julia Alvarez, Finding Miracles examines the emotional complexity of familial relationships and the miracles of everyday life.


From the Hardcover edition....

Cuando las hermanas García —Carla, Sandra, Yolanda y Sofía— y sus padres huyen de la República Dominicana buscando refugio de la persecución política, encuentran un nuevo hogar en los Estados Unidos. Pero el Nueva York de los años sesenta es marcadamente diferente de la vida privilegiada, aunque conflictiva, que han dejado atrás. Bajo la presión de asimilarse a una nueva cultura, las muchachas García se alisan el pelo, abandonan la lengua española y se encuentran con muchachos sin una chaperona. Pero por más que intentan distanciarse de su isla natal, las hermanas no logran desprender el mundo antiguo del nuevo.     
    
Lo que las hermanas han perdido para siempre —y lo que logran encontrar— se revela en esta novela magistral de una de las novelistas más celebradas de nuestros tiempos....

A delightfully entertaining story of family and culture from acclaimed author Julia Alvarez.

Moving to Vermont after his parents split, Miguel has plenty to worry about! Tía Lola, his quirky, carismática, and maybe magical aunt makes his life even more unpredictable when she arrives from the Dominican Republic to help out his Mami. Like her stories for adults, Julia Alvarez’s first middle-grade book sparkles with magic as it illuminates a child’s experiences living in two cultures.

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The first nonfiction work by acclaimed novelist Julia Alvarez--twenty-four personal essays on the experience of immigration and the writing life

The rich and revealing essays in Something to Declare offer Julia Alvarez's dual meditations on coming to America and becoming a writer. In the first section, "Customs," Alvarez relates how she and her family fled the Dominican Republic and its oppressive dictator, Rafael Trujillo, settling in New York City in the 1960s. Here Julia begins a love affair with the English language under the tutelage of the aptly named Sister Maria Generosa. Part Two--"Declarations"--celebrates Alvarez's enduring passion for the writing life. From the valentine to mythic storyteller Scheherazade that is "First Muse," to a description of Alvarez's itinerant life as a struggling poet, teacher, and writer in "Have Typewriter, Will Travel," to the sage and witty advice of "Ten of My Writing Commandments," Alvarez generously shares her influences and inspirations with aspiring writers everywhere.

"Reading Julia Alvarez's new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a big-hearted, wisecracking friend share hard-earned wisdom about family, identity, and the art of writing."--People...

A “phenomenal, indispensable” (USA Today) exploration of the Latina “sweet fifteen” celebration, by the bestselling author of How the García Girls Lost Their Accents

The quinceañera, a celebration of a Latina girl’s fifteenth birthday, has become a uniquely American trend. This lavish party with ball gowns, multi-tiered cakes, limousines, and extravagant meals is often as costly as a prom or a wedding. But many Latina girls feel entitled to this rite of passage, marking a girl’s entrance into womanhood, and expect no expense to be spared, even in working-class families. Acclaimed author Julia Alvarez explores the history and cultural significance of the “quince” in the United States, and the consequences of treating teens like princesses. Through her observations of a quince in Queens, interviews with other quince girls, and the memories of her own experience as a young immigrant, Alvarez presents a thoughtful and entertaining portrait of a rapidly growing multicultural phenomenon, and passionately emphasizes the importance of celebrating Latina womanhood....

Eagerly embracing their new American culture in Miami, the four Garcia women iron their hair, smoke cigarettes, date American men, forget their Spanish, and lose their accents all in their journey toward adulthood. Reprint. 25,000 first printing....

After Tyler's father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?

In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it....

At last! A zesty, exuberant follow-up to the wildly popular How the Garcia Girls Lost Their Accents, full of Julia Alvarez's keen observations and tender affection for her characters. The Garcia Girls are back, most notably Yolanda, or Yo, who has grown up to be a writer. In the process, she has managed to get kicked out of college, break more than a few hearts, have her own heart broken many times, return for extended visits to the Dominican Republic her family fled when she was a child, and marry three times. She has also infuriated her entire family by publishing the intimate details of their lives as fiction. The injured parties--her mother, her sisters, the Dominican cousins, the maid's daughter, her teachers, her lover, want to tell their side of the story, and Yo! hands the microphone to them. Cousin Lucinda shrugs off Yo's characterization of her as a Latin American Barbie with a size three soul, saying, Looking at her in her late 30s, knocking around the world without a husband, house, or children, I think you are the haunted one who ended up living your life mostly on paper. This brilliant novel is a full and true exploration of a woman's soul, a meditation on the writing life, and a lyrical account of the immigrant's search for identity and a place in the world. Yo!'s bright colors, zesty dialogue, warm feeling, and genuine insight could only come from the palette of Julia Alvarez....

Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition of el Trujillo’s dictatorship.

Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind.

From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free.

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The Dominican legend of the ciguapas, creatures who lived in underwater caves and whose feet were on backward so that humans couldn't follow their footprints, is reinvented by renowned author Julia Alvarez. Although the ciguapas fear humans, Guapa, a bold and brave ciguapa, can't help but be curious--especially about a boy she sees on the nights when she goes on the land to hunt for food. When she gets too close to his family and is discovered, she learns that some humans are kind. Even though she escapes unharmed and promises never to get too close to a human again, Guapa still sneaks over to the boy's house some evenings, where she finds a warm pastelito in the pocket of his jacket on the clothesline.


From the Trade Paperback edition....

Eagerly embracing their new American culture in Miami, the four Garcia women iron their hair, smoke cigarettes, date American men, forget their Spanish, and lose their accents all in their journey toward adulthood. Reprint. 25,000 first printing....

MILLY KAUFMAN IS an ordinary American teenager living in Vermont—until she meets Pablo, a new student at her high school. His exotic accent, strange fashion sense, and intense interest in Milly force her to confront her identity as an adopted child from Pablo’s native country. As their relationship grows, Milly decides to undertake a courageous journey to her homeland and along the way discovers the story of her birth is intertwined with the story of a country recovering from a brutal history.

Beautifully written by reknowned author Julia Alvarez, Finding Miracles examines the emotional complexity of familial relationships and the miracles of everyday life....