Marguerite Abouet

Marguerite Abouet

סופר


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“[Aya] wittily delves into both the political and the pop during an enchanted era when anything seemed possible.” —Vibe Vixen

The original Drawn & Quarterly volume of Aya debuted last year to much critical acclaim, receiving a Quill Award nomination and praise for its accessibility and for the rare portrait of a warm, vibrant Africa it presents. This continuation of the dynamic story by Marguerite Abouet and Clément Oubrerie returns to Africa’s Ivory Coast in the late 1970s, where life in Yop City is as dramatic as ever. Oubrerie’s artwork synchronizes perfectly with Abouet’s funny and lighthearted writing, which together create a spirited atmosphere and scenarios that, however unique to the bygone setting, remain entirely contemporary in their effect.
 
The original cast of characters is back in full force, with a case of questionable paternity fanning the flames of activity in the community. The new mother Adjoua has her friends to help with the baby, perhaps employing Aya a bit too frequently, while a new romance leaves Bintou with little time for her friends, let alone their responsibilities. The young women aren’t the only residents of Yopougon involved in the excitement, however; Aya’s father is caught in the midst of his own trysts and his employer’s declining Solibra beer sales, and Adjoua’s brother finds his share of the city’s nightlife.
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Aya has captured the hearts of North American readers of all ages for the rare portrait it paints of a vibrant, happy, bourgeois Ivory Coast in the 1970s, based upon Marguerite Abouet’s youth in Yop City. Not only is Aya complemented with Clément Oubrerie’s gorgeous artwork, but the volumes also offer a slice-of-life peek into African culture: complete with recipes, glossaries, and wardrobe instructions for turning one’s pagne (brightly colored fabric) into a skirt, head wrap, or baby carrier. Engaging and fun, the universal stories in Aya provide a much-needed context for today’s heartbreaking news stories.

Aya is the winner of the Best First Album award at the Angoulême International Comics Festival, the Children’s Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA’s Great Graphic Novels list, and the Eisner Award; and was included on “best of” lists in The Washington Post, Booklist, Publishers Weekly, and School Library Journal.

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