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The celebrated essayist and poet offers a collection of essays dealing with important social issues, stressing the importance of communities, the need for diversity in local economies, and the dangers of globalization. 12,500 first printing....
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A burnished day in September 1952 provides the framework for a narrative that movingly distills the lifetime of an uncommonly admirable if very human being. A new corrected edition. "The Memory of Old Jack is a slab of rich Americana, eloquent testimony that `it's not a tragedy when a man dies at the end of his life.'" -The New York Times Book Review "The account of Jack's courtship of his wife is a beautiful piece of writing...and worthy of a place among the best pieces of prose written by American writers of this century."-Library Journal...
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Berry's assessment of modern agriculture and its relationship to American culture--our health, economy, personal relationships, morals, and spiritual values--is more timely than ever. This new edition of Berry's work presents a a classic testament to the value of the American family farm....
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This rich volume reflects the development of Berry's poetic sensibility. "The Selected Poems of Wendell Berry makes available cartloads and heaps of clear and fluent work from Berry's fourteen books of poetry and four decades of writing, closely documenting the inner and the visible lives Berry sees and feels in agriculture and in nature." -Publishers Weekly...
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In these six essays, award-winning author Wendell Berry considers the degeneration of language that is manifest throughout our culture, from poetry to politics, from conversation to advertising, and he shows how the ever widening cleft between words and their referents mirrors the increasing isolation of individuals from their communities and of their communities from the land. From the essay, Standing by Words, Berry writes, "Two epidemic illnesses of our time—upon both of which virtual industries of cures have been founded—are the disintegration of communities and the disintegration of persons. That these two are related (that private loneliness, for example, will necessarily accompany public confusion) is clear enough. What seems not so well understood, because not so much examined, is the relation between these disintegrations and the disintegration of language. My impression is that we have seen, for perhaps a hundred and fifty years, a gradual increase in language that is either meaningless or destructive of meaning. And I believe that this increasing unreliability of language parallels the increasing disintegration, over the same period, of persons and communities." Out-of-print for more than fifteen years, Standing by Words offers a masterfully written argument for the literary tradition....
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Wendell Berry's continued fascination with the power of memory continues in this treasured novel set in 1976. Andy Catlett, a farmer whose hand was lost in an accident only eight months prior, wanders the streets of San Francisco. As his perspective filters through his anger over his loss and the harsh city that surrounds him, Andy begins to remember: the people and places that wait 2,000 miles away in his Kentucky home, the comfort he knew as a farmer, and his symbiotic relationship to the soil. Andy laments the modern shift away from the love of the land, even as he begins to accept his own changed relationship to the world. ...
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A writer who can imagine the “community belonging to its place” is one who has applied his knowledge and citizenship to achieve the goal to which Wendell Berry has always aspired—to be a native to his own local culture. And for Berry, what is “local, fully imagined, becomes universal,” and the “local” is to know one’s place and allow the imagination to inspire and instill “a practical respect for what is there besides ourselves.”
In Imagination in Place, we travel to the local cultures of several writers important to Berry’s life and work, from Wallace Stegner’s great West and Ernest Gaines’ Louisiana plantation life to Donald Hall’s New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. Berry laments today’s dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.
Rich with Berry’s personal experience of life as a Kentucky agrarian, the collection includes portraits of a few of America’s most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.
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Andy Catlett is the latest installment in Wendell Berry’s Port William series, a distinct set of stories that Berry has been telling now for 50 years. Set during the Christmas of 1943, nine-year-old Andy Catlett sets off to visit his grandparents in Port William by bus, by himself for the first time. For Andy this is a rite of passage, his first step into manhood. His experiences on this solitary voyage become pivotal points in the entire Port William epic. The old ways are in retreat, modern life is crowding everything in its path, and as Andy looks back many years later, he hears the stories again of his neighbors and friends. A beautiful short novel, now in paperback, Andy Catlett is a perfect introduction to the whole world of Port William, and will be a rich new installment for those already familiar with this unfolding story. ...
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Drawn from three collections of stories and including new work, That Distant Land extends over nearly a century of Berry's Port William community. With 23 stories from the author's Port William membership, this book is arranged in its fictional chronology, and it shines forth as a single sustained work. That Distant Land truly reveals Wendell Berry—award-winning essayist, novelist, and poet—as a literary master....
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"Ignorant boys, killing each other," is just about all Nathan Coulter would tell his wife about the Battle of Okinawa in November 1945. Life continued as some boys returned from the war while the lives of others were mourned. Nathan’s wife, Hannah, has time now to tell of the years since the war. In her eighties, twice widowed and alone, Hannah shares her memories: of her childhood, of young love and loss, of raising children and the changing seasons. She turns her plain gaze to a community facing its own deterioration, where, she says, "We feel the old fabric torn, pulling apart, and we know how much we have loved each other." Hannah offers her summation: her stories and her gratitude for membership in Port William. We see her whole life as part of the great continuum of love and memory, grief and strength. Hannah Coulter is the latest installment in Wendell Berry’s long story about the citizens of Port William, Kentucky. In his unforgettable prose, we learn of the Coulters’ children, of the Feltners and Branches, and how survivors "live right on."...
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"Ignorant boys, killing each other," is just about all Nathan Coulter would tell his wife, friends, and family about the Battle of Okinawa in the spring of 1945. Life carried on for the community of Port William, Kentucky, as some boys returned from the war and the lives of others were mourned. In her seventies, Nathan's wife, Hannah, has time now to tell of the years since the war. In Wendell Berry's unforgettable prose, we learn of the Coulter's children, of the Feltners and Branches, and how survivors "live right on."...
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During the otherwise quiet course of his life as a poet, Wendell Berry has become “mad” at what contemporary society has made of its land, its communities, and its past. This anger reaches its peak in the poems of the Mad Farmer, an open-ended sequence he’s found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings—and are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable. Here are gathered the individual poems from Berry’s various collections to offer the teachings and bitcheries of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road returns to design and produce an edition illustrated with etchings by Abigail Rover. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others. The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain. ...
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For five decades Wendell Berry has been a poet of great clarity and purpose. He is a writer whose imagination is grounded by the pastures of his chosen place and the rooms and porches of his family's home. In Given — his first collection of new poems in ten years now in paperback — the work is as rich and varied as ever before. With his unmistakable voice as the constant, he dexterously maneuvers through a variety of forms and themes — political cautions, love poems, a play in verse, and a long series of "Sabbath Poems" that resulted from Berry's recent Sunday morning walks of meditation and observation. Berry's work is one of devotion to family and community, to the earth and her creatures, to the memories of the past, and the hope of the future. His writing stands alongside the work of William Carlos Williams and Robert Frost as a rigorous American testament....
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The Art of the Commonplace gathers twenty-one essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. These essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture. Why is agriculture becoming culturally irrelevant, and at what cost? What are the forces of social disintegration and how might they be reversed? How might men and women live together in ways that benefit both? And, how does the corporate takeover of social institutions and economic practices contribute to the destruction of human and natural environments? Through his staunch support of local economies, his defense of farming communities, and his call for family integrity, Berry emerges as the champion of responsibilities and priorities that serve the health, vitality, and happiness of the whole community of creation....
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Six essays on sustainability and stewardship appear in this edition. One of America's most important cultural critics, Wendell Berry, urges that people learn once more to care for their local communities, and so begin a healing that might spread over our entire nation and beyond. Provocative, intimate, and thoughtful, Another Turn of the Crank reaches to the heart of Berry's concern and vision for the future, for America, and for the world....
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