For nearly thirty years, Mort Künstler has focused his considerable artistic talent on interpreting the Civil War through his paintings. In doing so, he has turned to leading historians and scholars for information that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of those images--supplemented by preliminary sketches, early studies, and photographs of works in progress--are the basis for the four volumes in this series.

Volume 4 follows the course of the war from the battle of Gettysburg (July 1-3, 1863) through the end of the war at Appomattox (April 9, 1865). The march through Virginia and into Tennessee and Georgia, culminating at the battle of Chickamauga, the Atlanta campaign, the battles of Franklin and Nashville, Sherman's March to the Sea, the North's rampage through South Carolina, and battles through North Carolina all ended in a parlor in a house at an obscure railroad crossroads.

In addition to portraying scenes from the conflict, Künstler also explores the human side of the struggle. Thus he has produced thoughtful studies of leaders at decisive moments, instances of daily camp life for the soldiers, and the emotional state of civilians and soldiers North and South as the war ground to its end.

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For nearly thirty years, Mort Künstler has focused his considerable artistic talent on interpreting the Civil War. In crafting his work to reflect poignant moments or critical circumstances of the conflict, he has turned to leading historians and scholars—such as Henry Steele Commager, James McPherson, William C. Davis, and James I. Robertson Jr.—for informative details that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of these images—supplemented by preliminary sketches, early studies, and photographs of works in progress—are the basis for these four volumes.
Künstler has also explored the human side of this national struggle. Thus he has produced thoughtful studies of leaders at decisive moments, instances of daily camp life for the soldiers, and those early romantic notions that it would be a bloodless war, predicated on the belief that a show of inner strength would prevail.
Historian James I. Robertson Jr. recently noted, "Among the handful who truly sense the human, indelible element of that war is Mort Künstler. That alone goes far in explaining why he is the premier Civil War artist of our time, if not of all time. ...His subjects are always widely appealing to the eye and to the mind. [He] pursues accuracy to an extent that would make some historians blush."
In the past twenty years, Künstler's portfolio has been published in twelve books, including companion pieces for the epic films Gettysburg and Gods and Generals. These paintings are reproduced here along with a lively history of the war....