''My name is Marisol. I'm seven years old. This spring, I helped my grandfather make a garden.''
First, Marisol and her grandfather had to prepare the ground. They pulled out the old plants and weeds. They mixed up all the dirt ''to make it soft.''
Then it was time to plant the seeds. They planted seeds to grow the vegetables Mama uses in soup squash, onions, carrots, and cabbage. They planted seeds to grow the things she needs to make salsa garlic, tomatoes, cilantro, and chili peppers. They planted mint for Abuela's tea. They planted watermelon seeds for Marisol and her brother. And for Grandad, they planted sunflower seeds because their ''big black eyes with long yellow eyelashes'' make him happy. And he likes to eat the seeds!
One day, Marisol's grandfather gives her a small bag of sunflower seeds, but instead of eating them she plants them here and there one in the corner of Mrs. Sosa's yard, another in Mr. Binh's yard. In fact, as she walks to school, she plants seeds in the corners of all the yards she passes. And she plants the last three seeds in the playground at school.
As the days pass, sometimes it's rainy and sometimes it's sunny. Finally, one bright day, Marisol's sunflower surprise shines a bit of happiness all around.
The tender relationship between grandparent and grandchild is illuminated in this children's book by author Gwendolyn Zepeda with warm illustrations by Alisha Gambino. Children ages 3-7 will sow and reap ideas of their own about ways to share a little joy, just as Marisol does with sunflowers....

Jessica Luna is your typical 26 year old: she has man trouble, mom trouble, and not a clue what to do with her life (though everyone else in her family seems to have plenty of suggestions!) After a lifetime of being babied by her family, Jess is incapable of trusting herself to make the right choices. So instead, she bases all of her life decisions on signs. She looks to everything for guidance, from the direction her rearview-mirror-Virgin-de-Guadalupe sways to whatever Madame Hortensia, her psychic, sees in the cards.


When her sort-of boyfriend Guillermo, a gifted unmotivated artist, disappoints her again, Jessica thinks it's time to call it quits. Just to be sure, she checks in with Madame Hortensia who confirms that yes, it is time for a change. (Who knew $20 could buy so much security!) Right on cue, Jess meets Jonathan; he's the complete opposite of Guillermo--of all Jess's boyfriends, in fact. He's successful, has a stable job....and is white. Jess isn't sure if Jonathan is really the change Madame Hortensia saw. Sure he gives great career advice, but is he advising her on a career she actually wants? And yes he's all about commitment, but is it Jess or her mother who really wants marriage?


Jess runs back to Madame Hortensia for advice, but even she is out of answers. Now there's only one thing that's certain: no one--not her mother, her sister, her boyfriend or her psychic--can tell her what to do. For better or for worse, Jess will have to take the plunge and make her own decisions if she wants to have any future at all....

"My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right--not too thick and not too thin."

And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands.

When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say "Ana's Tamales." And maybe Ana will even let Lidia work for her.

Gwendolyn Zepeda's rhythmic prose is combined with April Ward's bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition--making tamales!...