W.S. Merwin

W.S. Merwin

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Winner of the 2009 Pulitzer Prize for Poetry

Featured on NPR's "Fresh Air" and "The NewsHour with Jim Lehrer" on PBS.

Honored as one of the "Best Books of the Year" from Publishers Weekly.

"A collection of luminous, often tender poems that focus on the profound power of memory." —Pulitzer Prize Committee

"In his personal anonymity, his strict individuated manner, his defense of the earth, and his heartache at time's passing, Merwin has become instantly recognizable on the page; he has made for himself that most difficult of creations, an accomplished style." —Helen Vendler, The New York Review of Books

“Merwin is one of the great poets of our age.”—Los Angeles Times Book Review

"[The Shadow of Sirius is] the very best of all Merwin: I have been reading William since 1952, and always with joy." —Harold Bloom

"[Merwin's] best book in a decade—and one of the best outright... The poems... feel fresh and awake with a simplicity that can only be called wisdom." —Publishers Weekly, starred review

"Merwin's gentle wisdom and attentiveness to the world are alive as ever. These deeply reflective meditations move through light and darkness, old love and turning seasons to probe the core of human existence." —Orion

"[The Shadow of Sirius] shows the earthly possibilities of simple completeness in a writer's mature work. More than an achievement in poetry, this is an achievement in writing." —Harvard Review

The nuanced mysteries of light, darkness, presence, and memory are central themes in W.S. Merwin’s new book of poems. “I have only what I remember,” Merwin admits, and his memories are focused and profound—the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and “our long evenings and astonishment.” In “Photographer,” Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by “someone who understood.” In “Empty Lot,” Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can’t help but ask: How shall we mine our lives?

somewhere the Perseids are falling
toward us already at a speed that would
burn us alive if we could believe it
but in the stillness after the rain ends
nothing is to be heard but the drops falling

W.S. Merwin, author of over fifty books, is America’s foremost poet. His last two books were honored with major literary awards: Migration won the National Book Award, and Present Company received the Bobbitt Prize from the Library of Congress.

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Named one of the 100 Notable Books of the Year by The New York Times.

"The poems in Migration speak a life-long belief in the power of words to awaken our drowsy souls and see the world with compassionate interconnection."-National Book Award judges' statement

"The publication of W. S. Merwin's selected and new poems is one of those landmark events in the literary world."-Los Angeles Times

W. S. Merwin is the most influential American poet of the last half-century-an artist who has transfigured and reinvigorated the vision of poetry for our time. Migration: New and Selected Poems is that case. This 540-page distillation-selected by Merwin from fifteen diverse volumes-is a gathering of the best poems from a profound body of work, accented by a selection of distinctive new poems.

As an undergraduate at Princeton University, Merwin was advised by John Berryman to "get down on your knees and pray to the muse every day." Migration represents the bounty of those prayers. Over the last fifty years, Merwin's muse has led him beyond the formal verse of his early years to revolutionary open forms that engage a vast array of influences and possibilities. As Adrienne Rich wrote of Merwin's work: "I would be shamelessly jealous of this poetry, if I didn't take so much from it into my own life."

W. S. Merwin is the author of over fifty books of poetry, prose, and translation. He lives in Hawaii, where he raises endangered palm trees.

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"Metaphors, puns, surrealist visions, converted into sharp, disturbing little narratives . . . only a poet, and a good one, could have written it."-The Atlantic Monthly

W.S. Merwin's acclaimed short prose-many of which first appeared in The New Yorker-blur the distinction between fiction, poetry, essay, and memoir. Reminiscent of Kafka, Borges, and Beckett, they evoke mythical patterns and unlikely adventures and raise questions about art, reality, and meaning. As the Saturday Review remarked, they have "astonishing range and power."

The Book of Fables is an affordable paperback of all the short prose from two out-of-print collections, The Miner's Pale Children and Houses and Travellers. The pieces run from a single sentence to a dozen pages and create a poetic landscape both severe and sensuous.

From "A Garden":

You are a garden into which a bomb once fell and did not explode, during a war that happened before you can remember. It came down at night. It screamed, but there were so many screams. It was heard, but it was forgotten. It buried itself. It was searched for but it was given up. So much else had been buried alive . . .

Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the 2005 National Book Award in Poetry for Migration. Merwin lives in Hawaii, where he cultivates endangered palms.

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