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The mystery of Lew Griffin is revealed in the concluding novel of an honored series. In his old house in uptown New Orleans, Lew Griffin is alone...or almost. His relationship with Deborah is falling apart, his son, David, has disappeared again, leaving a note that sounds final. His friend Don Walsh, who is leaving the police department, is shot interrupting a robbery. And Lew is directionless: he hasn't written anything in years; he no longer teaches...there's nothing to fill his days. Even the attempt to discover the source of threatening letters to a friend leaves him feeling rootless and lost.
Through five previous novels, James Sallis has enthralled and challenged readers as he has told the story of Lew Griffin, private detective, teacher, writer, poet, and a black man moving through time in a white man's world. And now Lew Griffin stands alone in a dark room, looking out. Behind him on the bed is a body. Wind pecks at the window. Traffic sounds drift aimlessly in. He thinks if he doesn't speak, doesn't think about what happened, somehow things will be all right again. He thinks about his own life, about the other's, about how the two of them came to be here....
In a story as much about identity as it is about crime, Sallis has held a mirror up to society and culture, while at the same time setting Lew Griffin the task of discovering who he is. As the detective stands in that dark room, the answers begin to come clear and the highly acclaimed series builds to a brilliantly constructed climax that will resonate in readers' minds long after the story is finished.
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A derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and displaying a copy of one of Lew's novels. It is the beginning of a quest that will take the real detective/writer Lew Griffin into his own past....
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A derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and displaying a copy of one of Lew's novels. It is the beginning of a quest that will take the real detective/writer Lew Griffin into his own past....
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A trio of brilliant mysteries “unlike anything else being written today.”—Chicago Tribune Over the past five years, James Sallis has created three of the most acclaimed mysteries published in America, each of them featuring the complex John T urner—former cop, therapist, and ex-con, trying to escape his past, yet ever involved in the small community somewhere near Memphis where he has sought refuge. What You Have Left—concise, elegiac, memorable—collects these three classics in one paperback volume. ...
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When a former lover is murdered, former P.I. and New Orleans teacher Lew Griffin is compelled to investigate the mysterious disappearance of the victim's daughter, who abandoned her crack-addicted infant. Reprint. NYT. PW. ...
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Accepting a missing persons case in New Orleans, black private investigator Lew Griffin patrols the seamy side of the French Quarter, only to unveil a nightmare that parallels his own experiences and discover that his son has been kidnapped. Reprint....
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Lew Griffin is a survivor, a black man in New Orleans, a detective, a teacher, a writer. Having spent years finding others, he has lost his son...and himself in the process. Now a derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and displaying a copy of one of Lew's novels. It is the beginning of a quest that will take Griffin into his own past while he tries to deal in the present with a search for three missing young men.
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Lew Griffin's fifth outing begins when someone fires a shot towards him. When he fully comes to, Griffin discovers that most of a year has gone by since that night. Somewhere in the Crescent City there's an answer . . . and some very strange allies . . . if they can be trusted....
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