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The Idiot, by Fyodor Dostoevsky, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Just two years after completing Crime and Punishment, which explored the mind of a murderer, Dostoevsky produced another masterpiece, The Idiot. This time the author portrays a truly beautiful soul—a character he found difficult to bring to life because, as he wrote, “beauty is the ideal, and neither my country, nor civilized Europe, know what that ideal of beauty is.” The result was one of Dostoevsky’s greatest characters—Prince Myshkin, a saintly, Christ-like, yet deeply human figure.
The story begins when Myshkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Myshkin’s very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint. Joseph Frank is Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of a five-volume study of Dostoevsky’s life and work. The first four volumes received the National Book Critics Circle Award for Biography, two Christian Gauss Awards, two James Russell Lowell Awards of the Modern Language Association, a Los Angeles Times Book Prize, and other honors. Frank is also the author of Through the Russian Prism: Essays on Literature and Culture, The Widening Gyre, and The Idea of Spatial Form. He also wrote the introduction to the Barnes & Noble Classics edition of Dostoevsky’s The House of the Dead and Poor Folk.
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Dostoevsky's timeless masterpiece tells us the story of Raskolnikov, who commited the perfect murder. One of the greatest novels ever written, a journey into a criminal mind and a philosophical meditation on morality and redemption....
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A superb new translation of Dostoyevsky’s chilling and prophetic novel of revolutionary fanaticism
Pyotr and Stavrogin are the leaders of a Russian revolutionary cell. Their aim is to overthrow the Tsar, destroy society, and seize power for themselves. Together they train terrorists who are willing to lay down their lives to accomplish their goals. But when the group is threatened with exposure, will their recruits be willing to kill one of their own to cover their tracks? Savage and powerful yet lively and often comic, Demons was inspired by a real-life political murder and is a scathing and eerily prescient indictment of those who use violence to serve their beliefs....
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The shorter works of one of the world's greatest writers, including The Gambler and Notes from Underground The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among literature's most revered works. The Gambler chronicles Dostoevsky's own addiction, which he eventually overcame. Many have argued that Notes from Underground contains several keys to understanding the themes of the longer novels, such as Crime and Punishment and The Idiot. Great Short Works of Fyodor Dostoevsky includes: Notes from Underground The Gambler A Disgraceful Affair The Eternal Husband The Double White Nights A Gentle Creature The Dream of a Ridiculous Man...
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“And, in the dark, a thought came to me that no one had ever had before me: I wanted to kill someone, just in order to dare.” This graphic adaptation of Crime and Punishment masterfully illuminates Dostoevsky’s psychological thriller. Acclaimed French artist Alain Korkos vividly brings to life the mental anguish and moral dilemmas that plague Raskolnikov, a poor St. Petersburg student who murders a miserly pawnbroker. In this classic of Russian literature, the hero, unable to quell his guilt and paranoia, falls from a self-styled “super human” to a tormented soul in search of redemption. Both a philosophical inquiry and searing social critique, this suspense-driven drama remains as widely popular today as ever. - Classic works of literature that still have mass appeal today - Dark and edgy stories that appeal to graphic novel readers - Artwork by well-known and highly acclaimed comic book and graphic novel artists - Adaptations that re-imagine the stories, bringing them to life for a new generation of readers ...
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Jessie Coulson’s translation provides the text for the Third Edition of this acclaimed Norton Critical Edition. New footnotes have been added, based on discoveries by the leading Soviet Dostoevsky scholar, Sergei Belov. "Backgrounds and Sources", highly praised in the Second Edition, remains unaltered. Included are a detailed map of nineteenth-century St. Petersburg, selections from Dostoevsky’s notebooks and letters, and a crucial passage from an early draft of his novel. Noteworthy among the several new "Essays in Criticism" are a little-known but important passage by Leo Tolstoy on Raskolnikov; an essay by Sergei Belov; observations by the Russian literary theoretician and scholar Mikhail Bakhtin; and an essay by the Nobel laureate Czeslaw Milosz. A Chronology of Dostoevsky’s Life and a Selected Bibliography are also included. ....
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The Brothers Karamazov tells the stirring tale of four brothers who unite in the murder of one of literatures most despicable characterstheir father. This was Dostoevskys final and best work....
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In these stories, Dostoevsky explores both the figure of the dreamer divorced from reality, and also his own ambiguous attitude toward utopianism, themes central to his great novels. In White Nights, the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from "living life." A Gentle Creature and The Dream of a Ridiculous Man show how withdrawal from reality can end in spiritual desolation as well as moral indifference, and how, in Dostoevsky's view, the tragedy of the alienated individual can only be resolved by the rediscovery of a sense of compassion and responsibility toward other people.
No other edition brings together these specific stories--which are most interesting when read alongside one another--and the new translations capture all the power and lyricism of Dostoevsky's writing at its best....
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Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work....
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One of the most profound and disturbing works of nineteenth-century literature, Notes from the Underground is a probing and speculative work, often regarded as a forerunner to the Existentialist movement. The Gambler explores the compulsive nature of gambling, one of Dostoevsky's own vices and a subject he describes with extraordinary acumen and drama. Both works are new translations, specially commissioned for the World's Classics series....
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One of the greatest works of fiction ever written, Crime and Punishment is an intense psychological study, a terrifying murder mystery, and a fascinating detective thriller instilled with philosophical, religious, and social commentary. Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity." Crime and Punishment takes the listener on a journey into the darkest recesses of the criminal and depraved mind and exposes the soul of a man possessed by both good and evil who cannot escape his own conscience....
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The third of Dostoevsky's five major novels, Devils (1871-2), also known as The Possessed, is at once a powerful political tract and a profound study of atheism, depicting the disarray that follows the appearance of a band of modish radicals in a small provincial town. This new translation includes the chapter "Stavrogin's confession," initially censored by Dostoevsky's publisher....
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In this dark and compelling short novel, Fyodor Dostoevsky tells the story of Alexey Ivanovitch, a young tutor working in the household of an imperious Russian general. Alexey tries to break through the wall of the established order in Russia, but instead becomes mired in the endless downward spiral of betting and loss. His intense and inescapable addiction is accentuated by his affair with the General’s cruel yet seductive niece, Polina. In The Gambler, Dostoevsky reaches the heights of drama with this stunning psychological portrait....
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"My intention is to portray a truly beautiful soul." -- Dostoevsky Despite the harsh circumstances besetting his own life -- object poverty, incessant gambling, the death of his firstborn child -- Dostoevsky produced a second masterpiece, The Idiot, just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal and murder follow, testing Myshkin's moral feelings as Dostoevsky searches through the wreckage left by human misery to find "man in man." The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. "They call me a psychologist," wrote Dostoevsky. "That is not true. I'm only a realist in the higher sense; that is, I portray all the depths of the human soul."...
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Crime and Punishment, by Fyodor Dostoevsky, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Few authors have been as personally familiar with desperation as Fyodor Dostoevsky, and none have been so adept at describing it. Crime and Punishment—the novel that heralded the author’s period of masterworks—tells the story of the poor and talented student Raskolnikov, a character of unparalleled psychological depth and complexity. Raskolnikov reasons that men like himself, by virtue of their intellectual superiority, can and must transcend societal law. To test his theory, he devises the perfect crime—the murder of a spiteful pawnbroker living in St. Petersburg.
In one of the most gripping crime stories of all time, Raskolnikov soon realizes the folly of his abstractions. Haunted by vivid hallucinations and the torments of his conscience, he seeks relief from his terror and moral isolation—first from Sonia, the pious streetwalker who urges him to confess, then in a tense game of cat and mouse with Porfiry, the brilliant magistrate assigned to the murder investigation. A tour de force of suspense, Crime and Punishment delineates the theories and motivations that underlie a bankrupt morality. Priscilla Meyer is Professor of Russian Language and Literature at Wesleyan University, in Middletown, Connecticut. She published Find What the Sailor Has Hidden, the first monograph on Vladimir Nabokov’s Pale Fire, and edited the first English translation of Andrei Bitov’s collection of short stories, Life in Windy Weather. ...
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Introduction by Malcolm Jones; Translation by Richard Pevear and Larissa Volokhonsky...
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Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original....
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The narrator and protagonist of Dostoevsky’s novel The Adolescent (first published in English as A Raw Youth) is Arkady Dolgoruky, a na•ve 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father’s wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others. This new English version by the most acclaimed of Dostoevsky’s translators is a masterpiece of pathos and high comedy....
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Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia....
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In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, "Winter Notes on Summer Impressions," were first published in the February 1863 issue of Vremya (Time), the periodical he edited. ...
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