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Fourteen-year-old Shauzia dreams of seeing the ocean and eventually making a new life in France, but it is hard to reconcile that dream with the terrible conditions of the Afghan refugee camp where she lives. Making things worse is the camp’s leader, Mrs. Weera, whose demands on Shauzia make her need to escape all the more urgent. Her decision to leave necessitates Shauzia dress like a boy, as her friend Parvana did, to earn money to buy passage out. But her journey becomes a struggle to survive as she's forced to beg and pick through garbage, eventually landing in jail. An apparent rescue by a well-meaning American family gives her hope again, but will it last? And where will she end up? Mud City is the final book in the acclaimed trilogy that includes The Breadwinner (a best-seller) and Parvana's Journey. It paints a devastating portrait of life in refugee camps, where so many children around the world are trapped, some for their whole lives. But it also tells movingly of these kids' resourcefulness and strength, which help them survive these unimaginable circumstances....
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In Parvana’s Journey, the Taliban still control Afghanistan, but Kabul is in ruins. Parvana’s father has just died, and her mother, sister, and brother could be anywhere in the country. Parvana knows she must find them. Despite her youth, Parvana sets out alone, masquerading as a boy. She soon meets other children who are victims of war — an infant boy in a bombed-out village, a nine-year-old girl who thinks she has magic powers over landmines, and a boy with one leg. The children travel together, forging a kind of family out of sheer need. The strength of their bond makes it possible to survive the most desperate conditions. Royalties from this book will go toward an education fund for Afghan girls in Pakistani refugee camps....
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Diamond Willow Award nominee, 2008 Silver Birch Fiction shortlist, 2007 CLA Children's Book of the Year Award 2008 shortlist VOYA's Top Shelf Fiction for Middle School Readers list, 2007 Hackmatack Children's Choice Book Award nominee, 2008-2009 Jake and his sister Shoshona have been under foster care since their single mother was arrested for possession and trafficking three years before. Both have found their own ways to cope: Shoshona has become a bossy mother figure; Jake, who is a budding comic book artist, has created an alter ego named Jakeman. And unbeknownst to his sister, Jake continues his one-man letter-writing campaign to the Governor, pleading for clemency for their mom. Along with an assortment of nervous, angry, and damaged kids, Jake and Shoshona take a community-provided school bus four times a year on the long overnight journey through New York State to visit their mother in jail. This time will be like no other trip they've ever taken. Their adult chaperones contract food poisoning on the way back and must be dropped off at a hospital. And their driver, refusing to wait for another adult to replace their chaperones, sets off again with only the kids and a hidden bottle of booze in tow. In no time they are off the main highway and lost. And their driver, now staggering drunk, abandons the kids and walks off, leaving them in the middle of nowhere. Angry and sick to death of a system that has deserted them at every turn, Shoshana takes the wheel. And through a series of crazy side trips, Jake and the others hatch a plan to visit the Governor's mother. And when the old lady sees that her son has dismissed Jake's appeals and refused to even reply, she helps them face off with the Governor himself. Jake and the others find themselves at a photo opportunity that ends in tragedy even as it gives the long-abandoned kids a forum to be heard at long last. ...
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After finally managing to escape from being held as a virtual slave in an illegal cocaine operation, young Diego is taken in by the Ricardos, a poor, coca-farming family who provides a safe haven while he recovers from his ordeal. But even that brief respite comes to an end when the Bolivian army moves in and destroys the family's coca crop — and their livelihood. Diego eventually joins the cocaleros as they protest the destruction of their crops by barricading the roads and confronting the army head on. As tension builds to a dramatic standoff, he wonders whether he’ll ever find a way to return to his family. This thought-provoking book offers a different perspective of the war on drugs, revealing the terrible price it exacts from Bolivians who have grown coca for legitimate purposes for hundreds of years. And like all of Ellis’ books, it offers a sensitive and compelling look at the plight of children in developing countries. ...
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Canadian Library Association Book of the Year, Honour Book Geoffrey Bilson Award for Historical Fiction, Honour Book Mr. Christie Silver Book Award Ruth Schwartz Award, finalist Manitoba Young Readers’ Choice Award, nominee Rocky Mountain Book Award, nominee Before Micah came to St. Luc's, he knew how to beg, how to steal, and how to run from a beating. He did not know how to comb his hair, walk in line when he felt like running, or obey anyone's whim but his own. He was a stranger in a strange land. If it had been me, I would have found a way to disappear inside myself until the strangeness wore off. Micah was not like me. Henri has been living within abbey walls all his life, first in the care of nuns, then as a choirboy at St. Luc's, not far from Paris. He expects to spend the rest of his life there, copying books in the Scriptorium with the other brothers, and singing Mass in the great cathedral. Then Micah arrives, a streetwise ragamuffin with the voice of an angel, saved from certain hanging to sing for God instead of coins. Micah comes like a fresh breeze into dead places, bringing exuberant joy at a time when Henri most needs it. For the plague is coming, the grim reaper that will slash at the very roots of Henri's security. And neither Henri nor Micah nor anyone else in their world will ever be the same. ...
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El pan de la guerra (The Breadwinner) brings to life an issue that has recently exploded in the international media - the reality of life under the Taliban. Young Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan. Her father, because he has a foreign education, is arrested by the Taliban, the religious group that controls the country. Since women cannot appear in public unless covered head to toe, or go to school, or work outside the home, the family becomes increasingly desperate until Parvana conceives a plan. She cuts her hair and disguises herself as a boy to earn money for her family. Parvana's determination to survive is the force that drives this novel, set against the backdrop of an intolerable situation brought about by war and religious fanaticism. Deborah Ellis spent several months talking with women and girls in Afghan refugee camps in Pakistan and Russia. This suspenseful, timely novel is the result of those encounters....
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On the White Ravens' Outstanding New International Books for Children and Young Adults list, 2008 ForeWord Magazine’s Book of the Year Awards Bronze Medal Winner (YA Fiction category), 2007 Snow Willow Award nominee, 2008 CCBC's Best Books for Kids & Teens, 2008 Two bestselling authors join forces to write a powerful novel about racism. A student arrested on suspicions of terrorism. A high school torn apart by racism. Two boys from two different sets of circumstances forced to choose sides.
These are the issues at the heart of Bifocal, a groundbreaking new novel for young-adults.
The story is told from two different points of view. Haroon is a serious student devoted to his family. His grandparents emigrated from Afghanistan. Jay is a football star devoted to his team. He is white.
One day their high school is put on lockdown, and the police arrest a Muslim student on suspicion of terrorist affiliations. He might be guilty. Or is he singled out because of his race?
The entire student body fragments along racial lines and both Haroon and Jay find that their differences initially put them at odds. The Muslim students become targets and a smoke-bomb is set off near their lockers while Jay and his teammates believe they've been set-up to look like racists.
Bifocal is, by no stretch, an easy book. Award-winning authors Deborah Ellis and Eric Walters deliver a serious, hard-hitting book about racism that does not talk down to young people.
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Deborah Ellis has been widely praised for her books about children in war-torn countries. Now, she turns her attention closer to home, to American and Canadian children whose parents are soldiers fighting — or who have fought — in Afghanistan and Iraq. In frank and illuminating interviews, they talk about how this experience has marked and shaped their lives. Twelve-year-old Darby finds comfort in sending everyday items like Twizzlers and wet wipes to a dad whose life doesn’t include simple pleasures or a daily bath. Now that 10-year-old Mary’s father is home, he sits alone in his bedroom with his computer instead of hanging out with the family like he used to do. Interviewed on military bases, in the streets, in their homes, and over the phone, the children speak with remarkable candor about how war has touched their daily lives, reminding readers that although they may be living safely in North America, children always suffer when nations go to war. ...
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There is a lion in our village, and it is carrying away our children. At her father's funeral, Binti's grandmother utters the words that no one in Malawi wants to hear. Binti's father and her mother before him, dies of AIDS. Binti, her sister, and brother are separated and sent to the home of relatives who can barely tolerate their presence. Ostracized by their extended family, the orphans are treated like the lowest servants. With her brother far away and her sister wallowing in her own sorrow, Binti can hardly contain her rage. She, Binti Phirim, was once a child star of a popular radio program. Now she is scraping to survive. Binti always believed she was special, now she is nothing but a common AIDS orphan. Binti Phiri is not about to give up. Even as she clings to hope that her former life will be restored, she must face a greater challenge. If she and her brother and sister are to reunited, Binti Phiri will have to look outside herself and find a new way to be special. Compelling and uplifting, The Heaven Shop, is a contemporary novel that puts a very real face on the African AIDS pandemic, which to-date has orphaned more than 11 million African children. Inspired by a young radio performer the author met during her research visit to Malawi, Binti Phiri is a compelling character that readers will never forget. Awards and Nominations: - Ontario Library Association's Golden Oak Award winner 2006
- Winner of the 2005 Jane Addams Children's Book Award in the category of Honor Books for Older Children
- Shortlisted for the 2006 Alberta Children's Choice Book Award
- A Manitoba Young Readers' Choice Awards Honour Book for 2006
- Foreword Magazine 2004 Book of the Year Award finalist
- A Children's Africana Book Awards (CABA) 2005 Honor Book for Older Readers
- A Canadian Children's Book Centre Our Choice 2005
- Ruth & Sylvia Schwartz Children's Book Award for Young Adult/Middle Reader Books finalist
- Red Maple Book Award nominee 2005
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For twelve-year-old Diego and his family, home is the San Sebastian Women’s Prison in Cochabamba, Bolivia. His parents farmed coca, a traditional Bolivian medicinal plant, until they got caught in the middle of the government’s war on drugs. Diego’s adjusted to his new life. His parents are locked up, but he can come and go: to school, to the market to sell his mother’s hand-knitted goods, and to work as a “taxi," running errands for other prisoners. But then his little sister runs away, earning his mother a heavy fine. The debt and dawning realization of his hopeless situation make him vulnerable to his friend Mando’s plan to make big money, fast. Soon, Diego is deep in the jungle, working as a virtual slave in an illegal cocaine operation. As his situation becomes more and more dangerous, he knows he must take a terrible risk if he ever wants to see his family again. ...
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Deborah Ellis’ trilogy has been a phenomenal success, both critically and commercially. Now young readers can experience this entire epic story in one volume. The Breadwinner is set in Afghanistan, where 11-year-old Parvana lives with her family in a bombed-out apartment building in Kabul. When her father is arrested for the crime of having a foreign education, the family is left with no money or resources. Forbidden to earn money as a girl, Parvana must transform herself into a boy and become the breadwinner. In Parvana's Journey, her father has died and the family has scattered. Parvana, now 13 years old, is determined to find them. Again masquerading as a boy, she joins a group of wandering children, all refugees from war, who exist mainly on courage. In Mud City, the focus shifts to 14-year-old Shauzia, who lives in the Widows' Compound in Pakistan and dreams of escaping to a new life in France. Deborah Ellis uses simple, compelling language, memorable characters, and a wealth of imaginative detail in this wrenching look at the human cost of war that is also a surprisingly hopeful story of survival. ...
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Five years have passed since the U.S. and its allies invaded Iraq, and true democracy has yet to come. Four million Iraqis have been displaced; half are living in desolate tent camps, the others mostly stuck in Jordan and Syrian. All face uncertain futures. In this book, Deborah Ellis turns her attention to the war's most tragic victims — Iraqi children. She interviews more than 20 young Iraqis, mostly refugees living in Jordan, but also a few trying to build new lives in North America. Some families left Iraq with money; others are penniless, ill, or disabled. Most of the parents are working illegally or not at all, and the fear of deportation is a constant threat. The children speak for themselves, with little editorial comment, and their stories are frank, harrowing, and often reveal a surprising resilience in surviving the consequences of a war in which they played no part. ...
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