Alyn Shipton

Alyn Shipton

סופר


1.
In this major update of the acclaimed and award-winning jazz history, Alyn Shipton challenges many of the assumptions that surround the birth and growth of jazz music. How was it that it took off all over the United States early in the 20th century, despite the accepted wisdom that everything began in New Orleans? Shipton also re-evaluates the transition from swing to be-bop, asking just how political this supposed modern jazz revolution actually was. He makes the case for jazz as a truly international music from its earliest days, charting significant developments outside the USA from the 1920s onwards.All the great names in jazz history are here, from Louis Armstrong to Miles Davis and from Sidney Bechet to Charlie Parker and John Coltrane. But unlike those historians who call a halt with the death of Coltrane in 1967, Shipton continues the story with the major trends in jazz over the last 40 years: free jazz, jazz rock, world music influences, and the re-emergence of the popular jazz singer. This new edition brings the book completely up-to-date, including such names as John Medeski, Diana Krall, Django Bates, and Matthias Ruegg. There are also important new sections on Latin Jazz, and the repertory movement....

2.

This first biography of Jimmy McHugh captures a lively and significant contributor to American songwriting. Creator of favorite tunes such as "I'm in the Mood for Love" and "On the Sunny Side of the Street," McHugh was a one-man history of twentieth-century popular music: in his prolific composing career, he wrote songs for Duke Ellington, Shirley Temple, Bobby Breen, Carmen Miranda, Deanna Durbin, Frank Sinatra, Ethel Waters, Adelaide Hall, and scores of other entertainers. His last works were turned into smash hits by Pat Boone and Fats Domino, making McHugh one of the few musicians to have written successfully for numerous genres from ragtime to rock 'n' roll.

 

Following McHugh from humble Irish-American beginnings in Boston to eventual success in New York, Europe, and Los Angeles, Alyn Shipton deftly evokes the lively milieus of Tin Pan Alley, the Cotton Club, Broadway, and Hollywood. McHugh began his career in the classical world working alongside such superstars as Enrico Caruso, but he soon became a song plugger for Irving Berlin and began writing his own popular songs during World War I. He crossed the color line frequently, writing revues for African American casts at the Cotton Club as well as for Gertrude Lawrence, Bob Crosby, and Florenz Ziegfeld. He and his songwriting partner Dorothy Fields were also among the first to create Hollywood musical films.

 

In the 1940s, McHugh began heroic efforts at fundraising for the war effort and for the crusade against polio, and as a result he became a leading member of the Beverly Hills community. His involvement extended to the East Coast as well, as he had political and friendly social ties in New England politics and with the Kennedy family in particular, and he also wrote the official state song of Massachusetts. He continued to write songs for shows, movies, and revues and managed up-and-coming singers late in his life.

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