Lorca's Blood Wedding is a classic of twentieth-century theatre. The story is based on a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses it to investigate the subjects which fascinated him: desire, repression, ritual, and the constraints and commitments of the rural Spanish community in which the play is rooted. Ted Hughes's version stays close in spirit and letter to the original Spanish. With marvellous directness, he fuses Lorca's vision to his own, and the result is a powerful poetic text which captures all the violence and pathos of the play for an English-speaking audience.
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'Better never to lay eyes on a man, never to have seen one. Ever since I was a child, I've been frightened: the look of men, yoking up the oxen, picking up sacks of wheat, calling to each other, their thick voices, their thick boots. Every time I passed, fear of their hands, of their touch. God made me weak and ugly. It's his way of keeping them away.' So pronounces one of five unmarried daughters before her elder sister, being the richest if least attractive of the bunch, is hastily betrothed. The youngest, burning with desire, begins a passionate, clandestine affair with her sister's suitor. She's spied upon by a jealous sibling, with devastating consequences. The House of Bernarda Alba, in this new version, premieres at the National Theatre, London, in March 2005....

Written while Federico García Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books Lorca produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.

In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.

An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.
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A reissue of a landmark poetry volume with a new introduction by Pulitzer Prize winner W. S. Merwin. Bilingual.

The Selected Poems of Federico García Lorca has introduced generations of American readers to mesmerizing poetry since 1955. Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences—Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Buñuel—stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin....

essays & poetry (bilingual), ed Christopher Maurer ...

A revised edition of this major writer's complete poetical work

"And I who was walking
with the earth at my waist,
saw two snowy eagles
and a naked girl.
The one was the other
and the girl was neither."
--from "Qasida of the Dark Doves"

Federico García Lorca is the greatest poet of twentieth-century Spain and one of the world's most influential modernist writers. Christopher Maurer, a leading Lorca scholar and editor, has substantially revised FSG's earlier edition of the collected poems of this charismatic and complicated figure, who--as Maurer says in his illuminating Introduction--"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."
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This is a play written by the Spanish poet and dramatist who was murdered by Nationalist partisans in July 1936, shortly after the outbreak of Civil War. Commissioned and performed by the highly acclaimed Communicado Theatre Company, this translation won a Fringe First at the 1988 Edinburgh Festival....