The Petersburg campaign began June 15, 1864, with Union attempts to break an improvised line of Confederate field fortifications. By the time the campaign ended on April 2, 1865, two opposing lines of sophisticated and complex earthworks stretched for thirty-five miles, covering not only Petersburg but also the southeastern approaches to Richmond. This book, the third volume in Earl Hess's trilogy on the war in the eastern theater, recounts the strategic and tactical operations in Virginia during the last ten months of the Civil War, when field fortifications dominated military planning and the landscape of battle.

Hess extracts evidence from maps and earthworks systems, historic photographs of the entrenchments, extensive research in published and archival accounts by men engaged in the campaign, official engineering reports, modern sound imaging to detect mine galleries, and firsthand examination of the remnants of fortifications on the Petersburg battlefield today. The book covers all aspects of the campaign, especially military engineering, including mining and countermining, the fashioning of wire entanglements, the laying of torpedo fields, and the construction of underground shelters to protect the men who manned the works. It also humanizes the experience of the soldiers working in the fortifications, revealing their attitudes toward attacking and defending earthworks and the human cost of trench warfare in the waning days of the war....

There is no movie musical more fun than Singin' in the Rain, and few that remain as fresh over the years. . . . It is a transcendent experience, and no one who loves movies can afford to miss it.--Roger Ebert

America's most popular film critic is hardly alone in singing the praises of Singin' in the Rain. This quintessential American film--made in Hollywood's Golden Age, showcasing the genius of Gene Kelly, and featuring what Ebert calls "the most joyous musical sequence ever filmed"--has inspired love and admiration from fellow critics, film scholars, and movie buffs worldwide for more than half a century. Indeed, its reputation continues to grow: the American Film Institute now ranks it number 1 on its list of the Greatest Movie Musicals of All Time and number 5 on its list of the Greatest American Films of All Time.

Echoing the enthusiasm of the film's most devoted fans, Earl Hess and Pratibha Dabholkar embrace and illuminate both the film and its reputation. Combining lucid prose with meticulous scholarship, they provide for the first time the complete inside story of how this classic movie was made, marketed, and received. They re-create the actual movie-making experience, on the set and behind the scenes, and chronicle every step in production from original concept through casting, scripting, rehearsals, filming, scoring, and editing. They then trace its distribution, critical reception, and enduring reputation.

The book is brimming with human interest, bursting with anecdotes and quotes by and about the film's stars and makers. Here are Gene Kelly and Donald O'Connor at the top of their form, along with Debbie Reynolds and Cyd Charisse in their breakthrough roles. Here, too, are fascinating tidbits--about censorship troubles, continuity flaws, stunt doubles for Kelly, voice doubles for cast members, the dubbing of taps, and genealogy of all the songs. Hess and Dabholkar also provide in-depth analyses of each of the major song-and-dance performances, including details of everything from the dynamics of "Gotta Dance!" to the physical challenges of the remarkable title number.

Based on exhaustive research in oral histories, studio production records, letters, memoirs, and interviews, their book is factually impeccable, compulsively readable, and indispensable for anyone who loves movies at their absolute best.

This book is part of the CultureAmerica series....