Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s he was popularized as the bobbysoxer's heartthrob.

He won the nation's heart, too, by appearing in a series of blockbuster war films--A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio.

However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict.

Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade even among co-workers, who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny.

With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916 - 2008) spent his post-Hollywood years living in solitude in New York City.

This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story.

Ronald L. Davis is the author of Hollywood Beauty: Linda Darnell and the American Dream, John Ford: Hollywood's Old Master, and Duke: The Life and Image of John Wayne. He is a professor of history at Southern Methodist University and the general editor of University Press of Mississippi's Hollywood Legends Series.

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Stage actor turned Hollywood star, William S. Hart (1864-1946) was for movie fans a cherished symbol of the romantic Old West. His silent westerns offered excitement, lessons in righteous behavior, and a nostalgic vision of the American frontier. This intriguing biography explores the personal and professional life of Hollywood's prototypical cowboy hero. Born in Newburgh, New York, Hart grew up in a Victorian atmosphere that gave rise to the rigid morality prevalent in many of his films. From 1914 to 1924, he appeared in or produced more than sixty movies, but it was not until he abandoned Shakespearean characters for parts in The Squaw Man and The Virginian that Hart truly assumed his western persona. For the first time, readers are given insights into Hart's somewhat lonely and tragic personal life, his quarrels with exploitive studios, and his association with such latter-day frontier legends as Charles M. Russell, Bat Masterson, and Wyatt Earp, who regarded him as a kindred spirit. Other highlights of this book include excerpts from his previously unpublished letters to starlet Jane Novak, Hart's one-time fiancée, as well as numerous photographs from studio and private collections.

Drawing on Hart's papers, primary sources of the Motion Picture Academy, oral histories, and contemporary newspapers, this chronicle of Hart's life is the first since his own starry-eyed autobiography, My Life East and West, appeared in 1929....