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Bierce's classic work of satirical wit and Steadman's pointed pen redefine the way we see even the seemingly simplest of terms.
Acquaintance, n.: A person whom we know well enough to borrow from but not well enough to lend to.
Bride, n.: A woman with a great future behind her.
Consult, v: To seek another's approval of a course already decided on.
Ambrose Bierce's "dictionary" of epigrams, essays, verses, and vignettes targets the religious, the romantic, the political, and the economic, in equal measure. The book you need to define both friends and enemies, The Devil's Dictionary is also the perfect gift, showcasing Bierce's razor-sharp wit and Ralph Steadman's incisive pen to their best advantage.
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One of America’s foremost language experts presents an annotated edition of A mbrose Bierce’s classic catalog of correct speech. Ambrose Bierce is best known for The Devil's Dictionary, but the prolific journalist, satirist, and fabulist was also a usage maven. In 1909, he published several hundred of his pet peeves in Write It Right: A Little Blacklist of Literary Faults. Bierce's list includes some distinctions still familiar today--the which-that rule, less vs. fewer, lie and lay -- but it also abounds in now-forgotten shibboleths: Ovation, the critics of his time agreed, meant a Roman triumph, not a round of applause. Reliable was an ill-formed coinage, not for the discriminating. Donate was pretentious, jeopardize should be jeopard, demean meant "comport oneself," not "belittle." And Bierce made up a few peeves of his own for good measure. We should say "a coating of paint," he instructed, not "a coat." To mark the 100th anniversary of Write It Right, language columnist Jan Freeman has investigated where Bierce's rules and taboos originated, how they've fared in the century since the blacklist, and what lies ahead. Will our language quibbles seem as odd in 2109 as Bierce's do today? From the evidence offered here, it looks like a very good bet. ...
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Before he trailed off into the wilds of Mexico, never to be heard from again, Ambrose Bierce achieved a public persona as "bitter Bierce" and "the devil's lexicographer." He left behind a nasty reputation and more than ninety short stories that are perfect expressions of his sardonic genius. Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat. ...
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Adapted and illustrated by Gahan Wilson, The Devil's Dictionary is a hilarious satire from one of the most brilliant and incisive writers of all time--Ambrose Bierce. Gahan Wilson's work appears regularly in The New Yorker and Playboy; he illustrated the Classics Illustrated version of Poe's The Raven and Other Stories....
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Ambrose Bierce's original and innovative stories differed dramatically from those of his 19th-century contemporaries. These 23 tales include his best and most characteristic short fiction: anti-war satires that underscore the barbarism of bloodshed, horror stories with keenly ironic edge, and sardonic "tall tales" of the Old West. ...
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On arriving at a rural monastery, the monk Ambrosius meets a young girl, Benedicta. She is shunned by the local community for being the daughter of the local hangman, but Ambrosius is drawn into a dangerous sympathy with her, and in defiance of the community and his superiors, he starts spending time alone with her. But when her virtue is corrupted by an impetuous young man, the stage is set for a battle between heart, mind, body, spirit, the sins of the past, and redemption. Allegedly a rewriting from a lost German original, Ambrose Bierce's 1892 novel reads as a seamless, almost folktale-like masterpiece. ...
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