At the confluence of the Potomac and Anacostia rivers, President Washington chose a diamond-shaped site for the city that would bear his name, along with the burdens and blessings of democracy. Situated midway between North and South, the capital was also a gateway to the West--a contested wilderness where rough frontiersmen were already carving a divided nation.

With Indians on their borders and black slaves in their midst, the country's white founders struggled to embody, in bricks and stone, the paradoxical republic they had invented. Inspired by Greek and Roman models, city planners and designers scoured the Western world--from Hadrian's Pantheon to Palladio's Vicenza to the French Royal Academy--for an architectural language to capture the elusive principles of liberty, equality, and union.

Washington from the Ground Up tells the story of a nation whose Enlightenment ideals were tested in the fires of rebellion, removal, and resistance. It is also a tale of two cities: official Washington, whose stately neoclassical buildings expressed the government's power and global reach; and DC, whose minority communities, especially African Americans, lived in the shadows of poverty. Moving chronologically and geographically throughout the District, James McGregor reads this complex history from monuments and museums, libraries and churches, squares and neighborhoods that can still be seen today. His lucid narrative, accompanied by detailed maps and copious illustrations, doubles as a visitor's guide to this uniquely American city.

Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome.

A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution.

McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.

Venice came to life on spongy mudflats at the edge of the habitable world. Protected in a tidal estuary from barbarian invaders and Byzantine overlords, the fishermen, salt gatherers, and traders who settled there crafted an amphibious way of life unlike anything the Roman Empire had ever known. In an astonishing feat of narrative history, James H. S. McGregor recreates this world-turned-upside-down, with its waterways rather than roads, its boats tethered alongside dwellings, and its livelihood harvested from the sea.

McGregor begins with the river currents that poured into the shallow Lagoon, carving channels in its bed and depositing islands of silt. He then describes the imaginative responses of Venetians to the demands and opportunities of this harsh environment—transforming the channels into canals, reclaiming salt marshes for the construction of massive churches, erecting a thriving marketplace and stately palaces along the Grand Canal. Through McGregor’s eyes, we witness the flowering of Venice’s restless creativity in the elaborate mosaics of St. Mark’s soaring basilica, the expressive paintings in smaller neighborhood churches, and the colorful religious festivals—but also in theatrical productions, gambling casinos, and masked revelry, which reveal the city’s less pious and orderly face.

McGregor tells his unique history of Venice by drawing on a crumbling, tide-threatened cityscape and a treasure-trove of art that can still be seen in place today. The narrative follows both a chronological and geographical organization, so that readers can trace the city’s evolution chapter by chapter and visitors can explore it district by district on foot and by boat.