|
|
|
1.
|
|
NONFICTION FROM “ONE OF THE STRONGEST AND MOST ARRESTING PROSE TALENTS OF HIS GENERATION” (LARRY MCMURTRY)
Leonard Michaels was a writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and ’60s—and of continuing to grow up, in the cultural turmoil of the ’70s and ’80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels’s highly personal commentaries on culture and art. Whether he’s asking what makes a story, reviewing the history of the word “relationship,” or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page. The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters. Leonard Michaels was a writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and ’60s—and of continuing to grow up, in the cultural turmoil of the ’70s and ’80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels’s highly personal commentaries on culture and art. Whether he’s asking what makes a story, reviewing the history of the word “relationship,” or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page. The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters. "This pungent collection, by a quizzical New York Jew who never quite assimilated, divides into two sections: critical essays and autobiographical essays . . . The best and most penetrating essays come in the second section, as Michaels gives a wincing account of family bedtime stories—on pogroms—a happier set of epiphanies on his father, a wise Yiddish-speaking barber; and yet another describing fish-out-of-water experiences at Berkeley. All told, these are soul-baring occasional pieces by a writer's writer and a master stylist."—Publishers Weekly "A collection of brilliant, funny, uncategorizable pieces published for the first time under one cover . . . The collection is divided into ‘critical’ and ‘autobiographical’ essays, but the distinction is almost arbitrary . . . Throwing memoiristic associations into pieces—an aside on beautiful women in one about Saul Bellow, for example—Michaels creates intimacy with the reader; it's as if we're looking over his shoulder as he struggles with issues of craft and form. In fact, reading this collection feels less like an encounter with a book whose positions have been carved and sanded than a conversation with a guy in a cafeteria, his hands waving to catch an image, pieces of Danish flying from his fast mouth . . . In 'My Yiddish,' the last piece [Michaels] completed before dying of complications from lymphoma in 2003, his ideas about Jews, language and meaning mount to a stunning crescendo."—Laurie Stone, Los Angeles Times
"A collection of articles by celebrated author Michaels. Divided into two distinct halves, the volume serves as an assemblage of the author's nonfiction work, much of which was published late in his life . . . The best essay is 'The Zipper,' which centers on Rita Hayworth's role in Gilda and the emotional reaction it caused in the teenaged Michaels. The story successfully synergizes the book's two halves, ably combining the critical eye of the first section with the self-reflection of the second."—Kirkus Reviews
"In this definitive collection of short nonfiction essays by Michaels, we find two smaller collections of essays—critical and biographical. Michaels analyzes story parts and the origins of the word relationship and its deeper meaning in literature; he pays tribute to an anonymous author, all the while philosophizing and quoting Sartre, Genet, Plato, Joyce, Montaigne, and the Bible. The author writes of being the son of Jewish Polish immigrants, learning English from a neighbor, and growing up in New York City, and he describes his time spent in Michigan, California, and France, among other places . . . Michaels explains that we write about ourselves to learn about ourselves, and he acknowledges that trying to write nonfiction is an act of insanity."—David L. Reynolds, Library Journal
"These essays, spare and elegant as Michaels alights on a range of subjects, follow the late writer's own precept: 'I think we name ourselves, more or less, whenever we write, and thus tend always to write about ourselves.' This pungent collection, by a quizzical New York Jew who never quite assimilated, divides into two sections: critical essays and autobiographical essays. Many of these works first appeared in the Threepenny Review, among other publications. The first part includes a brilliant essay 'On Love' and another on 'Having Trouble with My Relationship.' The latter breezily covers figures as diverse as Pope, Larkin, Heidegger and Kafka. Other figures and subjects blowing through these pages include Bellow, Nabokov, Kubrick, Edward Hopper, Wallace Stevens Rita Hayworth, and how to watch a movie. The best and most penetrating essays come in the second section, as Michaels gives a wincing account of family bedtime stories—on pogroms—a happier set of epiphanies on his father, a wise Yiddish-speaking barber; and yet another describing fish-out-of-water experiences at Berkeley. All told, these are soul-baring occasional pieces by a writer's writer and a master stylist."—Publishers Weekly Table of Contents
Editor’s Note
I . CRITICAL ESSAYSWhat’s a Story? The Story of Judah and Tamar The Story of Jonah Bad Blood On Love I’m Having Trouble with My Relationship On Ravelstein Legible Death The Horns of Moses Beckmann’s Faces Masks and Lies The Nothing That Isn’t There: Edward Hopper II . AUTOBIOGRAPHICAL ESSAYS
To Feel These Things The Zipper Literary Talk My Father The Abandoned House A Sentimental Memoir A Berkeley Memoir Kishkas Writing About Myself My Yiddish ...
|
|
2.
|
|
First acclaimed as a story-length memoir, then expanded into a novel, Sylvia draws us into the lives of a young couple whose struggle to survive Manhattan in the early 1960s involves them in sexual fantasias, paranoia, drugs, and the extreme intimacy of self-destructive violence.
Reproducing a time and place with extraordinary clarity, Leonard Michaels explores with self-wounding honesty the excruciating particulars of a youthful marriage headed for disaster. Leonard Michaels (1933–2003) was the author of Going Places, I Would Have Saved Them If I Could, and The Men’s Club, among other books. FSG will publish his Collected Stories in June to coincide with the reissue of Sylvia. First acclaimed as a story-length memoir, then expanded into a novel, Sylvia draws us into the lives of a young couple whose struggle to survive Manhattan in the early 1960s involves them in sexual fantasias, paranoia, drugs, and the extreme intimacy of self-destructive violence.
Reproducing a time and place with extraordinary clarity, Leonard Michaels explores with self-wounding honesty the excruciating particulars of a youthful marriage headed for disaster. “Sylvia is a fictionalized memoir, first published in 1992, about Michaels’s first wife Sylvia Bloch, who committed suicide . . . At 129 pages, the reissue of Sylvia, though billed as a novel, has the power and the rawness of memoir.”—Mona Simpson, The New York Times Book Review ...
|
|
3.
|
|
Leonard Michaels was a master of the short story. His collections are among the most admired, influential, and exciting of the last half century. The Collected Stories brings them back into print, from the astonishing debut Going Places (1969) to the uncollected last stories, unavailable since they appeared in The New Yorker, Threepenny Review, and Partisan Review.
At every stage in his career, Michaels produced taut, spare tales of sex, love, and other adult intimacies: gossip, argument, friendship, guilt, rage. A fearless writer—“destructive, joyful, brilliant, purely creative,” in the words of John Hawkes—Michaels probed his characters’ motivations with brutal humor and startling frankness; his ear for the vernacular puts him in the company of Philip Roth, Grace Paley, and Bernard Malamud. Remarkable for its compression and cadences, his prose is nothing short of addictive.
The Collected Stories is a landmark. ...
|
|
