Lawrence Block

Lawrence Block

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Keller is your basic urban Lonely Guy.He makes a decent wage, lives in a nice apartment.Works the crossword puzzle. Watches a little TV. Until the phone rings and he packs a suitcase, gets on a plane, flies halfway across the country...and kills somebody. It's a living. But is it a life? Keller's not sure. He goes to a shrink, but it doesn't work out the way he planned. He gets a dog, he gets a girlfriend. He gets along....

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Gulliver Fairborn's novel, Nobody's Baby, changed Bernie Rhodenbarr's life. And now pretty Alice Cottrell, Fairborn's one-time paramour, wants the bookselling, book-loving burglar to break into a room in New York's teeth-achingly charming Paddington Hotel and purloin some of the writer's very personal letters before an unscrupulous agent can sell them. Here's an opportunity to use his unique talents in the service of the revered, famously reclusive author. But when Bernie gets there, the agent is dead . . . and Bernie's wanted for murder. (He really hates when that happens!)

Perhaps it's karmic payback; Bernie did help himself to a ruby necklace on his way out. (But it was lying there. And he is a burglar.) Now he's in even hotter water. And he'll need to use every trick in the book—maybe going so far as to entice the hermitic Fairborn himself out of seclusion—to bring this increasingly twisted plot to a satisfying denouement.

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Keller's a hit man. For years now he's had places to go and people to kill.

But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?

One more job. Paid in advance, so what's he going to do? Give the money back? In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he's picking out stamps for his collection (Sweden 1-5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.

Back at his motel, Keller's watching TV when they show the killer's face. And there's something all too familiar about that face. . . .

Keller calls his associate Dot in White Plains, but there is no answer. He's stranded halfway across the country, every cop in America's just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.

Now what?

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Here's a review from Publisher's Weekly:

The Hard Case Crime imprint has found a perfect partner in Block, as this gritty grifter's tale, in print for the first time in 40 years, goes to show. In a small town somewhere between Chicago and New York, down on his luck card shark Bill Maynard stops off to take care of his teeth, recently broken in a beating he took for fixing a game. Planning to stay only long enough to heal, Bill's plans change when his dentist invites him to join a friendly game of poker. Having fooled the locals and earned a bundle at the game, Bill's ready to leave town when he falls hard for his host's sexy young wife, Joyce, who isn't fooled by his card tricks. Indeed, she's got higher stakes in mind: after seducing him, she ropes Bill into that old scheme, helping her get rid of her hubby. The plot twists here, then there, then back again, rooted in Block's strong characters and no-nonsense prose style

And here's another from Booklist:
Before Matt Scudder, before Bernie Rhodenbarr, before being named a Mystery Writers of America Grand Master, Lawrence Block turned out paperback originals. This one--unavailable for more than 40 years--now receives a timely reissue from Hard Case Crime. It's a doozy. Bill Maynard is a card mechanic (cheater) who took a beating in Chicago and now is in serious need of some dental work. He finds it in an unnamed burg on the road to New York, and he also finds a nice little poker game. But who wanders into the game but one of the player's wives--who just happens to know a mechanic when she sees one. Soon enough Maynard and the wife are plotting to skip town with the husband's money, but, of course, the plan goes awry--in part because the square's life starts to feel good to our card shark. Block unwinds his plot superbly, pointing toward a classic noir finale but then seeming to pull away--or maybe not. And, along the way, there is all the teasing sexuality and tongue-in-cheek noir style that a pulp devotee craves. Bill Ott

And the author says:

I read this while reformatting it for Kindle, and have to say it's as good as any of my work of the period. I published it with Beacon because I'd split with my then-agent and needed a quick sale, and used a pen name because it was with Beacon. It really should have come out under my name from Gold Medal. Oh well. Not the only bad decision I made back in the day.

The book probably owes a little to The Tooth & The Nail, by Bill S. Ballinger, a fine writer who's pretty much forgotten these days. ...

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From a Noir Master, a Classic Tale of Grift and Greed.

Con man Joe Marlin was used to scoring easy cash off beautiful women. But that was before he met Mona Brassard and found himself facing the most dangerous con of his career, one that will leave him either a killer -- or a corpse.

Presented unabridged on 5 CDs; narrated by Alan Sklar....


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Keller's a hit man. For years now he's had places to go and people to kill.

But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?

One more job. Paid in advance, so what's he going to do? Give the money back? In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he's picking out stamps for his collection (Sweden 1-5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.

Back at his motel, Keller's watching TV when they show the killer's face. And there's something all too familiar about that face. . . .

Keller calls his associate Dot in White Plains, but there is no answer. He's stranded halfway across the country, every cop in America's just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.

Now what?

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The Cold War's boiling over. Global tensions are near the breaking point. So what's the perfect assignment for a super-spy who hasn't slept since the Korean conflict? A fun-filled trip to the Montreal World's Fair!

The adorable little girl he's escorting—who, under different circumstances, would be sitting on the Lithuanian throne—can hardly contain her excitement, but it isn't all playtime for Evan Tanner. Some mysterious disappearances, apparently linked to the fair's Cuban exhibition, need to be looked into.

Keeping his mind on business, however, won't be easy after an insatiable lovely in a tiger skin falls into Tanner's arms, and a mother lode of dangerous drugs falls into his lap. But the biggest, deadliest suprise is the terrorist plot Tanner's tumbling into, and he'll have to think and act quickly to prevent the visiting queen of England from being blown to smithereens.

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"I would urge other writers, at whatever point in their careers, to take the time to read this indispensable handbook....Telling Lies for Fun & Profit should be a permanent part of every writer's library."-- From the Introduction by Sue Grafton

Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.

From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.

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For years now Keller's had places to go and people to kill.

But enough is enough. Just one more job—paid in advance—and he's going to retire. Waiting in Des Moines for the client's go-ahead, Keller's picking out stamps for his collection at a shop in Urbandale when somebody guns down the charismatic governor of Ohio. Back at his motel, Keller sees the killer's face broadcast on TV. A face he's seen quite often. Every morning. In the mirror.

Keller calls his associate Dot in White Plains, but there's no answer. He's stranded halfway across the country, and every cop in America has just seen his picture. His ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.

Now what?

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Evan Michael Tanner hasn't slept in more than a decade—not since a small piece of battlefield shrapnel invaded his skull and obliterated his brain's sleep center. Still, he's managed to find numerous inventive ways to occupy his waking hours.

Tanner is a card-carrying member of hundreds of international organizations, from the Internal Macedonian Revolutionary Order to the Flat Earth Society—not because he believes in their myriad lost causes, he's simply a joiner by nature. Besides, it gives him something to do.

The Russians think Tanner is a CIA operative on a covert mission. The CIA is certain he's a Soviet agent. Actually, he's in Turkey pursuing a fortune in hidden Armenian gold. But Tanner's up for anything, including a little spycraft, if it helps him reach his big payday. And if need be, he'll even start a small revolution . . .

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A man in a Virginia prison awaits execution for three horrific murders he must have committed but swears he didn't . . .

An aging investigator in New York City has seen too much and lost too much -- and is ready to leave the darkness behind . . .

But a nightmare is coming home -- because a brilliant, savage, patient monster has unfinished business in the big city . . . and a hunger that can be satisfied only by fear and the slow, agonizing death of Matthew Scudder and the woman he loves.

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In the era before he created moody private investigator Matthew Scudder, burglar Bernie Rhodenbarr, sleepless spy Evan Tanner, and the amiable hit man Keller—and years before his first Edgar Award—a young writer named Lawrence Block submitted a story titled "You Can't Lose" to Manhunt magazine. It was published, and the rest is history.

One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by a budding young master and soon-to-be Grand Master—an essential slice of genre history, and more fun than a high-speed police chase following a bank job gone bad.

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A successful socialite's beautiful wife was raped and murdered in her own home -- and Matt Scudder believes the victim's "grieving" husband was responsible for the outrage. But to prove it, the haunted p.i. must descend into the depths of New York's sex-for-sale underworld, where young lives are commodities to be bought, perverted...and destroyed.

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Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also -- and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town -- some quick and brutal ... and some agonizingly slow.

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Evan Tanner can't sleep. Ever. Which gives him plenty of free time to get involved in lots of interesting endeavors in all sorts of exotic locales.

Now Tanner's in Thailand with a partially baked plan and a butterfly net, hoping to snare a beautiful missing chanteuse who's metamorphosed into an international jewel thief. Tanner hopes everyone will buy his disguise as a rare butterfly researcher. And everyone does . . .

Except the guerilla band holding him captive. They intend to remove his head when the sun rises, so Tanner must put his fate in the hands of a randy Thai youth who will do anything for a woman, even set a suspected spy free. Soon they're running through the jungle together, chased by bandits, soldiers, and yellow fever, and racing headlong into the heart of darkness—and into the flames of war.

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Bernie Rhodenbarr is a personable chap, a good neighbor, a passable poker player. His chosen profession, however, might not sit well with some. Bernie is a burglar, a good one, effortlessly lifting valuables from the not-so-well-protected abodes of well-to-do New Yorkers like a modern-day Robin Hood. (The poor, as Bernie would be the first to tell you, alas, have nothing worth stealing.)

He's not perfect, however; he occasionally makes mistakes. Like accepting a paid assignment from a total stranger to retrieve a particular item from a rich man's apartment. Like still being there when the cops arrive. Like having a freshly slain corpse lying in the next room, and no proof that Bernie isn't the killer.

Now he's really got his hands full, having to locate the true perpetrator while somehow eluding the police -- a dirty job indeed, but if Bernie doesn't do it, who will?

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It's a jungle out there.

Literally. At least for Evan Tanner, eternally sleepless sometime superspy, who finds himself in Africa on the trail of the AWOL ruler of tiny Modonoland. It seems the petty despot's gone missing, and he's taken the state treasury along with him.

No stranger to impossible missions and international peril, Tanner's been in over his head before. This time, however, he's in imminent danger of being buried alive. And it all has to do with the CIA, white supremacists, moderate revolutionaries . . . and a blond jungle bombshell named (no joke!) Sheena. Tanner's always been a sucker for a pretty face and a curvaceous body, especially one that's wrapped in leopard skin. But this red hot renegade daughter of a local missionary is a maneater.

Which means this time Tanner's goose is well and truly cooked.

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This is a city that seduces dreamers...then eats their dreams.Matthew Scudder understands the futility of his search for a longtime missing Midwestern innocent who wanted to be an actress in the vast meat-grinder called New York City. But her frantic father heard that Schudder is the best -- and now the ex-cop-turned-p.i. is scouring the hell called Hell's Kitchen looking for anything that might resemble a lead. And in this neighborhood of the lost, he's finding love -- and death -- in the worst possible places.

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The CIA, the FBI, the KGB, Interpol—not one of the world's premier intelligence organizations knows quite what to make of Evan Michael Tanner. Is he a spy, a mercenary, a footloose adventurer, or simply a screwball sucker for hopeless causes?

(Actually he's a little bit of all of the above. Plus he never sleeps. Ever.)

One thing's for sure: Tanner's a true romantic, which is why he can't refuse a distraught mother who begs him to rescue her lost, pure-as-driven-snow daughter. Phaedra Harrow (nee Deborah Horowitz) once shared Tanner's apartment but not his bed. And now the virginal beauty's been abducted by white slavers in the Afghan wilderness.

Finding Phaedra will be difficult enough. Bringing her back alive and unmolested may be impossible. And first Tanner will have to swim the English Channel, survive trigger-happy Russian terrorists . . . and maybe pull off a timely assassination or two.

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It's not that used bookstore owner and part-time burglar Bernie Rhodenbarr believes the less legal of his two professions is particularly ethical. (It is, however, a rush, and he is very good at it.) He just thinks it's unfair to face a prison term for his legitimate activities. After appraising the worth of a rich man's library -- conveniently leaving his fingerprints everywhere in the process -- Bernie finds he's the cops' prime suspect when his client is murdered.

Someone has framed Bernie Rhodenbarr better than they do it at the Whitney. And if he wants to get out of this corner he's been masterfully painted into, he'll have to get to the bottom of a rather artful -- if multiply murderous -- scam.

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First published under a pen name in 1961, this early thriller by MWA Grand Master Lawrence Block tells of five Americans dispatched to Cuba with a deadly assignment---the assassination of Fidel Castro. Here's what a reviewer had to say on Amazon's site:

Hard Case Crime has done it again, bringing us a 1961 pseudonymous thriller from Lawrence Block. Killing Castro focuses on one member of a ragtag ensemble cast who have accepted a commission to kill Fidel Castro. They begin in Tampa, make their separate ways to Havana and . . . well . . . don't think that later history guarantees that Fidel will make it through the final reel.

The narrative is taut, the language pulpy, the plotting perfect. Drenched in booze, cigarette and cigar smoke, beans and rice and sex, the story moves to its satisfying conclusion. Along the way there are interspersed accounts of Fidel's rise to and abuse of power. And give Block special points for his knowledge of Cuba in general, Havana in particular.

The book underscores Block's persistent and longstanding talent for this sort of writing. He does it now and he could do it then. And no, hitman Turner in this book is not the prototype for Block's current hitman, John Keller. He's his own man and he's got some dangerous partners. Fidel, watch your back. ...

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From the revered New York Times bestselling author comes a touching, insightful, and humorous memoir of an unlikely racewalker and world traveler

Before Lawrence Block was the author of bestselling novels featuring unforgettable characters such as the hit man Keller, private investigator Matthew Scudder, burglar Bernie Rhodenbarr, and time traveler Evan Tanner, he was a walker.

As a child, he walked home from school (mostly because he couldn't ride a bike). As a col-lege student, he walked until he was able to buy his first car (a deep blue 1950 Chevrolet coupe named Pamela, after the Samuel Richardson novel). As an adult, he ran marathons until he discovered what would become a lifelong obsession—never mind if some people didn't think it was a real sport—racewalking.

By that time Block had already spent plenty of time walking through the city of New York. But racewalking ended up taking him all over the country, from New Orleans to Anchorage, from marathons in the punishing heat to marathons in the pouring rain. And along the way, as he began to pen the books that would make him a household name among suspense fans all over the world, he found that in life, as in writing, you just need to take one step after the other.

Through the lens of his adventures while walking—in twenty-four-hour races, on a pilgrimage through Spain, and just about everywhere you can imagine—Lawrence Block shares his heartwarming personal story about life's trials and tribulations, discomforts and successes, which truly lets readers walk a mile in the master of mystery's shoes.

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Before Lawrence Block was the author of bestselling novels featuring unforgettable characters such as hit man Keller, private investigator Matthew Scudder, burglar Bernie Rhodenbarr, and time traveler Evan Tanner, he was a walker. As a child he walked home from school, as a college student he walked until he was able to buy his first car, and, as an adult, he ran marathons until he discovered the sport of racewalking.

Through the lens of his walking adventures—in 24-hour races, on a pilgrimage through Spain, and just about everywhere you can imagine—Block shares his heartwarming personal story about life's trials and tribulations, discomforts and successes, that truly lets readers walk a mile in the master of mystery's shoes.

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