From the author of The Song of Names (winner of the 2002 Whitbread First Novel Award), a powerful new novel that explores the reverberations of love and hate in the story of one man’s unlikely survival.

In an unnamed country at the end of a world war, Paul Miller escapes from a labor camp, collapsing after running only a few hundred feet. He is taken in by a young woman named Alice, and by the time she has nursed him back to health, the war has ended. With no one to return to and learning to love the woman who saved him, Paul decides to stay where he is. Over time he marries Alice, has a family, helps to rebuild the village, and, eventually, becomes its mayor.

But Paul is inescapably haunted by his life before the war, by his time in the camp, and by the fact that the people who are now his friends ignored for years the labor camp in their midst. When the camp’s commander returns to the village, Paul is at last faced with the moral dilemma that will force him to choose between vengeance and forgiveness.

The Game of Opposites tells a universal tale of good and evil with extraordinary humanity and poignancy. It is a stunning evocation of the capability for both within all of us....

In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world’s most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso’s first notes to the heyday of Bernstein, Glenn Gould, Callas, and von Karajan.

Lebrecht compellingly demonstrates that classical recording has reached its end point–but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author’s critical selection of the 100 most important recordings–and the 20 most appalling.

Filled with memorable incidents and unforgettable personalities–from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into “ the loudest symphony on earth”–this is at once the captivating story of the life and death of classical recording and an opinioned, insider’s guide to appreciating the genre, now and for years to come....