The highly praised new book that delivers a "hefty emotional wallop" (Chicago Tribune) from the acclaimed author of Other People's Houses and Her First American.

Shakespeare's Kitchen, Lore Segal's first major work of fiction in more than twenty years, was widely celebrated upon its publication in hardcover. Serialized in The New Yorker and excerpted in the 2008 O. Henry Prize Stories collection, it was also a Book Sense Pick, a Pick of the Week in both Entertainment Weekly and People magazine, and a Summer Reading Pick in Oprah's O Magazine.

In these "wry, finely honed, interlocking stories" (Atlantic Monthly), Segal offers a brilliant and nuanced portrayal of the lives of a close-knit group of friends and colleagues in a fictional college town in Connecticut. Told through a series of unforgettable dinner parties, afternoon picnics, and Sunday brunches, "the cumulative power of Shakespeare's Kitchen lies in Segal's dazzling ability to merge the mundane details of life with the arc of human emotion" (Washington Post Book World). It's a deeply moving work that marks the triumphant return of a writer at the height of her powers....

Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.”

It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order?

Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair.
Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.”...