Louis Begley

Louis Begley

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A haunting, unforgettable novel about an orphaned boy and his gallant aunt, and how, assuming false identities, they survive the horrors of war. Louis Begley's extraordinary novel is a work of wisdom and lyric power about the complex, terrifying process of growing up when the adult world has become insane....

7.
“Terrifically intelligent, moving, and entertaining.”
–The New York Sun


“With snappy dialogue [and] intelligent prose . . . Begley paints a memorable portrait of lasting friendship and of the strength required to step outside of the expectations that surround each of us.”
–Rocky Mountain News

At the beginning of the 1950s, three disparate young men are thrown together as roommates at Harvard College: Henry White, a Polish-Jewish refugee who survived World War II by hiding in Poland; Archibald P. Palmer III, an Army brat; and Sam Standish, ostensibly the scion of a fine New England family who has just learned that he was adopted at birth by parents he cannot respect. Each seeks to come to terms with his identity or to remake it altogether. Henry’s task is especially daunting: He is determined to live as an American, free of the shackles of his hideous past. But reinvention is a bargain with the devil, and over the years each will find that it comes at a high cost, challenging one’s honor and loyalty to parents, friends, and ultimately oneself.

“Absorbing . . . In full Henry James mode, Begley uses a lucid prose style to dispassionately eviscerate the upper classes even as he illuminates the true meaning of friendship.”
–Booklist

“The final moral crisis of Henry’s life [is] gorgeously evoked. . . . Begley’s analysis of class and anti-Semitism in America is often brilliant.”
–The Washington Post Book World

“A moving tale . . . [Begley’s] technique demands attention–and richly rewards it.”
–The New York Observer

“An elegant novel of enduring friendship.”
–Publishers Weekly (starred review)...

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Every year for the thirty they have been married, Louis Begley and Anka Muhlstein have escaped to Venice to write. In Venice for Lovers, Begley and Muhlstein fashion their own personal homages to Venice, one with a novella, the other with a personal essay. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. They meet Venetians like Ernesto, who tells them of the great flood that nearly destroyed the beautiful city; and Nerone, an authoritarian chef who serves the freshest seafood and throws yesterday’s catch to the cats. And they spend blissful hours at Da Fiore, named by the International Herald Tribune as one of the ten best restaurants in the world but which, unfazed, retains its rustic simplicity.

In his short novella, Begley writes a story of falling in love with—and in—Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman, is lured by her to the City of Water, only to be unceremoniously dumped after a brief rendezvous. But he discovers a lasting love for Venice itself—not an uncommon romance, as Begley’s brilliant essay on the city’s place within world literature demonstrates.

By turns humorous, nostalgic, and spellbinding, Venice for Lovers is a memorable collaboration by two fine stylists—a very private view of a place that will forever inspire dreams of love and passion....

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Every year for the thirty they have been married, Louis Begley and Anka Muhlstein have escaped to Venice to write. In Venice for Lovers, Begley and Muhlstein fashion their own personal homages to Venice, one with a novella, the other with a personal essay. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. They meet Venetians like Ernesto, who tells them of the great flood that nearly destroyed the beautiful city; and Nerone, an authoritarian chef who serves the freshest seafood and throws yesterday’s catch to the cats. And they spend blissful hours at Da Fiore, named by the International Herald Tribune as one of the ten best restaurants in the world but which, unfazed, retains its rustic simplicity.

In his short novella, Begley writes a story of falling in love with—and in—Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman, is lured by her to the City of Water, only to be unceremoniously dumped after a brief rendezvous. But he discovers a lasting love for Venice itself—not an uncommon romance, as Begley’s brilliant essay on the city’s place within world literature demonstrates.

By turns humorous, nostalgic, and spellbinding, Venice for Lovers is a memorable collaboration by two fine stylists—a very private view of a place that will forever inspire dreams of love and passion....

10.
Every year for all the thirty they have been married, Louis Begley and Anka Muhlstein have escaped to Venice to write. In Venice for Lovers, the couple has fashioned an homage to the City of Water. In her essay, Muhlstein charmingly describes how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants—Venetians like Ernesto, whose restaurant they have dinner in every night for many years, and who tells them of the great flood that nearly destroyed the beautiful city.  They spend blissful hours at Da Fiore, named by The International Herald Tribune one of the ten best restaurants in the world but which retains its rustic simplicity.

In his novella, Begley writes a story of falling in love with—and in—Venice. His twenty-year-old protagonist is lured to the city by the older woman he adores, only to be left to fend for himself. But he later discovers a lasting love for Venice itself—not an uncommon occurrence, as Begley's brilliant portrayal of the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors in whom Venice inspired dreams of love and passion.
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Every year for the thirty they have been married, Louis Begley and Anka Muhlstein have escaped to Venice to write. In Venice for Lovers, Begley and Muhlstein fashion their own personal homages to Venice, one with a novella, the other with a personal essay. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. They meet Venetians like Ernesto, who tells them of the great flood that nearly destroyed the beautiful city; and Nerone, an authoritarian chef who serves the freshest seafood and throws yesterday’s catch to the cats. And they spend blissful hours at Da Fiore, named by the International Herald Tribune as one of the ten best restaurants in the world but which, unfazed, retains its rustic simplicity.

In his short novella, Begley writes a story of falling in love with—and in—Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman, is lured by her to the City of Water, only to be unceremoniously dumped after a brief rendezvous. But he discovers a lasting love for Venice itself—not an uncommon romance, as Begley’s brilliant essay on the city’s place within world literature demonstrates.

By turns humorous, nostalgic, and spellbinding, Venice for Lovers is a memorable collaboration by two fine stylists—a very private view of a place that will forever inspire dreams of love and passion....

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Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with—and in—Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself—not an uncommon romance, as Begley’s brilliant literary essay on the city’s place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.
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