Nadine Gordimer

Nadine Gordimer

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Rarely have world writers of such variety and distinction appeared together in the same anthology. Their stories capture the range of emotions and situations of our human universe: tragedy, comedy, fantasy, satire, dramas of sexual love and of war in different continents and cultures. They are not about HIV / AIDS. But all twenty-one writers have given their stories--chosen by themselves as representing some of the best of their lifetime work as storytellers--without any fee or royalty.

Telling Tales is being published in more than twelve countries. The publisher's profits from the sales of this book will go to HIV / AIDS preventive education and for medical treatment for people living with the suffering this pandemic infection brings to our contemporary world. So when you buy this unique anthology of renowned storytellers as a gift or for your own reading pleasure, you are also making a gift to combat the plague of our new millennium.
Nadine Gordimer, who was awarded the Nobel Prize in Literature in 1991, is the author of fourteen novels, nine volumes of stories, and three nonfiction collections. She lives in Johannesburg, South Africa.
This anthology is a literary part of a worldwide effort to raise money for fighting HIV/AIDS.

Rarely have world writers of such variety and distinction appeared together in the same anthology. Their stories capture the range of emotions and situations of our human universe: tragedy, comedy, fantasy, satire, dramas of sexual love and of war in different continents and cultures. These tales are not about HIV/AIDS. But all twenty-one writers have given their stories—chosen by themselves as representing some of the best of their lifetime work as storytellers—without any fee or royalty.

Telling Tales is published in more than twelve countries. The publishers' profits from the sales of this book go to HIV/AIDS preventive education, and for medical treatment for people living with the suffering this pandemic infection brings to our contemporary world. This unique collection of renowned storytellers is much more than a gathering of great literature; it is a gift to combat the plague of our new millennium.
"A stellar roster, including five Nobelists—Gordimer, Grass, Oe, Marquez, and Saramago—offers 21 stories in a fundraising effort for HIV and AIDS in southern Africa."—Kirkus Reviews
"The 21 stellar writers in this international short-story collection include five Nobel winners. All the stories were chosen by the writers themselves and contributed without any fee, and all profits go to fight HIV-AIDS in southern Africa. The stories are not about AIDS, but several are about war and about dying. In Njabulo Ndbele's 'Death of a Son,' parents fight to get their child's body from the apartheid police. 'The Ultimate Safari,' by Gordimer, who edited the anthology, is a searing, unforgettable account of a desperate refugee child hiding from the fancy tourists in a famous game park. In contrast, Woody Allen has contributed his hilarious New Yorker piece lampooning the financier whose kid was turned down by a prestigious Manhattan preschool. There are also fine stories by Margaret Atwood, Hanef Kureishi, Arthur Miller, Salman Rushdie, and more."—Booklist

"A stellar roster, including five Nobelists—Gordimer, Grass, Oe, Marquez, and Saramago—offers 21 stories in a fundraising effort for HIV and AIDS in southern Africa. Chinua Achebe's 'Sugar Baby' is a razor-edged retrospective look at one man's inability to adjust to deprivation in the midst of protracted war. Margaret Atwood's stunning 'The Age of Lead' juxtaposes the narrator's watching news reports about a sailor frozen on an ill-fated Arctic expedition with memories of her lifelong friend, bonded since their teens by a desire for a 'life without consequences.' Now, Vincent is dead at 43 of 'a mutated virus that didn't even have a name yet'—the consequence of 'things you don't even know you've done.' In the powerful 'The Ultimate Safari,' Gordimer's narrator, a young girl in Mozambique whose mother has disappeared and whose father is in the war, flees with her grandparents. They walk for days through Kruger Park, 'a kind of whole country of animals—elephants, lions, jackals, hyenas, hippos, crocodiles'—to a refugee camp, where they live for more than two years, so long that the grandmother, whose husband disappeared on the trek, feels there is no home to return to. 'Bulldog,' Arthur Miller's straightforward Brooklyn coming-of-age story, revolves around a seductive woman selling puppies, while Njabule S. Ndebele's heartbreaking 'Death of a Son' chronicles the two weeks it takes for a young Johannesburg couple to get back their child's body, killed when soldiers and police patrolling the township began shooting. Saramago's 'The Centaur' is the beautifully wrought parable of the last Centaur to survive, wandering for centuries until there is no longer a wilderness to hide in. John Updike's ponderous 'The Journey to the Dead,' about a man's self-serving and increasingly awkward visits to a dying woman who was his ex-wife's best friend, is one of the few clinkers. By its nature more somber than not, a variety of voices with important stories."—Kirkus Reviews
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Hubo un tiempo en que había negros que querían reivindicarse como blancos. Ahora es un blanco quien se reivindica como negro. Y por las mismas razones., escribe Nadine Gordimer en Beethoven tenía algo de negro, el cuento que da título a este volumen en el que la escritora sudafricana, galardonada con el premio Nobel en 1991, presenta una serie de historias cuyos protagonistas viven inmersos en los problemas y contradicciones del mundo actual. Con fino sentido del humor y profundidad humana, Gordimer logra dar forma al ámbito personal y político alrededor del que giran las trams de estos cuentos escritos con pasión y sabiduría. / In this collection of new stories Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfathers fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. Dreaming of the Dead conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in History is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped.Alternative Endings considers the way writers make arbitrary choices in how to end storiesand offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell....

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La unica idea que Mehring, un industrial cincuenton y aun atractivo para las mujeres, tiene por clara en su vida es la que debe conservar a toda costa su modo de vida. Ni su amante izquierdista, ni su hijo un colegial presuntuoso que lleva pelo largo, consiguen socavar su conviccion de que tiene el derecho inalienable a seguir en posesion de sus bienes. Y nadie parece cuestionarlo: ni los trabajadores negros que cuidan de su finca en el Transvaal, ni los indios que venden los productos de su tierra, ni los hacenderos boers que le consideran un simple aficionado en los asuntos del campo, ni los negros que viven segregados en ghettos entre la finca y la ciudad. Tan solo la presencia de un hombre muerto, abandonado cerca de un rio, suscita en el cierta inquietud Como intenso contrapunto a sus recuerdos y fantasias, estan las vidas de los que sirven, pero que apenas reparan en el, y tambien esa otra misteriosa presencia en la serena belleza de la tierra a la que todos se aferran. / Mehring, a wealthy, dominating South African industrialist moves to preserve his way of life, his power, and his possessions in the face of massive injustice and suffering, changing times, and death....

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Always exploring the boundaries of race, identity, politics, memory, sexuality, and love with fearless insight and deep compassion, Nadine Gordimer has produced another masterpiece of short fiction. From a former anti-apartheid activist’s search for his own racial identity by tracing his great-grandfather’s part in South Africa’s diamond industry to a parrot that scandalizes people with repetitions of their quarrels and clandestine love-talk, this new collection of stories eloquently probes how people are never free from their past nor spared from loss....

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"You’re not responsible for your ancestry, are you . . . But if that’s so, why have marched under banned slogans, got yourself beaten up by the police, arrested a couple of times; plastered walls with subversive posters . . . The past is valid only in relation to whether the present recognizes it."

In this collection of new stories Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather’s fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. “Dreaming of the Dead” conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in “History” is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped.“Alternative Endings” considers the way writers make arbitrary choices in how to end stories—and offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell.
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