Carter Ratcliff

Carter Ratcliff

סופר


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This substantial new catalogue is a major addition to existing scholarship on the important American artist James Rosenquist. Featuring numerous gatefold images, different papers and a silk ribbon, it contains commissioned essays by Carter Ratcliff--who argues that to label Rosenquist a Pop artist is to deny the complexity of his oeuvre and diminish his achievement--and Sarah Bancroft, who suggests that the notion of abstraction is key to understanding all of Rosenquist's work, from 1960 onward, and not just the "overtly abstract" paintings of the past seven years. In addition, in a wide-ranging interview with Scott Rothkopf, the artist discusses the place of political engagement in his work, the importance of collage, his ongoing fascination with time and the element of excitement: "It's like taking drugs. It has to be exciting to be able to paint it. You have to feel it's worthwhile doing it, to really pull it off."...

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An artist's monograph on the career of scultor Fletcher Benton....

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An immaculately produced volume, Donald Sultan is a detailed examination of the artist’s distinguished thirty-year career and captures the essence of an innovative spirit whose work continues to evolve and inspire.

 

In the electrified atmosphere of New York’s downtown art renaissance of the 1980s, when graffiti and post-modern figuration were filling gallery walls and art magazines, Donald Sultan (b. 1951) developed a strikingly different style using simple iconography and a complex technique. His gouged and spackled paintings of lemons, tulips, and vases were abstract, familiar, erotic, and captured enthusiastic critical attention immediately. Influenced by artists from Sasetta to Warhol, Sultan chose still life as the vehicle for advancing his mission to “haul painting into the 21st century.” Today, Sultan’s work can be found in more than forty-five American museums, including MoMA, the Art Institute of Chicago, and the National Gallery of Art.

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