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THE BESTSELLING NOVEL BY STEVE MARTINIS NOW A MAJOR MOTION PICTURE Mirabelle is the "shopgirl" of the title, a young woman, beautiful in a wallflowerish kind of way, who works behind the glove counter at Neiman Marcus "selling things that nobody buys anymore..." Mirabelle captures the attention of Ray Porter, a wealthy businessman almost twice her age. As they tentatively embark on a relationship, they struggle to decipher the language of love--with consequences that are both comic and heartbreaking. Filled with the kind of witty, discerning observations that have brought Steve Martin critical success, Shopgirl is a work of disarming tenderness....
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The Emmy and Grammy Award-winner's candid, spectacularly amusing memoir of his years in stand-upIn the mid-seventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away." At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott's Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory. Martin illuminates the sacrifice, discipline and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times: the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies....
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Steve Martins talent has always defied definition: a seasoned actor, a razor-sharp screenwriter, an acclaimed playwright, and, of course, the ingenious comedian who turned King Tut into a national craze. In this widely praised collection of humourous riffs, Martin shows he is also a master of the written word. From a wildly imaginative meditation on who Lolita would be at age fifty to a send-up of the warning labels on medicine bottles, these pieces, many of which first appeared in The New Yorker, hilariously and intelligently skewer the topic at hand. Pure Drivel will have readers crying with laughterand marveling that in addition to all of his many talents, Steve Martin is also a superb writer. Like the fuzzy little puff of marabou on the instep of a coquettes satin bedroom slipper... Martins book of diminutive, often hilarious essays [is]... effortless and silly even as its subtly erudite. ~ Salon Martin is a gorgeous writer capable of being at once melancholy and tart, achingly innocent and astonishingly ironic. He is a master at revealing the surreal poetry in pure drivel. ~ Elle...
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With more than 340,000 copies in print, Steve Martins Shopgirl has landed on bestseller lists nationwide including: New York Times, Publishers Weekly, USA Today, Wall Street Journal, San Francisco Chronicle, Washington Post, and Los Angeles Times. Filled with the kind of witty, discerning observations that have brought Steve Martin incredible critical success, this story of modern day love and romance is a work of disarming tenderness....
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The Emmy and Grammy Award-winner's candid, spectacularly amusing memoir of his years in stand-upIn the mid-seventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away." At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott's Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory. Martin illuminates the sacrifice, discipline and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times: the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies....
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Steve Martin is a comedian, novelist, screenwriter, actor and many other things, but his first love is the banjo. His recent hit CD, The Crow, features 15 original tunes in both clawhammer and Scruggs style. This book of tablature, accurately transcribed by Tony Trischka, is a great learning tool for aspiring players....
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In the midseventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of "why I did stand-up and why I walked away." Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been awriter. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written. At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott's Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory. The dedication to excellence and innovation is formed at an astonishingly early age and never wavers or wanes. Martin illuminates the sacrifice, discipline, and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times -- the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies. Throughout the text, Martin has placed photographs, many never seen before. Born Standing Up is a superb testament to the sheer tenacity, focus, and daring of one of the greatest and most iconoclastic comedians of all time....
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Steve Martin is one of America's most treasured actors, having appeared in some of the most popular moves of our time. He is also an accomplished screenwriter who has in the past few years turned his hand to writing plays. The results, collected here, hilariously explore serious questions of love, happiness and the meaning of life; they are rich with equal parts of pain and slapstick humour, torment and wit....
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heobald Maske has an unusual problem: his wife's underpants won't stay on. One Sunday morning they fall to her ankles right in the middle of town-a public scandal! Mortified, Theo swears to keep her at home until she can find some less unruly undies. Amid this chaos he's trying to rent a room in their flat. The prospective lodgers have some underlying surprises of their own. In The Underpants, Steve Martin brings his comic genius and sophisticated literary style to Carl Sternheim's classic 1910 farce. His hilarious new version was staged by Artistic Director Barry Edelstein, and opened in March '02 on Off-Broadway to critical acclaim....
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